"Shengle Times" writes history into a drama and crosses so exciting!

"Under Yin Mountain, Yunzhongchuan, Sheng Lewo Tu Le ..." On the evening of August 15th, the historical musical "Shengle Times" began at Hohhot National Theater.

The thick voice, the three -dimensional sound, the majestic and mighty pictures, this stage of audiovisual cultural feast will slowly unfold the historical scroll of the "Shengle Age" ...

"The flag of the representative country, fluttered by the wind, celebrated the state, the sky fell auspicious ..." The stage scene was huge, the performance was magnificent, the plot was fascinating, and the scene was applause.

The whole drama is created by the beginning and end of the Northern Wei Dao Wu Emperor Tuobayu to establish the Northern Wei regime for the historical background and material. Participate in the Battle of the Kuchi "" Tailing (Fusion) "six parts.

The overall positioning of "Shengle Times" is a new historical theme musical. With primitive life motivation, heavy historical background, and contemporary aesthetic needs as the style of the whole drama. In the play, the characters in the play broke through the layers of barriers, the bravery of the ancestral system, and the driving force of civilization through the whole drama, highlighting the character's personality, thereby stimulating the contradiction between drama. The narrative style emphasizes lyricism and shows the beauty of humanity. Enhance the atmosphere and youth style in the form of expression.

Music angle

Dance angle

Fashion Design

The play adopts an epic music style to innovate the symphony band, the electro -sound band, and the electronic music, and integrate into the unique ethnic music elements of the grassland, so as to create a strong and magnificent momentum of history, and in line with modern audiences Appreciate the music atmosphere.

In the play, the melody of reconciliation and chanting tunes mostly uses grassland folk songs to make the theme variation creative techniques, and strives to be beautiful and vivid.

Choreographers are based on Hulunbuir Gaxian Cave, Liaogai Museum in Lin Shengle Park, tombs in the Liao Dynasty in Datong, and Yungang Grottoes. And to restore the images of dance art such as Shaman and Shenlu through Yin Mountain Rock, to form a unique action language born of grassland culture.

Dance design materials and color natural texture, sense of precipitation and sense of the times.

The clothing made of animal fur reflects the style of the northern primitive forest tribe, and through exaggerated headgear shapes, it reflects a rough and bold character. In order to highlight the characteristics of the war, men are characterized by the combat costumes of Xianbei Nationality in the north.

Tuoba's clothing design respects the traditional style of Xianbei, and Yingwu's shoulder -length coat is prestigious.

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From the perspective of the new era, the play analyzes the character's personality, portray the character image, and interprets the formation process of the multi -in -one pattern of Chinese civilization through the interpretation of historical stories, so that people can feel the profoundness of Chinese culture and the colorful color of Inner Mongolia through the stage.

Produced: Cui Nan

Reporter: He Jiaqi

Source: grassland all media

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