He announced that it is no longer the former rivers and lakes!

Recently, everyone should feel the popularity of "Saying Heroes Who is Hero".

The Douban scored 6.8 two days ago, and now it rose 6.9 points.

In the past two years, this is a good result worth talking about.

The story is based on Wen Ruian's novel of the same name. It tells the journey of Wang Xiaoshi (Zeng Shunzhen), gentleness (Yang Chao), and Bai Choufei (Liu Yuning).

From some high -praised netizens' comments, we can find that everyone chasing the drama is a meticulous.

This year's netizens are not just concerned about the plot. From the scene of the scene to the actor's performance, they are almost holding the drama with a magnifying glass.

"The scenery is very real, there is a breath of life"

"The character shape is pretty good"

"The picture composition and color are all matched"

Native

"Real scenes", "beauty", "texture", and "breath of life" are high -frequency conclusions given by everyone after watching the magnifying glass.

Falling in the specific scene, in my selfishness, I have three very favorite scenes, namely:

Golden Wind Rain Tower's flying sky crossing Haitang, the stone cave hid in the sinoscope, the pear blossom courtyard of Wolf and the mother -in -law's mother -in -law.

The Golden Wind Rain Tower is the center of the rivers and lakes. The flying sky crossing Haitang is located on the lake and took the artistic conception of "rivers and lakes". In terms of architectural features, it is the style of the building, with hierarchy, high, and creating a deep sense of space internally.

As the color style of the entire building, the redness of the "building" adds a clear spirit of love and hate in the funny temperament of the "building".

After Wang Xiaoshi, Bai Choufei and Jinfeng Drizzle, the owner of Su Mengbi in the city of Su Mengtong City, entered the building. On the flying sky, Su Mengbi Military Yang Wuxie read the "personal resume" of Wang Xiaoshi and Bai Choufei.

The three brothers were just righteous and their emotions were strong. At this time, the light of flying across Haitang was bright. The main redness of the red means the blood of the three.

The golden wind and drizzle building here is no longer a cold scene, and with the light, lens, color, composition, etc., they participate in the emotional narrative of the three protagonists.

The golden wind drizzle stands above the rivers and lakes, and the high building represents the high heart of the landlord.

As the core area of ​​the Golden Wind Drite Tower, Feitian Crossing Haitang means the broadness of Su Meng pillow.

Scenes and characters, Su Meng pillow and rivers and lakes, have laid a foreshadowing in this place, and have built the visual perception of the word "rivers and lakes".

If the Jinfeng drizzle building contains the fluttering, righteousness, blood, and no last resort of the rivers and lakes; then the stone cave of Fu Zongshu, the Ministry of Criminal Ministry of the Criminal Ministry, hides the secrets of the temple, and hides the widespread dirt and the country of anger.

The red is the color of Su Meng pillow and his golden wind drizzle, and black is the main theme of Fu Zongshu to avoid the stones.

After passing through the small garden, after the rockery stone wall, the beacon of Fu Zongshu, who did bad things, was shaking in the dark and humid stone cave.

The height of the temple has a strong contrast with the force of the stone cave, and every detail shows the irony of Fu Zongshu.

Fu Zongshu, who took off the official robe, was like a bereavement dog, describing his hair, his hair was messy.

In contrast, Su Meng pillow, who is qi and bamboo in the chest, is thunderous with the main chiefs of the sixth hall.

The tapeworm on the temple only cares about the safety of personal safety, but the two heads of rivers and lakes are thinking about how to cut the mess.

For the gold flowing in the world, Fu Zongshu and Youqiao Group became a dumplings that trampled on the livelihood of the people's livelihood. The place where they survived was destined to be a dark and diverse place.

In addition to the disputes between the temple and the rivers and lakes, the Lihua Courtyard represents the flavor of the fireworks of the ordinary well, and the delicate taste of ironing, tranquility, and hidden vulgar life.

The Lihua Courtyard is white, square, simple and simple, a stove, a small courtyard, with the most ordinary and simple desire everywhere.

At the time of Wang Xiaoshi and Baichou, the pear blossom courtyard of Mother -in -law of Camellia took two young people of "Beijing Drifting" and gave them a peaceful life that had nothing to do with rivers and lakes.

Human mind exercises in extreme environments and accumulates in daily drips.

In selfishness, this is my favorite paragraph in the play.

During this period, Wang Xiaoshi and Bai Choufei seemed to be two Beijing drifts. Because offended the evil forces were blocked by the industry, they were rejected everywhere, and they ended up to live by other means.

