"China Archaeological Conference" uses "public archeology" to set up the bridge of archeology and the public

In recent years, the public's enthusiasm for cultural relics and ruins has become higher and higher. The mainstream media represented by the Central Radio and Television Studio launched a series of sophisticated Wenbo programs, which has played a subtle role in which.

On July 15, the eighth issue of China's first archeological space exploration cultural program "China Archaeological Conference" was broadcast, and the "public archeology" of the TV media was pushed to a new level.

Under the guidance of the Central Propaganda Department, the Central Radio and Television General Studio and the National Cultural Relics Bureau and the Chinese Academy of Social Sciences have been planning and producing for more than a year. The 100th anniversary of the birth of archeology has created a "China Archaeological Centennial Achievement TV Show" with respectful, sincere and creative.

While accompanying the audience to understand the major discovery of the century -old archeology and sort out the context of the development of Chinese civilization, it has great demonstration significance and leading value for the vigorous development of public archeology and extensive archeological education and archeological experience.

Doing excellent education

Help century archeological results return to the public really

Public archeology emphasizes all the people's participation and sharing archeological results.

It should be clearly told the public that archaeological discovery and the relationship with the public, and it is not limited by the professional perspective to find an expression that conforms to the aesthetics of the public.

As a mass media, television media has become an archeological bridge that is incredible.

Combined with the eight -stage program that the China Archaeological Conference has been broadcast, we can find that in the process of "transcoding" of professional knowledge, there are the following distinctive characteristics.

The first is the perspective of experience.

For a long time, archeological work has a mysterious veil in the eyes of the public. The sense of adventure, reasoning, and suspense is attractive to young audiences.

The "China Archaeological Conference" played this advantage, moved the archeological "site" into the TV stage, and allowed "archeologists" to be accompanied by archeological assistants, with the interpretation of multiple experts, from the first perspective to conduct archeological experience from the first perspective. Essence

Most of the cultural relics appearing in the show are the original copy of the museum, which brings a three -dimensional cultural relic experience to the audience.

It is worth noting that the "China Archaeological Conference" cleverly uses the "archeological promotion group" to represent the perspective of "archeological little white" on behalf of the general audience, and it has logically opened the empathy channel of archeology and audiences.

Taking the eighth issue of the eighth issue of "Exploring the Historic Culture of the Middle of the Yangtze River -Chengtou Mountain Site" as an example, the program invites archaeological promoters to receive the "decryption task", starting from a bouquet of rice, the rise of a city has been found.

This "task", "puzzle solution" and "immersive" method refreshed the audience's understanding of archeology, as if following the promotion of people, traveling to history, and feeling the life of the ancients.

The second is the immersive audiovisual enjoyment.

In terms of "activation" of the archeological site, the "China Archaeological Conference" has achieved unprecedented integration: art and technology, real scenes and virtual, imagination and documentary, on -site and outdoor ...

The rich and diverse audiovisual language is organically intertwined, which gives the audience an unprecedented immersive experience.

This fusion is not a simple superposition, but a huge breakthrough.

The "China Archaeological Conference" fully taps the characteristics of the technology of the main station AI+VR naked eye 3D studio, and tailor -made "vision+listening+touch" scene tailored for each archeological site. In this situation, the key results of each site are carried out Detailed and vivid description.

The audience can "walk through" the scene where the major archeological discovery of the century is "traveled". They can also see the doorway, understand the essence, and gain a full sense of cultural happiness.

Almost every episode of the program has or about the scene of the archeological scene or the scene of the ancients of the ancients.

The third is a variety of teaching methods.

Many viewers call the "Chinese Archaeological Conference" a vivid and interesting "archeological class". In this class, in addition to systematic knowledge and authority scholars, there are also very diverse demonstration methods and teaching tools.

