Nie Yuan: Hidden in the play

After being polished by years, his perception of the performance is more life -like and more hidden.

Author ｜ Guo Tie

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Nie Yuan is very stable.

In April of this year, "Dear Child" and "Wind Relieve Longxi" have been broadcast one after another, leaving him back to the focus of the audience. Xie Tianhua, the stepfather of the remarriage family, was holding a feathers in a place; Feng Yan, the spy head of the intelligence agency in the Three Kingdoms period, stirred up the chaos in the dark -two very different roles caused the audience to cheer.

Regardless of the emperor or a small man, he can always interpret the "human taste" of the character, which is the ace of his redness after his middle age. "If you have a sense of substitution, the audience can believe you." Nie Yuan concluded in the interview. After being polished by years, his perception of performance in recent years has become more life -like and more hidden.

Looking back at 20 years, from "the first young students in the costume" to the middle -aged actor, there are young scenery, silence, and strong after silence. But for Nie Yuan, these ups and downs are like climbing a mountain, and the eyes of outsiders are high and low. In terms of him, it is just a way to determine.

Nie Yuan plays Feng Yan in "The Wind Relucting Longxi"

Inadvertent

In the "Heachi" launched on May 19, Nie Yuan played Xi Guian, deputy commander of the Shanghai Police District during the Republic of China. In the script, Xi Weian appeared in person to arrest the thief in person. Nie Yuan felt unreasonable. He discussed with the director: "This is not like a commander to do." He prepared Xiaolongbao himself. The deputy general rushed out of the car to catch people, and he was sitting in the carriage alone, noisy and sorrowful outside the window, and eating buns without hesitation. "I want that kind of careless feeling," he said.

Although the surface characteristics of Xi Weian's role are prestigious, Nie Yuan does not want to interpret the large movement of externalization. He knows that a character can most credible the audience in daily daily daily daily daily and inadvertently revealed.

Nie Yuan plays Si Weian in "Heachi"

This kind of life -oriented performance was intentionally adopted in recent years. Before the filming of "The Wind Starting Longxi", the consensus he reached with Director Lu Yang was: the ancients did not perform the characters in stereotypes.

In the past, many ancient dramas would emphasize the "ancient people" and require the lines to take the tone of the lines. However, in Nie Yuan's view, "human nature is connected.

Feng Yan, the spy head of the Shuhan intelligence agency, is such a sense of substitution. He is a typical "color -changing dragon": as a behind -the -scenes layout, "the mind is deep like the sea, and the means is like a scorpion". He does not hesitate to use the people around him to point the blade to himself, but it is quite sympathetic.

In Nie Yuan's understanding, this character has a sense of age, majesty, and the keenness of eagles -not standing at the top of the food chain, but overlooking the overall situation from a high place, and understanding everything.

What's more important is to "hide". As a role that is always favorable to the sword on top of his head, he has to convince his opponent to let the enemy relax his vigilance, and he must hide himself in the game.

The deep role of the city is easy to play "with". But Nie Yuan disassembled it into many noodles and filled it into the fine branches of life. In front of his subordinates, he is the boss of Enweigra's equal emphasis; in front of the little sister -in -law, he showed his true feelings in his daily preaching; in front of Li Yan, he was very charming.

"Wind Relieve Longxi"

Many of this character's drama is on the dining table, often in a look, which can make the audience feel the weather in their chest. But when asked by the media, Nie Yuan often answered, "Actually, I don't think about anything."

He repeatedly pondered the role, but rejected "deliberate design", in the final analysis of "living in the situation."

One show was that in the rain, Feng Yan returned to Siwen Cao and accidentally stepped into the layout of others. When shooting this scene, you need to bury a foreshadowing for the audience, and the director hopes him to look back. However, after Nie Yuan thought about it, he felt a little deliberate. The last way to deal with was that Nie Yuan walked, and suddenly he stomped his feet slightly due to the slippery road, implying that he was "unsatisfactory".

In recent years, Nie Yuan has made some adjustments to the performance. He feels that no matter the modern costume or the Republic of China, "" The acting is more or starting from the feeling of human beings. It is necessary to have a sense of substitution and let the audience believe you. "

And letting the audience believe that it is a process of polishing. Often, they need to think, carve, and erase the traces of carving.

When filming "Dear Child", Ren Suxi's impression of Nie Yuan is "I have never seen such a hard work." Nie Yuan's script is always posted with various labels, full of plot understanding, character perception, and often often Turn over the wool edge, so that the thickness of the script doubles. Once, she also said to Nie Yuan: "Don't roll up, let us not let us live?"

Nie Yuan plays Xie Tianhua in "Dear Child"

But when it was really, Nie Yuan faded the design. He hoped that "nothing would want to", immersed in the atmosphere of the scene, and collided with a sense of truth.