The two families and martial arts and darts asked in the past. A martial arts skills could not be found even if they were looking at the home nursing homes.

The ancients and the present people realized the real resonance of traveling through time and space in terms of work and self -worth.

The hardships of the little people's roots in big cities jumped on the screen, and the vivid and realistic atmosphere rushed.

Two young people who met with each other experienced the real mortal life before entering the real killing rivers and lakes, so that the hardships of life are not easy to suffer from the people.

The Eroba Courtyard of Worz and her mother -in -law is a quiet and indifferent life. It is a place where the party of the rivers and lakes retreats, representing the intentions of ordinary people, and a freehand life outside the rivers and lakes and the temple.

These three core scenes have condensed the three completely different lifestyles of rivers and lakes, temples, and Fancus. With the three different colors and different light and shadow layouts of red, black, and white, the creators imagine the style of this play.

With the scenes of the scene, the martial arts of Wen Ruian have always been in this style, and in this play, the blending of Jing and sentiment is undoubtedly the spirit of Wen's martial arts.

Everyone knows that Wen Rui'an and Jin Yong, Gu Long, and Liang Yusheng are listed as the four major masters of the new martial arts, known as "Jin Gu Liang Wen". In this "Four Martial Arts", Wen Ruian's poetry is even more poetic. He even said that in his creation, the most satisfied was poetry.

The poetry in Wen Rui'an's martial arts pays attention to the integration of the scene, and pays attention to "all scenery is love", so large -scale descriptions often appear.

Jin Yong once gently persuaded Wen Rui'an's description not to describe too much. "You don't have to write the scenery just to write the scenery, you can write the characters in the book.

But for Wen Ruian, Jing is the basis of his martial arts and the growth of his rivers and lakes and characters.

When Wen Rui'an wrote the "Four Great Capture", people's continuous rain in Malaysia and "Champage", thick air, etc., were his movement of Malaysian style scenery.

Even the characters, he is longer than the realization of the characters in the novel. For example, Zhang Carbon in the original book "Say Heroes is Hero" comes from his friend Hong Kong screenwriter Zhang Carbon.

This kind of realistic martial arts writes the unique martial arts style of Wen Ruian. Entering this drama, shaping the "Jingzhen" with several core scenes, and the difficulties of the three young people to take root in the city. hardships.

"Jing Zhenqing" has also become the bones of the episode.

If you want to describe the rivers and lakes in this drama, it should be a poetic and realistic images.

The texture of the heroes and poetic rivers and lakes mixed with a very unique image texture of this drama -a realistic rivers and lakes with poetic temperament.

In fact, from the beginning of the film, this poetic and bloody temperament has secretly laid the base for the episode.

The innovation of the whole film is that the national style martial arts film combines modern aesthetics, and the comics style is used to convey the overall temperament of the youth and blood of the drama.

Falling in a fighting drama, this temperament is condensed as: fast, accurate, and stable moves.

In addition to the true emotions of Wen Ruian's martial arts, a major feature is poetic and painted, and often uses poetry into the sword.

For example, in the original work of "Say Heroes Who is Hero", Wang Xiaoshi encountered Ye Qiwu and Qi Wenliu, one used chess tricks as martial arts, and a poem was used as a sword style.

Each move is poems and chess records.

Written in the original book:

"Wang Xiaoshi was completely shrouded in the move ... He knew that Tsing Yi Wenshi thought was Liu Yanhe's" God Simp ". Article imagery.

The six tips for writing this article, but now it has become a six -record sword trick that is seamless, fastened, flawless, and endless.

In this kind of sword light, Wang Xiaoshi couldn't break through, he couldn't break, or struggled.

His left -handed sword, right -handed knife.

He took six swords "stepping, breaking, congratulatory, orchids, mountains, and missing.

As soon as the six -sword came out, he couldn't open the sword net and couldn't escape the sword robber. "

Under such text descriptions, how to understand the tips of fighting scenes from the language of poetic literature?

From the poetic rivers and lakes to the image rivers and lakes, how can we retain the poetic style of Wen's martial arts in the process of fixing?

To look good and have the rhythm and beauty of poetry, the symbolic pressure gives the whole play creators.

The paving of the Bitter Water Shop, opening up, the poetic method of fighting is light move and heavy style.

Su Mengbi's red sleeve knife, intentionally rendering the cold of the blade, was brewed with a long shot and close -ups before the knife.

On the occasion, with a small panoramic and close -ups with fast editing to speed up the rhythm of fighting, creating a sense of sharpness of the blade.

