Guofeng Music scene once again "exploded" Shanghai Performing Arts World, "Sea Shengsheng Music" started the second round of resident performance

The sea -faction folk music, which stimulates the soul of the national music, gives the Shanghai Performing Arts world a new vitality with the gorgeous light and shadow -after a five -month postponement, the Shanghai National Orchestra National Feng Music scene "Sumi on the Sea" returns tonight Cadillac Shanghai Concert Hall opened the second round of residence. From August 19th to September 2nd, the resident performance of this country music, light and shadow, and architecture will lead the audience to experience the cultural charm and contemporary aesthetics of the millennium national music under the addition of more new generation of folk music performers. Essence

The resident performance of the Shanghai Ethnic Orchestra and Cadillac Shanghai Concert Hall under the Grand Theater Art Center performed "Maritime Music Music" in the first round of last year. We are surging. "At this time at this time, Wei Yinle has such contagious power, crossing time and space, gimmicking the soul, and covering us together. When the audience friends walk into the concert hall again, watch the performance and listen to the works, I believe we can be in Complete the leap in the music and regain the beautiful time in the past. "Ma Junfeng, the director of the" Minushan Music at the Sea "sitting in the auditorium, intersects in his heart.

"The artists bring these unforgettable experiences, intentionally or unintentionally sprinkle their emotions in the performance, making the works more plump, thick, and moving." As the director said, when those familiar melody was a few months after a few months, the artists were by the artists after a few months. When re -performance, each note is injected into a new life perception.

The new performance combination debuts for the first time, bringing vitality to the second round of residence

This time, the Shanghai National Orchestra is equipped with a number of different rehearsal echelons for the nine songs of "Sumi Music at the Sea". This not only excavates the potential of more young performers in the group, but also provides them with a broader display platform to integrate business training and performance practice.

In "Bee Flying", the orchestra player Ying Yiting, Ling Meng, Li Chenxiao, Jiang Yuanqing and Li Chunxu all performed this difficult work for the first time. Scenes when winged. During the creation of the song, they continued to exchange experiences, learn from each other, explore the performance techniques in the music, and carefully designed the interaction of Douqin fragments to deepen the tacit understanding between the combination.

In the orchestra strike the music department, the performers changed each other to practice each other. During the resident performance, many songs were used in a rich percussion instrument, and the performance of each instrument was very different. In addition to polishing his voice, Jiang Yuanqing, Yang Yang, Dou Qiang, etc., also joined the rehearsal of other music, practiced different percussion departments, and tried various combination methods. This is not only a challenge for each performer, but also an opportunity to improve skills and improve self. By learning to master more techniques, perceive richer emotions, and use better music language with audience friends We meet again.

As the orchestra more actors joined the team of "Sumi Music at the Sea", everyone has different understanding, different music processing and stage styles of music, so that the same work has giving different personality charm. Through the rehearsal form of the workshop, the original team in the first round of the stage was inherited with the new members to help the pursuit and enthusiastic artists grow rapidly, and the audience will also have the opportunity to enjoy more new generation of folk music. The performance of the performers.

The orchestra's Suona player Yan Jinlong and Jiang Feng are the first time that the stage of "The Minami Music at the Sea" on the national style music scene. This resident will take turns to serve as the solo part of the Aslene and Suona in the "Crossing". This song that integrates traditional musical instruments Suona with modern electronic music, over the audience, and the performance of the two new members is even more unique. Yan Jinlong's suona performance is very powerful, full of penetration and impact, and Jiang Feng, who loves rock and roll on weekdays, meets the cool electro -sound band of the orchestra, shows the fashion trend of contemporary national music.

In artistic creation, the Shanghai National Orchestra has always adhered to the professional concept of integrating innovation, openness and tolerance, and discovering more possibilities for contemporary national music. In the second round, some new combinations appeared for the first time, giving the work a new vitality.

Last year, "Jiu Song" performed the heroic pride of the overlord Xiang Yu. This year, the newly launched "Yu Xi" of the orchestra transformed the character perspective. Instead of flowing face, rigidity and tenderness, telling the eternal love of red -faced long songs and affectionate eternal love. Before the performance, the artists discussed the deeper cultural connotation behind the works, carefully appreciated the different twists and turns and mood changes of the Tyrannosaurus and Yu Ji, and integrated into the character characters, and perfectly cooperated with the pipa music with Peking Opera.

National music, light and shadow, and architecture complement each other to create landmarks in Shanghai Cultural Tourism

The resident version of "Summer of the Sea" presents the integration of national music, light and shadow, and buildings. This not only has high requirements for artists on the stage, but also requires the perfect cooperation between various technical and work behind the scenes.

Before the performance, Yao Shenshen and rehearsal commanded Peng Fei, who coordinated music and rehearsing, were carefully paid with dance, clothing, multimedia, lighting, audio and other aspects. They took the performers to practice repeatedly, continuously polishing and optimizing. Yao Shenshen said: "We carefully summarized the valuable experience of the first round of 23 performances, and carried out a more refined rehearsal for the second round of the resident. Careful carving. Although it is again again, we will always hold the mentality of the first round to present the best audiovisual experience to the audience. "The diverse performance lineup, upgraded version of the audiovisual presentation, and lead the audience to leave Enter the sea of ​​people in the sea. During the stay in the stage, the "National Chao Fan Er" atmosphere was full: the national style background punching point, "sea -born folk music" limited derivative gift bag ... Let the audience immerse the national style picture of the Shanghai cultural tourism landmark. During the premiere of the audience today, you can see the audience wearing Hanfu in front of the aesthetic stills of "Maritime Music" to check in in front of the aesthetic stills; Essence

"During the first round of last year, we discovered that the audience friends who came to the concert hall did two of their favorite things before and after the performance were 'pat, and' buy and buy '." According to Liang, during the second round of this year, the concert hall arranged the national style background board for audience and friends to take pictures. On the basis of last year, cultural and creative products were launched, and three "sea -born folk music" limited gift bags were launched for audiences to choose to buy. Among them, the limited gesture bag of "Sea Shengsheng Music" includes the national style Music mask, national breeze stickers designed by the Shanghai Concert Hall, as well as the "Sea Sumi Music" canvas bag designed by the Shanghai National Orchestra.

In order to ensure the safety of everyone, the Shanghai Concert Hall strictly prevents the epidemic prevention. The audience needs to prepare for 72 hours of kernel acid test negative proof before entering the venue. At the same time, the theater is at the 50%upper section interval.

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Shanghai National Orchestra Map

Author: Jiang Fang

Edit: Wei Zhong

Editor in charge: Wang Xueying

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