Changli Graduate Practice Group: Find the "Trace" of Hunan Western African Herbal Seedlings along the needle line

(Correspondent Ding Xin Fu Liqing Feng Xin) Recently, Changsha University of Science and Technology's "visit non -heritage paintings to help rural revitalization" Graduate professional research and practice group led by Wei Taochu, deputy dean and associate professor of the School of Literature and Journalism and Communication. For a week of practical activities, through a number of research sites such as Miaozhai Village, Xiangxi Tujia Miao Autonomous Prefecture Museum, non -heritage Miao painting Liang's studio, etc., on -site inspections, symposiums, interviews, questionnaire surveys, etc. In the context of revitalizing strategy, the inheritance and dissemination model of the fedry paintings in western Hunan is explored the "traces" of the western Hunan African heritage.

"You see, this pants were painted by myself when I was young!" The 80 -year -old wife Miao Min said proudly at the pants on her body. In the Miao Village, the members of the Practice Team learned that the Miao people did not have independent text. In addition to passing through mouth, their national culture information was only expressed through other pattern language such as Miao painting. Miao Min in the past basically painted seedlings. However, because the cost of seedling spending is too high, it is gradually replaced by machines in creation, and the inheritance and dissemination conditions are not optimistic.

On July 10, the Practice Group found a large number of precious Miao painting collections in the "Miao Township Run" exhibition hall of the Xiangxi Museum. Among them, the work of "The Birthday of the Water Streaming Jinqinghua, Lu Dongyi Cai Cai Cai Gel" tells the story of the migration of the migration of the Miao people from Pangu Kaishi to the Miao people. It took 6 months to complete the record of the world's largest handmade seedlings.

Immediately, Wei Taochu led the practice team to the ancient city of Ganzhou to visit the author of this seedling painting Liang De Song to conduct in -depth exchanges on issues such as the characteristics of the Western Hunan painting, inheritance, and policy assistance. Liang De Song said that as the previous process of seedling embroidery, Miao painting has become an independent and mature folk skill after the pioneering and innovation of the inheritance of several generations of seedlings. However, the biggest challenge facing Xiangxi Miao painting is still the loss of non -hereditary inheritance people. The young inheritor may go to a large city, or because of economic pressure, he is unwilling to sink to learn seedlings.

The differences between Wei Taochu and Liang Demong on the development model of Miao Painting in Longli Pingpo Village in Guizhou and the development model of Xiangxi seedlings and the development model of Xiangxi.

On July 11, the research and practice group also went to the Xiangxi Tourism School Chunhai Miao Picking Studio, Teng Jingrong Miao Miao Picking Studio, Peng Xiaojun Miao Embroidery Studio, etc., and continued to find the "traces" of the Western Hunan African heritage.

"These paintings of flowers are drawn by ourselves, and they are one of the techniques we must learn." Said students who were practicing flowers in the Chunhai Miao Miao Picking Picking Picking Institute. The bottom painting of the flowers is briefly outlined with white lines, without bright dyes, but its unique painting techniques and symbolic elements are highly similar to non -remaining seedlings.

During the visit, the Practice Group learned from the Xiangxi Cultural Tourism, Radio, Film and Television Bureau that the non -heritage projects of Xiangxi Prefecture have achieved such achievements, and its main experience can be summarized as: high -level promotion of strong order, effective funding guarantee, policy support, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, quality, and quality. The masses have increasing income and roads, exchanges and mutual learning. Tian Cheng, a member of the party group and deputy director of the Xiangxi Cultural Tourism, Radio, Film and Television Bureau, said that the next step will continue to promote the in -depth development of the non -heritage industry in Xiangxi. In the inspiration of the masses to work hard to become rich, in consolidating and expanding the results of poverty alleviation and helping the village rejuvenation, let A non -heritage blooms more charming glory in the new era, making life better.

For a long time, the School of Literature and News and Communication of Changsha University of Technology has focused on the cultivation of humanities and is committed to the inheritance and dissemination of non -heritage. Relying on the research and training base of the intangible cultural heritage of Hunan Province and the Hunan Social Sciences Popularization Base, the college has achieved fruitful results in summer professional practice and non -heritage protection.

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