Li Yan: The score is resting, and there is no stagnation of dreams without dreams

Huasheng Online June 30 (Correspondent Peng Ruliang) "Dear mother, hello! I am a bird, you are encouraging my sky, let me fly freely ... Thank you for teaching me the piano." Some people met because of music and played their unique memories. Some people practice crazy about studying, some people play their ideals, and some people are embellished with feelings. Teacher Li Yan in her daughter and students is the "sky" on the way of their piano to study. Give them love and embrace.

Encountered, the teacher and student are the people in the song

Li Yan, a national third -level performer, a lecturer, vice chairman and secretary -general of the Piano Education Research Council of Hunan Keyboard Music Society, a master's degree in piano performance of the National Social and Art level test examiner, Ukraine Oeda National Music Academy, Hunan Vocational College of Art He is a full-time piano teacher. He served as the leader of the piano teaching and research team from 2007 to 2019 and the director of the music teaching and research office of the music department.

"Any discipline is to impart knowledge for students, but the content is very different, and the teaching requirements of teachers are very different." Said Mr. Li Yan, Department of Music, Hunan Vocational College of Art. Before the interview, she was taking professional courses for students. Through the classroom, I feel the beauty of art brought to their teachers and students. Teacher Li Yan wrote the most beautiful education movements with notes and love.

"As a teacher, you can't just be a 'teaching craftsman', but also to be attentive to students, and the words and deeds are elegant. The education without teacher ethics is the education of losing soul." They are all actively done and consistently, and they are aligned with excellent colleagues, asking themselves with higher standards. In getting along with others, she is humble and cautious and kind with others. In the process of teaching, she can teach, teach and educate people according to their aptitude, always pay attention to students' ideological dynamics, and do well in ideological and political work. She often said: "Encounter, the teacher and student are the people in the song. They trust me and choose me. I have to work with them and send them to a higher platform together."

"Teacher Li is really the kind of super rigorous, super responsible teacher. Our major does not practice ourselves a day. I do n’t practice the master for two days. Every time I return to class, it’ s not very good. Time, not only taught me to play the piano, but even the sparring characters have been taken up. This makes us students dare not lazy and dare not slack off. "Her student Zhou Taixu said.

Teaching, continuing on the five -line spectrum

In order to further understand the tutoring of the front -line teaching of vocational education and update the teaching concept of teachers, Li Yan often goes to all parts of the country to learn from all over the country. Li Yan also adheres to the teaching mode of "classroom+stage". Every year, piano teaching reports are held for teachers and students concerts. Not only do students perform, she will also perform on the stage. Hunan Performing Arts Group Art Practice Base -Orange Castle's Ancient Piano Museum, allowing music teaching to truly continue on the five -line score.

In 2018, Li Yan successfully invited Professor Zhao Xiaosheng to the college for a two -day lecture on "Bach Creative Song", which opened the door to academic exchanges for the students, attracting piano professionals across the country to listen to classes with the college keyboard teachers and students. "I also wrote a number of papers such as" Reform of the Application of Piano Teaching in Higher Vocational Application of Piano "," Application of Micro Class in Piano Teaching in Higher Vocational College "," Discussion on Curriculum of Piano Teaching in Colleges and Universities ". The systematic summary and the process of scientific research were made in depth. "Li Yan said that these work experience allowed her to understand the new educational concept and harvested a new method of education.

Promoting teaching with the competition and promoting the competition can not only improve the level of performance of students, but also allow them to have more confidence during employment interviews. The "Yangtze River Cup" national piano competition, 2021 "Dali Piano Art Festival and the National First Piano Contest", and many "Shanghai International Youth Piano Contest" and other competitions have achieved excellent results. As a ceiling -level event in vocational colleges -National Vocational College Skills Competition, it is not easy to win the provincial award. Since setting up keyboard instruments in 2014, among the students guided by Li Yan, the provincial prize is the first prize. Four people won one of the first, second, and third prizes of the National Tournament. She also won the National Skills Contest Outstanding Instructor Award.

Li Yiping often worked hard on his work, studied hard work, taught students according to his aptitude, and applied new teaching concepts and new knowledge to teaching. She has obtained excellence at three teachers' business assessment and has been rated as "excellent teachers" by the college. In the past two years, Li Yan's teaching achievements have reached more than 30, and won in piano contests such as the "Pearl River Caestersburg Youth Piano Contest", "Kawai Asian Piano Contest", "Steinway National Youth Piano Competition", "Xinghai Cup National Piano Competition" Excellent instructor. In these large -scale competitions in the country, Li Yan continued to polish the delicateness of piano works, updated her track library, and made her teaching in the piano industry in Hunan Province.

No regrets, sonsess dedicated to you

Teacher Li Yan's class is romantic and youthful. She gives full play to the role of vocational education, adheres to the principles of morality, combining training, and integration of production and education. She said: "If you have a faith in your heart, you can go far. Facing the future, taking the Long March path of the new era, we need to strengthen our ideals and beliefs, and work hard." Firm ideals and beliefs are of the significance of the long journey of the new era. To strengthen the education of young people's ideals and beliefs, we must guide students to use their faith in their original intentions, strengthen their beliefs with theory, and strengthen their confidence with practices, and strive to become newcomers in the era of the rejuvenation of the nation. In order to better understand the education concept of students in the new era, Li Yan continued to extend to the market under the heavy teaching task. Jury work, preparations and organizational piano competitions. From the classroom to the stage to various competitions, Li Yan, with his original intention and mission of vocational education, carried out the exploration and practice of Lideshu people and refinement.

"I like to be a teacher very much, and I am very happy to see the students. The student is my protagonist." Li Yan said, "I prepared a small pillow in the school, tired, sleepy, just rest in the piano house. Some."

By the time of school, the campus gradually became quiet, and Li Yan began to work in the case. So far she still maintains a habit: "Every student must tell me the whole process of learning during the return course."

Li Yan is called "Sister Iron Man" by the students, because she knows that quality is the lifeline of education. In the circle of friends of Li Yan, some photos of piano events and piano rooms often post. She was often busy late at night and took a piano room before preparing to leave. At that moment, it was full of love and silent persistence.

"Some students asked me if I gave up my life because of my work!" She said, "I am happy, I feel very happy." Kát'a Kabanová ", you know, the protagonist is you." In Li Yan's world, her protagonist is her students.

The music score stopped, and there was no stagnation of dreams. The black and white keys played the joy and sorrow, and the long and short chanting thoughts. In the sound of the piano, Li Yan met her students and dreams. She was also playing with their love and persistence to play the youth movement belonging to their teachers and students.

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