In the "Wastewood Husband", he was interviewed by Li Naiwen on the entire network "Divorce": The audience will scold the right ｜ cover living room

Cover reporter Li Yuxin

Wearing a pair of thin black -frame glasses, wearing a messy short hair, the T -shirt on his body was also wrinkled, sitting on the sofa at will, and seeing the sideways and the Tang Dynasty ... When Li Naiwen appeared on the screen again, In the image of the "urban elite" in the public impression, in front of the camera, he became a "little husband" who had to rely on his wife in life.

"Second Hug" stills

The love expert in the long -time love field, the complex mysterious businessman, and the young entrepreneurs who want to prove themselves ... In many urban emotional dramas played by Li Naiwen, you can see many face identity. However, in the hit drama "Second Hug", Liu Feng played by Li Naiwen is a screenwriter who is often angry in the workplace and always escape in family relations. Regardless of the workplace or life, this "nest" man with grievances was vividly interpreted by Li Naiwen.

"I like Liu Feng." In the Internet, Liu Feng's character can be described as the "vomiting" of many audiences, because from the present plot, his "absence" in family affairs has made the true feelings chase the drama. Netizens were "angry to liver pain" and shouted that he "quickly divorced." Just when the show was on the air, the cover news dialogue came to the actor Li Naiwen. Although the role of the role was "disliked" by the audience, Li Naiwen did not cover up her love for the character.

"Liu Feng's role is very characteristic. In fact, many places need more psychological support of the actors to better shape this role. As an actor, I understand the professional settings given to him in the play. I think this role actually requires a lot of emotional emotions The interweaving. "Li Naiwen said.

Starring in "Waste Chai Husband"

"Try to be as close to reality when interpreting the characters"

"Second Hug" stills

Let the wife who is working at work to pick up her mother, but lying at home and watching TV; I ca n’t write my hands at home when I ca n’t write the script, and rely on my wife to support it. It is also sold ... As long as Liu Feng's "deeds" in the play simply list, it is estimated that many audiences who watch the drama "above" are angry. Indeed, it is difficult for people to describe Liu Feng in the words "good men at home". The "absence" of men shown by this role in family affairs will make many female audience feel the same.

"Liu Feng's psychology is a naive and stubborn side, but in fact, his sense of responsibility and love for his wife and children in fact. He hopes to be the pillar of the family, but his self -esteem is not allowed to easily compromise with Party A. The contradiction's psychology created his sense of responsibility, sometimes a bit of evasion. "With a few months of getting along with the role, Li Naiwen can understand that behind these seemingly" irritating "moves, Liu Feng's tangled and complex psychological state.

In fact, when acting, Li Naiwen had expected that the "vomiting" brought by the character would definitely not be less, because in the play, whether in the family relationship or the performance of the husband and wife relationship, he tried to try to interpret the characters as much as possible when he interpreted the characters as much as possible. Close to real life and fully retain the real sense of the episode.

"Many families in today's society are actually facing this situation, and many couples are working hard to repair and maintain their relationship between each other, because a family is truly harmonious and beautiful, and no one of the couple can pay the family. But once the balance is broken, the inevitable family contradictions and crisis will follow. "Li Naiwen said that he can understand the audience's criticism of Liu Feng, and even commented that it is a" waste wood ". In his opinion, the place where this role "waste wood" is actually clear at a glance. His wife You Xiaozhu's meticulous care for the family and her husband has led to Liu Feng's serious lack of self -care and lack of true care for the family.

"Liu Feng's first manifestation in the relationship between family and marriage is actually a negative state. Living in change, he is also looking for the correct direction of his marriage relationship in the constant change. There is also a real understanding of giving. "When it comes to this, Li Naiwen also sold a small man. He believes that it will give the episode some time. Bring a more complete and full character context to the audience. "I want to say that the plot in the back is more exciting."

Interpret "intimate relationship"

"First of all, you must understand, the second is moderate"

"Second Hug" stills

As a realistic female grouping drama with realistic themes, "Second Hug" aimed at four "workplace women", showing that women in the new era faced with multiple pressures such as marriage relationships, workplace society, family relationships, etc. Self -story. It is worth mentioning that "intimacy" has also become a topic of discussion in the play. Family, love, friendship ... In these "intimate relationships", urban women have harvested power and healing in them, and they are also hurt and tingling at some moment.