In "Dear Child", there is a play that Xie Tianhua watched his wife Fang Yinuo (Ren Suxi) eat noodles. During the shooting, Ren Suxi thought about her daughter Hehe, and she was absent -minded. A short paragraph fell to her ankle. Nie Yuan didn't think about it, so he picked it up and put it in his mouth. "This is the first reaction of Xie Tianhua."

There is also a touching drama. Xie Tianhua accompanied her step -girl He He, who was suffering from leukemia, shaved her head while playing games. For the emotions of the little actor, the play "No preparation or booting, start shooting with a look." Starting from the racking position, he chatted with the little actor, squeezed his eyes, teased her happiness, took pictures of each other, and guided her to cut her hair ... Crying and laughing were real. Also true. Excellent opponent actors are always inspired by each other.

In the play, Xie Tianhua and Xiao Lu (Qin Hao) have a fierce rival scene: in order to save the daughter Hehe with leukemia, Yinuo needs a divorce, and a child with his ex -husband Xiao Lu has nowhere to vent his angry Xie Tianhua. One way.

This complex emotion is not easy to perform. Before shooting that scene, Nie Yuan sat in the car and thought about it: "If I were Xie Tianhua, what would I do in this situation?" He discussed with Qin Hao, "We just follow the real feelings, what to do. "During the shooting, Qin Hao knelt down and hoeed his head. Nie Yuan cried helplessly and waved his hands.

In the last scene of Xie Tianhua, he took the room from the house, intended to sell the house to save Hehe, and turned to hit his sister. My sister threw a word: "If you want to sell it, you can sell it. You just live here." He understood it, patted his sister's arm like a child, and ran out like flying. When filming that scene, Nie Yuan thought that when they were young, they should make trouble.

"Dear Child"

Nie Yuan played an example. The camera was like a life scene -setting the environment, characters, and objects. The actor lived in it. "You are really living, the audience will feel that this is a living person."

This accumulation of life requires time to precipitate. He knows that he does not belong to the category of genius. "The ability of most actors is comparable to his experience."

precipitation

Nie Yuan's debut for more than 20 years, many audiences' memories of him stemmed from the 2001 costume romance drama "Shangwu Flower Cars Marry the Right". At that time, he had just graduated from the drama and was still "stun" about the performance.

Because of the "popular red man", he spent a few months in the northern drift in confusion, but was quickly watched by director Wu Ziu, and got the opportunity to play the young Qianlong in "The Grain of the World".

At that time, the crew was limited to shooting, especially the Shang Dynasty played to shoot at 5 or six in the morning. An important moment in Nie Yuan's acting career happened here repeatedly -when there was a shooting, the old seniors who played the ministers kneeling kneeling, but his emperor did not recite the words and tossed for a long time.

Director Wu Zi Niu did not get angry at the scene. When he finished the rest, he walked to Nie Yuan and said only a word, "Nie Yuan, you remember, you are not filming for my Wu Zi Niu."

This sentence was shocked by Nie Yuan. Until many years later, he still mentioned the moment of vibration in the interview. He never dared to make such a mistake that made people feel unprofessional. At that time, a house had two people. He was embarrassed to disturb others at night. There were someone in the hotel lobby. Lines.

Nie Yuan plays the young Qianlong in "The World Grassments"

The image of the young heavenly emperor in "The World Grain" made him finally recognize the industry, and also opened his way to become popular as a niche in costume costumes.

In the past few years, he has left multiple impressive costume images in a row. There is a monk in "The History of the Tang Dynasty", which is wise and affectionate; there is Luo Cheng in "The Heroes of the Sui and Tang Dynasties", the cold -faced and cold gun, and the prestige; Miserable "character Demon Jun seven nights; there is a heavenly noble Li Ke in" Zhenguan Long Song "...

Nie Yuan also won the reputation of "the first young student in costume". But since then, his drama one after another, but he has never aroused too much water. The road to the "niche" seems to have begun to stagnate.

In the eyes of the outside world, he fell into a period of silence. But for himself, this time is still on the road of actors. A fire is not hot, depending on too many factors. As an actor, you can do it as much as possible. Improve.

When he was eager to try a more complicated role. When filming the new "Three Kingdoms", the crew invited him to play Zhao Yun. He said that he prefers Lu Bu and wants to play a loved and hateful role like Lu Bu, but he was eventually said to be director Gao Xixi. Lu Bu got back 1 meter 85 or more.

Nie Yuan plays Zhao Yun in "Three Kingdoms"

After many years, I recalled the new "Three Kingdoms". He felt: "At that time, he was too young and didn't think too much. Now to express a character, whether a big person or a small person, he will definitely be an independent idea."

Time allows actors to accumulate a lot of things. In Nie Yuan's opinion, "Every day, whether it is happening is a big deal or little thing, even if it is a person's subtle expression, a detail, and a look, it is your cognition of life."

Hiding

Nie Yuan was 40 years old when he appeared again in the public's vision.

