"Flower Cat San Ya is going to the room": Keep childhood temperature in Beijing Hutong

The hutong of the blue brick gray tile carries the unique life memory of Beijingers. Adults drink tea and chess, pulling their idle articles, children recruit cats to tease dogs, and go to the house to unveil the tile ... Recently, such a long -lost old Beijing life was moved to the stage by the children's drama "Flower Cat San Ya". Children can see it in it, and let adults relive the childhood and joy in childhood.

"The Flower Cat San Ya went to the room" created by Beijing Performing Arts Group and created by the Beijing Children's Art Theater, adapted from the children's literary work "Materiah Yaya Trilogy" from the famous Beijing writer Ye Guangzi, describing the Beijing girl "maternity Yaya Yaya Yaya Yaya Yaya Yaya Yaya "A warm and interesting childhood time spent in the hutong. In the original novel, Ye Guangzen vividly showed the daily life of the old Beijingers, portrayed the lively group portraits of the uncle and the children in the hutong, and showed the innocence and childlikeness with a relaxed and humorous Beijing flavor style.

Moving such a masterpiece on the stage without losing its essence is a big test for the main creator of the children's drama. Different from most children's drama works, "Flower Cat San Ya went to the room" did not pursue a strong drama conflict in the adaptation, and did not portray the villain image. The seemingly trivial little story is connected in series, attracting the audience with a strong emotional temperature and grounding way of telling.

Growth is the eternal theme of children's dramas, and the growth story in the hutong is no exception. In order to arrest the legendary "Yanmou Tiger Erjing", Yaya and their friends broke through the small building of the old lady of Huang, but let the old man break his legs. Yaya, who thought it was going to be beaten, unexpectedly harvested the "shelter" of the old man's goodwill. Such tolerance made the original strange old in the hutong shortly, and also made Yaya learn to care about others and courage.

The room is full of humanity in Beijing, and the room is the sky that belongs to the "children". Yaya and my friends created a secret base on the roof, played the characters in the "Four Masterpieces" to fight, and look at the beautiful scenery of Beijing after the snow ... These plots are fresh and interesting, and they are full of audiences. Full memories kill.

Although this is a work of realism, the stage style is not old -fashioned. Hand -painted raindrops, tree shade and other elements are full of childlike fun. The rainbow in the sky is presented over the theater through projection. The secrets of the children can read the secrets that children can understand on the alley mottled wall ... The main creators will show their childhood romance and Poetic, truly present the feelings in the text on the stage.

Jingwei is the biggest feature of "The Cat San Ya is going to the room". Whether it is the cat on the roof, the mouth -saving Beijing snack, or the aunt of the neighborhood committee, the picked officer who is as detailed, then Coupled with the old nursery rhymes of Jingqiang Jingyun, the playful words of the hidden needle in Mianli ... The old Beijing people showed in the play all awakened the childhood memories of a generation. Maybe many children have been far away from the alley life, but the temperature of the city in Beijing has been still there. It is also one of the important values ​​of the play through children's dramas to enlarge and inherit this Beijing taste.

Recalling childhood, Ye Guangzheng once said, "The most important thing is to learn to play! The Qiankun in the play." Who does not grow up like this? I believe that after watching this drama, parents can also alleviate many "parenting anxiety" and return the freedom to play to children, which may have greater gains.