"There is no small character, only a little actor"

Standing on the 36th Volkswagen Film Hundred Flower Awards, Hou Yong, a 55 -year -old "old drama bone", couldn't restrain his inner excitement. With more than 30 years of experience, he has appeared in more than 100 films, and has won many heavyweight awards such as the Chinese Film and Chinese TV Golden Eagle Award, Flying Sky Award, and so on. Best supporting actor. As the chairman of the Jiangsu Film Association, Hou Yong was interviewed by his hometown media after the awards ceremony. He admits that in any environment, the actors must have their own persistence and choice, and do not blindly chase the "big blockbuster" and "protagonist". On the art stage, there are no small characters, only small actors.

The movie "The Island Guard" is adapted from the "Model of the People's" and the former director of the militia outpost of Kaishan Island in Guanyun County, and Wang Jihua, the wife of Wang Shihua, in the province. Touching story. In the film, Hou Yong plays Wang Changjie, Minister of the Ministry of Martial Arts of the County. Although Wang Changjie is just a "supporting role", Hou Yong has a deep understanding of this role. "Wang Changjie and Wang Jicai have deep brotherhood. He has the guilt of Wang Jicai's" Fanta "on the island, but also because Wang Jicai's insistence on the island's insistence on the island I feel very practical in my heart. This is a very complicated role. "

When it comes to Hou Yong, many people will give up their thumbs up, calling him "gold supporting role". Over the years, he has shaped the special soldier Wang Hui in "Rushing Out of Amazon", Chen Shouting, the patriotic businessman in "Darma Dye", and the chief commander Wu Chenguang in "Fire Heroes" Supporting roles, some even have no name. Some people are puzzled: As a national first -class actor, why should you pick up such a few roles? However, Hou Yong believes that choosing the role of the role first depends on the character and the subject matter. "A professional actor, more often considers not to act as the protagonist or supporting role, but as long as this character is well written, I will be well written, I will be well written, I will be well written, I will be well written. Want to perform and express, which can be said to be a professional impulse. "

Whether it is the protagonist or the supporting actor, Hou Yong will be careful about each character, and strives to perfectly show the understanding of the character. "A play, how can there be a protagonist? Talking, the acting always has only a small actor, without a small role. Even if it is a supporting role with few dramas, the personality and the drama cannot be reduced." His natural performance and deep performance The skills of the lines come from the accumulation of a little bit over the years. Hou Yong said that he never felt that the "running dragon set" was a derogatory term. It was a professional term and a state of working: "I believe most actors have experienced such a state. Starting from scratch, no matter how good you have graduated from art colleges, how strong ability, and how good the image, you have to start with the running dragon. One minute on the stage, ten years of work on the stage, you can cultivate yourself to have wonderful platforms to have a wonderful stage. Ten minutes. "In the award -winning film" The island ", Wang Changjie played by Hou Yong had such a scene: Wang Jicai met with Wang Changjie for the last time. Wang Changjie, who was suffering from the advanced lung cancer, was on the sick couch. In order to present a person's state of dying, Hou Yong made a lot of effort to figure out and practice, and the sincere and natural performance made the audience and experts praise.

"I have a habit of creation. It is not to say that I will prepare for it when I receive a role, but I usually have accumulated in life." Hou Yong said that understanding the role in life is his own "unique trick." "For example, the lines are written by the screenwriter. If you want to turn it into your own, you have to figure it out. What kind of tone tone and how to communicate are natural, so that the characters can be fuller." In the name of the name, Zhao Dehan played by Hou Yong had only two episodes, which added up to 20 minutes, but portrayed this character into a three -pointer. Zhao Dehan, who eats noodles, is clean on the surface, but it is difficult to fill in the heart. After the east window incident, from pretending to be calm to frightening, to dying, Hou Yong showed the process of the collapse of this character's psychological defense line, and facing the regrets that lost everything The complex mentality between the unsatisfactory greed has made a "little official giant greed" deeply rooted in the hearts of the people.

I do n’t know when to start a saying in the entertainment industry: evaluating an actor is unsuccessful, it depends on whether you can play the "blockbuster" as the protagonist. Regarding this statement, Hou Yong did not agree. He reminded him that the actors should not be "wrapped" forward by the market. "I also played the actor when I was young, and I was really immature. At that time, there was no stage experience and performance experience. I needed to analyze the characters in a drama, read the entire script, and learn a lot of things in the crew. Now more than 50 are now. Looking back at the age, I think that experience has not been in vain, and it is very frank and strong. "

In 2020, Hou Yong was elected as the chairman of the Jiangsu Film Association, and his relationship with Jiangsu movies was even more closely. "This means that I transformed from an actor status who only considers creation and transformed into a role that served more and communicated for everyone, such as using this professional ability to make some meager contributions for Jiangsu movies." Hou Yong said I hope to use their own professionalism to "allocate" high -quality film resources to Jiangsu, so that Jiangsu will become a place for filmmakers, places of dreams, and dreams of dreams, so that Jiangsu movies will reach the peak of cultural peaks.

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