He suddenly had inspirational stories of "traffic", hot search, fans, and "turning over acting". But everything does not seem to change. He continues to filming in the crew. In his own words, this so -called "redness", "nothing more than a few more announcements. I am just an actor, the place where I belong to me is the set" Essence His attitude towards acting has become more pure with the passage of time. If a play needs to be accompanied, then he will do this foil. Compared to the sharpness of his youth, he now knows "hiding" more. Outside the play, there is a proper position.

The role of Xie Tianhua in "Dear Child" is a role that needs to "hide". According to media reports, during the shooting, Nie Yuan's mobile phone screen guarantee was written with a "concession". He deliberately controlled himself and tried to "don't express more" on the role of Xie Tianhua.

This is a character that needs to weaken the sense of existence. In Nie Yuan's understanding, Xie Tianhua was "inconspicuous at all." Because he had to be too inconspicuous, he could not express it, it was too easy to be forgotten, so Fang Yinuo would not consider him at all when choosing a spouse.

"Dear Child"

He has therefore redesigned the body movement for Xie Tianhua. In the whole drama, Xie Tianhua stood up slightly, sitting down and shrinking his neck again. Only when he could not show it in the crowd, would he be in line with Xie Tianhua. So that when the show was broadcast, many audiences did not recognize the actors who played Xie Tianhua were Nie Yuan.

He can't express his feelings too much. The standing point of Xie Tianhua is love. He loves Fang Niao and treats Hehe as if he is out of his own, but when he and Fang Yinuo and Xiao Lu are together for Hehe, as a stepfather, he must be restrained. In turn, the noise sends the Lord, and it is too bad to move forward.

In the process of "hiding" himself as a green leaf, Nie Yuan had a new understanding of the performance. In the past, if he was just the foil in the camera in a play, he would feel that he only needed to sit there. Now, he will use appropriate moves to integrate into the atmosphere.

The same is true of Feng Yan in "The Wind Starting Longxi". First of all, as a spy, you must learn to "hide". Only hidden in the crowd, ordinary people are not easy to expose. Feng Yan was able to achieve the position of Lord Cao's official. Obviously, he had experienced strict training and had rich spy experience. Even if they are in a high position, they must show humility, forbearance, and calmness, and they cannot be exposed. In the face of the decentralization of the outsiders, Li Yan, he must be calm and even refunded. When Nie Yuan was performing, he was unsatisfactory. After sitting in the case, he was drinking tea, writing, and talking, but the more this kind of peaceful state, the more people felt that he had huge secrets in his heart.

"Wind Relieve Longxi"

Subsequently, when Feng Yan became a game, when he wanted to bring down his opponent's character Li Yan, he showed a low voice. He can go directly to Li Yan to show his psychology in front of him, and he will also invest in the streets on the street. Thanks to Li Yan for saving his life. After gaining a certain degree of trust, he voted for his good. He gave the singing girl Liu Ying and the house to Li Yan. From the aspects of public and private, Li Yan felt that he was his own.

All this seems to be Feng Yan's self -protection behavior. When the plot reversed later, everyone admired his mind. Therefore, some people commented that Feng Yan is the most complicated, capable and most three -dimensional role in the play. When Nie Yuan's control of this character, he can express complexity with subtle words and deeds, which is convincing, and obviously cannot be separated from the accumulation of his long performance career.

In the past, he felt that talents such as Luo Cheng and Zhao Zilong were heroes, but now it seems that Feng Yan and Xie Tianhua, who are strong and rich in their hearts, are also heroes in life.

Climb a mountain

Nie Yuan's hometown is far away. In ancient times, it was a military fortress, back against the mountains, a river in the middle, and living on both sides. He is a child who grew up by the river. He trained for a few years when he was a child. He was very talented and was seen by the swimming coach. However, because the local water was too cool, others kept trembling. Angry, he said he "couldn't eat hard."

He looked at this incident later: "Actually I don't like swimming that -I don't want to do it. I reject it in my heart, and I will feel that it is bitter. If I really like it, then I will never feel that it is bitter ","

Later, when he was an actor, he experienced the life of the first -line criminal police for the role and experienced forensic work in the anatomy room. In winter, he ran to the ice at the ice at minus 30 degrees. Numerous injuries ... but he felt, "This is all in the division."

Performance is something that makes him not feel bitter. For many years of debut, his love for the performance has never been extinguished. As long as he encounters a novel role, he will still be excited. When he performs, he can be happy all day, forget all other things, and enjoy this process completely.

But at the same time, he also accepted the passiveness of this profession. During the interview, he frankly said, "When we are more actors, we do not pick the characters and scripts by us, but to find us from the product and the producer."

For actors, good scripts, good characters, and good crews can be encountered. The only thing that can be done is to play as much as possible in the space that can be exerted. In his opinion, "As long as there are good filming, let me shoot me every day."

At the age of 40, it is a self -intrivation age.After each scene is filmed, he will go to the review.No matter how much praise the outside world has given, he is reviewed by himself. Each character has a shortage of regrets and can perform better: "Summary, correction, and learning, I am still on the road." "This is a copy I love.Work, I enjoy happiness in it, "he concluded.

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