And Liu Feng played by Li Naiwen, You Xiaozhu played by Ma Su, the "intimate relationship" owned by the couple, sometimes let the audience see "grit teeth", and sometimes it makes people feel the support brought by marriage. Essence In the interview, Li Naiwen also talked about the "intimate relationship" in the play. In his thoughts, "the intimacy in the play is independent in a large range, and it is in a small range. To understand, followed by moderate. "

"For example, the pair of You Xiaozhu and Liu Feng, as a screenwriter, is a screenwriter, looking for inspiration, writing scripts, and constantly modifying the script of the script. You Xiaozhu is another lawyer, and her work is very busy and hard, but she can understand Liu Feng’s work nature and life status. Liu Feng seems to care about the family. In fact, he can care about his wife from the details. The emotion and state. "Li Naiwen also added that Liu Feng may occasionally have some negative emotions because of work, but he will not vent his brain to his wife or loved ones. "He also has a good degree here, so their intimacy will become stable because of understanding and moderate understanding." It is unavoidable that in women's group portraits, male characters generally become the object of "vomiting". Essence For example, Liu Feng, who showed his escape from family affairs, and did not do a few major events, let netizens "angry" and directly shouted that his wife You Xiaozhu "hurriedly run".

For the "vomiting" on the Internet, Li Naiwen "accepted all the orders" and did not resist such "scolding". "In fact, it shows that the audience pays attention to our play, pay attention to my performance, and pays attention to the characters I have created. The most important role in the role of modern themes is to reflect the emotional and social phenomena of the most real characters in the current society, ensure the authenticity of the character's characteristics, and give it. The audience will reflect more. The audience will scold, but it is right. Maybe many viewers bring them in reasonablely at the same time as watching the show. When they feel the same, they will let everyone watch the show, and the understanding of the plot is even more understanding Full. "

And Liu Feng in the play, although it seems to be idle and ignores the miscellaneous family, but also constantly strives to hope that the family lives a good life. When the child is misunderstood, he knows how to maintain the child's self -esteem. His family responsibility. In the play, the difficulty of women in marriage and family trivial matters reflected in the play. In fact, they are also calling more attention in society to understand the hardships of women in the workplace.

"I hope that after watching our play, the audience can face everything I encountered in life more confident and more confidently. When facing family and friends, they can also have more tolerance and strength, especially women are even more more than women. Need this kind of tenacity and independence. "

"Second Hug" stills

[Dialogue Li Naiwen: After recognizing the truth of life, still loves life]

Cover news: The role of this time is the screenwriter. It happens that your career and screenwriter often deal with. Is it relatively easy to observe? Do you have some designs for the characters?

Li Naiwen: In the usual shooting, as an actor, we often contact the screenwriter, discuss roles and plots together, and discuss the rationality of the characters. But more, we can only see the side of the screenwriter's foreign work, and we rarely understand the difficulties of their creation. When I knew that this role was a screenwriter, I had communicated with friends who were screenwriters to understand some of their private state. For example, in the play, my dresses are usually comfortable and rarely have formal clothes. In the section of the script, my state sometimes appears to be more messy, and it is also to fit the work characteristics of the role.

Cover news: You wrote on Weibo that the characters are always "compromised" to life. What are the specific aspects? From the plot, will he have a moment of "awakening"?

Li Naiwen: The final effect in the film and television drama is to make the audience perceive. Then this character must be closely connected to life. Especially in modern dramas, many places need a lot of "grounding" to impress the audience. As for Liu Feng's awakening moment, I think everyone can go to the play to find the answer. In fact, the so -called transition process is in popular terms to grow. For Liu Feng, it is not overnight, but his wife's love and tolerance make his psychology really grow up.

Cover news: Like realistic themes, it will often fall into the controversy of "selling anxiety". What do you think about this issue?

Li Naiwen: The audience will have the feeling of selling anxiety because of the drama conflict in the plot, but there is no conflict or drama. The drama comes from life. In fact, many realist themes show reality. I hope that after watching it, the audience can be more ordinary. Facing a feathers in life. It is not a saying that there is a heroicism who still loves life after recognizing the truth of life. The few pairs in our play are like this.

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