The opening ceremony of the Federation of International Author and Composer Association

The day before yesterday, participated in the opening ceremony of the Asia -Pacific District Headquarters in the Asia -Pacific District Headquarters in Beijing in Beijing. The joy of moving is gratifying.

CISAC Chairman Jarre Electronic Music Godfather) first delivered a speech. He believes that art and works such as rice vegetables are not as indispensable as rice vegetables but people's identity symbols. At the seminar of the next day, Yal said that music is everywhere, and some people think that music should be as free as air. It is indeed free online, but at the same time, there must be a mechanism to make the creator a reasonable remuneration. Copyright is very important for the sustainable development of culture. Smart mobile phones remove music text works and movies, and it is nothing. We want to share the profits of smartphones. Collective management is the foundation of the artist's life, which can make everyone survive.

Congratulations to Yu Cco (Director of the Copyright Department of the State Copyright Administration) on the scene believes that CISAC comes to Beijing and can borrow Chairman Mao as saying that the world is broad and well -known.

Muldin, chairman of CISAC's board of directors, said that the best way to promote communication with China is to establish institutions in China. We not only protect the original creators, but also protect the interests of users. Collective management is currently the most suitable way. A window to solve all problems is very efficient and create a fair market and their transactions. The content is king, and the content can drive everything, including mobile phones and its application methods, creating a new economy, but the content is created by creators.

Next is the music performance. Mr. Cabangon, the Philippine composer who first appeared, said that music can promote the harmony between the country. He sang two songs with the guitar. The first song was sung in the local language of the Philippines. The song was beautiful, but he couldn't understand the lyrics. "After the flood", this time he sang in English, so he understood the lyrics and took a few sentences: When Hai Yan (typhoon) came here, what happened to see? When Hai Yan (typhoon), what did you see to leave? What you see is women and children who are nowhere to go, but Rainbow will reproduce, and friends will help each other like brothers and sisters! Native

Fifty Yuping, the Chinese Peking Hu Performance of China, performed the famous Peking opera song "Late Night". After that, Peking Opera Sheng and Tsing Yi each sang the traditional and modern segments, namely "three stores", "liquid baskets, selling pickup pickups. Ceicing "," Su Sanjie "," all have a red heart ".

Then there was another round of speeches, including the Vice Chairman of the Chinese Music Copyright Association (Chinese Sounds Association), Lei Lei (the daughter of the famous composer Lei Zhenbang), and she said that the cooperation between Chinese sounds of CISAC is more effective to carry out work.

At the cocktail club held at the opening ceremony, the people at the meeting were at a time to talk about exchanges. In the conversation with Lei Lei, she said that she must insist on doing things, not just asking others. And said, it is impossible to reach out with your palms upwards. From this to the Western proverb: While accepting my assistance, I must accept my will. The more radical language is that it is no different from being sheltered and insulted. Quoting Ogawa Michards, music is a common language in the world. Lei Lei praised, the music does not need to be translated.

At the end, a story told by CISAC Legal Director. In 1847, a composer in France drank coffee in a cafe. The band performed the song he created at the scene. Paying him the reward of his work, the composer's dispute in the cafe gave birth to the embryo of the collective management organization. The collective management system of copyright is the invention and "patent" of the French.

(Ma Xiushan, January 17, 2014)

- END -