From "Songs of the City", "Flute Rhyme", "Dance of Fire", "Thousands of City Headshan" and other art exhibitions of the ancestors and dances of the ancestors, to the animation of the restoration site style and historical evolution, and then to the intuitive demonstration of the sand table model, Re -engraving specimens, and inviting technicians who invited the Institute of Archeology to teach the ancestors on the spot ...

The show tailor -made explanation models and interactive methods based on the characteristics of TV communication, so that archeology gradually get out of the professional "ivory tower", which is more affordable and more grounded.

Make ancient times for the present use

Digging the historical inheritance of the public's "daily use"

In the "Chinese Archaeological Conference", we can feel that the power of civilization has passed through time and space.

For example, the sixth program, we walked into the "archeological top flow" Samsung Dou.

Why can a series of cultural relics such as Dairen, bronze trees, and golden masks of Sanxingdui become "net red"?

Why is the ancient Shu civilization, which is three thousand years old, is liked to be more and more like today, especially young people?

At the scene of the show, the post -1990 archaeologists in Sanxingdui were invited to show us the majestic imagination and curiosity of human beings through their perspective and interpretation.

These original intentions, these memories and personality written into the Chinese civilization gene are fully displayed in front of the audience through archeological work. After thousands of years, people are still moving.

In the ten key tasks deployed by the "Fourteenth Five -Year Plan" cultural relics protection and scientific and technological innovation planning, it is mentioned that "vigorously promotes allowing cultural relics to live and promoting the use of cultural relics protection and utilization work into economic and social development."

This goal requires archeology to achieve the function of rebuilding historical memory, deepening cultural identity, and promoting social development, and put forward higher requirements for the breadth, strength and depth of public archeology.

In the third episode, "archeologist" Zheng Xiaoning's emotion in the last expressed expression can see the strong cultural appeal of this show on the audience.

Zheng Xiaoning said: "Through today's archeological journey, I feel the most deepest words, one is daily use, and the other is booming. Many of our existing traditions are as small as one of the actions of knocking and polishing. It is so large that the culture of farming and animals has been evolved as early as hundreds of thousands of years ago. And we are compatriots on this evolutionary chain. Because of the endless continuation, we have created so brilliantly Human material and spiritual civilization. As a modern person, I am extremely proud and grateful. "

Archeology is a discipline about historical research.

The "China Archaeological Conference" is committed to leading the audience to know what they come and explain in the exploration of history, so the program pays great attention to combining archeological discovery with the current life, and uses vivid and sensible knowledge points, small details, small details, and details. , Continue to establish our connection with history.

For example, Liangzhu's ancestors carved on the noodles of the gods carved on the King of Jade. The thinnest place was engraved with five lines in one millimeter. After understanding how the Liangzhu ancestors carved the jade in the stone, the audience realized that the ancients often said that they often said "The stone of its mountains can attack jade," and the awesome craftsmanship since ancient times.

Another example, how does pig (成为) become a symbol of "home"?

Experts give interpretation: Home pigs are the most important livestock in China ’s own domestication, but for prehistoric ancestors, pigs are not often eaten. Most of them are related to the ritual of worshiping the ancestors. "Home" has a symbol of hope and continuing inheritance.

In the latest issue of "Exploring the Prehistoric Culture of the Midsstream of the Yangtze River -Sites of Chengtou Mountain", we also felt the story of "planting the rice into the city".

Interestingly, the cultivation of rice not only enriches our table, but also affects our nationality -because rice needs to be refined and systematic, it also makes people's personality more delicate.

A small rice has spawned a large city, promoted the splendid civilization germination, and accumulated a cultural gene of a nation.

The development of rice agriculture during the pre -historical period has also become a source of a civilized gene such as "agriculture -oriented, farming China".

Although the Chinese Archaeological Conference is high, most audiences do not have aesthetic obstacles, because these knowledge points are related to us, which can bring us resonance and pride from the bottom of our hearts, and inspire us to pursue happier happiness. And a good life.

It really practiced one thing in the ground: the cultural relics that let the stars on the Chinese land really become the historical and cultural nourishment of the whole society.

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