The overall temperament is fast, accurate, and fierce in the text temperament, and the viewer's crisp refreshment is given to the viewer in the crispy and sharp tricks.

This is a very clever approach. It retains the elegant and fierce texture of the character fighting with quickly editing, and left the design to the scene scheduling and retains the poetic freehand of Wen's martial arts as a whole.

The entire killing paragraph is twists and turns.

First, the antiques played the front array, with the ambush and temptation of the people around them.

In the play, there is a shot of a worm flying and falling, which implies very freely that even a flying worm is in the enemy's plan, and it is difficult to escape the magic claws.

When the antique map was poor, everyone was gathered. Like Su Meng pillow, we thought it was all the tricks.

But soon, the second wave of flying arrows besieged.

The two were surrounded by group.

Attack and defensive layer after layer, the ambush of the enemy is not only in action design, but also in the plot hidden and dew. With the sense of hierarchy and design of narrative, it presents the danger of rivers and lakes.

This is a poetic martial arts paragraph that is created by scene scheduling and narrative.

On the one hand, the profit of fighting, the other is the plot of rivers and lakes.

The shock of this paragraph comes from the contrast between the simple sharpness of the move and the endless ambush of the rivers and lakes.

Blood and strategy, pure and complicated, collided with a mixed flavor in this kind of intercourse.

At the beginning of Wang Xiaoshi and Bai Choufei, they were framed into the section of the prison of the Ministry of Criminal Affairs. They were bumps on the road of heroes, bitter, twists and turns, and sharpening.

It is necessary to say that this twists and turns and cruelty are also the meaning of Wen Ruian's original work.

In the entire prison of the Ministry of Criminal Affairs, Wang Xiaoshi and Bai Chou flew away in the dark prison. The prisoners on both sides were like hell ghosts, and Zhangya dancing claws rushed towards the two.

The prison here restores the scene in Wen Ruian's assassin's novel "The Murder Tang Zhan", which can be regarded as the "hero" team to pay tribute to the Wen's martial arts a few years ago. The character situation is as cruel but the same.

Wang Xiaoshi and Bai Chufei in the prison suffer not only physical suffering, but also spiritual torture.

The "jail" that Renpan resents them is not stinky, but has a terrible "fresh".

A bowl of blood -red fresh meat is the human meat that is cut from the prisoner.

If you don't eat it, you will starve to death.

If you eat, give up human nature and become a beast.

Between eating and not eating, it is the most cruel test of humanity and mind.

This cruelty is torture to the hero's soul.

Bai Choufei almost yielded underneath, but fortunately Wang Xiaoshi kept the bottom line for him.

More than half of the hero's story, Wang Xiaoshi fought to the original intention of stepping into the rivers and lakes. The righteousness was still, and the kindness was still there.

Bai Chufei, who entered the rivers and lakes, chose another different way in this dyeing tank. Under fame and fortune, he realized his dream of "well -known world", but also paid the friendship.

We witnessed the two people's spirit and parting ways. It was because of the deep love that under sighing and sighing, the choice of "blame" about Bai Shoufei.

Perhaps, from the first meeting of Bai Choufei robbing Wang Xiaoshi's box, the moment when Bai Choufei couldn't restrain the human flesh, the fate of the two brothers had already written.

Such cruel and betrayal, chivalry and pleasure, all the layers of Win Ruian martial arts poetic.

Grasp these to really understand the meaning of these paragraphs.

These heroes who face the complex rivers and lakes with simple swords have long been set up in the insidious and cunning rivers and lakes.

Between the choice, in the simplified, Wen Ruian's poetic rivers and lakes were eventually stacked into the image rivers and lakes on the screen, completing the blend of delicate image texture and poetic rivers and lakes.

In Wen Ruian's rivers and lakes, the rivers and lakes are not just the intentions of the martial arts people's mind, but the specific visible scene. It is not just a sword move, but the spiritual and poetic charm hidden in my heart. Even the children of the rivers and lakes are not as easy as the surface, but to bear the cruel destiny and choice.

On the picturesque and new rolls of the scenery, Wen Rui'an deliberately wrote his poetic rivers and lakes. Looking at it carefully, in this poetic, the gentleness and cruel entanglement of the characters were different.

Among the traditional martial arts, the rivers and lakes are old.

The rivers and lakes of Wen Ruian and Li Mogo have just revealed its new style to us in poetry and cruelty, waiting for the new generation of children to splash ink to pour in the slightest and continue the new picture.

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