Art | The audience talks about the Peking Opera "Mother": Liu Ziwei played the "old lady Ge"

The well -known drama writer Zhao Ruitai screenwriter, the winner of the Chinese Drama Plum Award "Two Drive Plums" and the national first -level actor Liu Ziwei starring, and the original Peking opera "Mother" in Hubei Province has recently met with the audience again. What is the experience of watching the drama on the spot? After the performance, several professional audiences shared their feelings with reporters.

Peking opera "Mother" performance site

Character creation: a pair of small feet walking the world

In the Peking Opera "Mother", Liu Ziwei traveled through the audience, grasped the image of Ge Jianhao, the image of Ge Jianhao, and artistic restored Ge Jianhao's fate of "a pair of small feet walking the world". Expressive performance.

Lin Jinxia, ​​from the Hubei Provincial Museum of Art, believes that when Liu Ziwei is shaping Ge Jianhao, he uses details and expressions to truly convey the character's emotions and emotions to the audience.

"Liu Ziwei used a vivid image to outline the shackles such as Ge Jianhao who dared to break the feudal thoughts, pursuing ideals, pursuing new knowledge, and bringing children to the world and pursuing light."

Tang Yan's focus on the attention of the Hubei Provincial Academy of Art is the transformation of Liu Ziwei from Tsing Yi to the role of Lao Dan.

"Especially in the seventh game, Ge Jianhao has been more than seventy. At this moment, Liu Ziwei's voice is also hoarse, the tone is slow, and the vicissitudes of the vicissitudes and the sense of properness are revealed." , Ge Jianhao said 'Gelanying was fifty -year -old, but Ge Jianhao was only fifteen years old'. The first half of the sentence tone and powerful, but the second half was bright and delicate, like a girl. Such a sharp contrast to time and space highlights the actor beyond the detaining restrictions. After the shuttle shuttles, the ability to shape different periods and the same character is called. "

Zhang Zongxuan, at the School of Literature and Media of the Three Gorges University, highly appreciated Liu Ziwei's performance in the "standing roots" in the last scene.

He believes that when Liu Ziwei interpreted Ge Jianhao's death of the last son Cai Hesen's death, the mother's most persistent and affectionate thoughts on his son's most persistent and affectionate thoughts. It is just Ge Jianhao alone, but has become the incarnation of tens of millions of mothers. It also makes the revolution a continuation of blood. It opens the door of the audience and the work, and it is easier to have emotional resonance. "

Peking opera "Mother" performance site

Viewing Drama Experience: The opera adds a sense of fashion

As a modern Peking Opera with a leather theme, "Mother" combines the expression of drama, opera and even film and television art based on the traditional Peking opera art, and innovatively boldly uses a variety of new media methods to make the stage effect beautiful rounds Beautiful.

"In terms of music accompaniment, the addition of the chorus team adds a lot to the performance, especially for the works of this red historical theme, with group sounds or singing, either scolding, or talking to make the work bring There is a sense of heavyness. "Li Guojiao of the Mass Art Museum of Hubei Province believes," In addition, the symphony accompaniment makes the handling of music more delicate and the emotional rendering is more sufficient. "

The memory point of Liu Manman from Hubei Art Vocational College is a dreamy visual effect created by the stage for the audience.

"After the performance, I still clearly remembers the two hours of being surrounded by the colorful and hustle and bustle of sound and light. With the support of science and technology, the stage showed a realistic and dreamy situation. For me, it was me. Deep shock. "

In the view of the audience Lu Jinping, the Peking Opera "Mother" boldly reference on other art forms in terms of artistic performance adds a sense of freshness and fashion to the ancient opera.

Peking opera "Mother" performance site

"If the scene to the police is arrested, use the rapid switch between light and shadow at different positions on the stage, and cooperate with group dance and music rendering. In a short time, it shows the connection to the police and comrades, transmitted intelligence, betrayed by traitors, and betrayed by traitors. A series of intense stimulus, such as surrounding agents, jail, shot killing, etc., like spy warfare, is very attractive. "

Shouzheng innovation: red theme exploration new road

The former chairman of the Chinese Literary and Art Critics Association Zhong Chengxiang once said: "Realist creation is not a mechanical imitation of reality, but through reflecting real life, revealing the direction of the country and the nation, and revealing the inevitable law of historical development."

Chen Kaiwen of Huangshi Qunyi Museum believes that in terms of creation, innovation and inheritance are a set of dialectical relationships.

"Traditional Peking Opera mainly explains the background of the story through the method of singing. However, the turning part of the seven scenes of" Mother "is based on the needs of the plot. The drama breakthrough and transplantation. "Chen Kaiwen said," Although this form has some controversy in the drama review world, it is easy to understand, and at the same time enhances the visual appreciation and caters to the aesthetic taste of the younger generation of audiences. "

Yin Wei of the Wuhan Art Creation Research Center was proposed after three scenes that "Mother" "The biggest breakthrough in character creation is to integrate individual life into the storm of the times. Among them, the sublimation of 'Gelanying' to 'Ge Jianhao' "was created.

In terms of the script structure, "Mother" stunned Ge Jianhao's life with seven fragments, breaking the traditional opera "one person, one line to the end". In this regard, Yin Wei believes, "At first glance, the structure is loose, there is no clear causal connection between the field, and the role contradictions are not concentrated. The connection hub of the field drama is the mother's heavy love and responsibility; another look, only to understand that in addition to the emotional line, the mother's journey has been hidden. "

Zhang Chan, Huanggang Art School, saw a new idea of ​​innovative development of red theme drama creation from the Peking Opera "Mother".

"Starting from the art on the art of opera, technology is the performance of performers, and the fundamentals of the development of opera art. It is the core of the healthy development of contemporary opera. In terms of the characteristics of the opera body, from the acceptance of the audience, with the help of different ones Performance form presents works, and it is an innovative exploration. "

Since its premiere in March 2021, the Peking Opera "Mother" has been selected to celebrate the excellent stage art work exhibition of the 100th anniversary of the founding of the Communist Party of China, the 9th Chinese Peking Opera Art Festival, and the excellent drama show of the 17th Chinese Drama Festival, etc., and won the first place. The Fourth Hubei Art Festival "Chu Tianwenhua Award".

In 2022, "Mother" launched a small theater version to perform another movement and shock to the audience with an immersive and interactive performance. At present, it has performed nearly 20 consecutive games, and it has received praise again.

Responsible editor: Zhang Jiayi

- END -