After killing Matt and 00, it also appears in the Water Margin

A few days ago, I went to the Pioneer Smart Theater of the National Theater of China to watch two dramas one night. The young director Zhuang Yi "Both Brothers within the Four Seas" and Yang Mu's "Pan -style Life".

These two dramas are the premiere of the Beijing Cultural and Art Fund's 2021 project funding and the "Young Director Creation Support Plan" hosted by the National Theater of China.

Let's take a look at this plan first, it is really great:

The China National Theater launched the "Young Directors Creation Support Plan" (hereinafter referred to as the "National Young Director Plan") aims to consolidate Chinese literary and artistic power, build a display platform for young drama talents, based on Chinese culture inheritance and innovation, and use love to talk about it with affection. Chinese story.

The plan will be launched for three seasons, with the theme of classical masterpieces, world classics, and original Chinese stories.

In the first season, it will use classical names to adapt dramas, and use the director training method of "literary drama+martial arts" to achieve the creative transformation and innovative development of classical literature "modern translation", tell the story of Chinese culture, and spread the spirit of Chinese culture. This is also China. This is also China. This is also China. This is also China. For the first time in the drama, the young director has modernized translation of classical literature.

In the literary drama, the Kunqu script "Peony Pavilion" created by Tang Xianzu is the blueprint.

The martial arts part of the masterpiece "Water Margin", with the character exercise director's understanding of style, rhythm, and consciousness in Oriental aesthetics, and the freedom, variability, liquidity of Chinese drama from the pre -Qin Dynasty to the present day to the present Master.

Twelve young directors who stand out will perform 6 rounds of exhibitions, and each round will bring their own drama works. Both Zhuang Yi and Yang Mu resubbled in "Water Margin" for creation. The first round of performances have brought surprises, which also increases the expectations of the follow -up performance.

How about the two directors? We will naturally visit (we will also meet with 10 other directors in the future).

The "modern translation" of classical literature is not easy. The two directors interpret classical masterpieces from their respective angles, bringing a new experience to the audience.

How did the two stories create?

What kind of thoughts do the directors talk about the drama?

These are what we want to discuss with them ↓↓↓

Note: The following dramas are taken by Duan Zhao

Vol.1

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