The artist Zhou Li has opened the world with three exhibitions worldwide.

In April this year, the artist of "Taohuayuan · Trail" at the Pingshan Art Museum in Shenzhen this year has recently opened three exhibitions in the world. The Klin Gallery of Rachate Art Winery and Ireland Dublin. Two exhibitions dominated by the "blue and white" color brings a new series created during the period from 2020 to 2022, as well as uninterrupted works created from 2014 to 2016.

▲ Zhou Li, "Water and Dream" exhibition site, Provence, France, France

▲ Zhou Li, the interior scene of the Klin Gallery space "Water and Dream" exhibition scene in Dublin, Ireland, 2022

The exhibition "Taohuayuan · Trace" held by the artist held at the Pingshan Art Museum in Shenzhen, showing the long -term research creation of the artist's 17 -year -old image of "Peach Blossom Source". exhibit. This exhibition traces the creative style and life experience of the artist since the work of "Transformation" and its inherent development context of the artist's inner development since 2005. Painting language. Tao Yuanming's classic text "Peach Blossom Source" symbolizes the image of "Peach Blossom Yuan Ji" and "benevolent", and the traditional concept of natural nature of the ancient Chinese, which is cited by the artist. And under the setting of the pink theme, it created a "ideal realm" inviting the audience to empathize with it to feel the heart and heaven and earth.

Zhou Li said: "The 'Taohuayuan' Series is my long -term research creative project, or it is a process of constant self -identification. Taohuayuan is not a place to evade reality, but it should not be forgotten. We seem to have no courage to have the courage Find this field that you lack. "

▲ Zhou Li, "Taohuayuan · Trace" exhibition site, Shenzhen Pingshan Art Museum, 2022

▲ Zhou Li, "Taohuayuan · Trace" exhibition site, Shenzhen Pingshan Art Museum, 2022

"Water and Dreams" are the third part of the "Green Missing" (2020) and "Taohuayuan" (2022), which continues the theme of nature and human being explored for a long time. Different from the pink theme of "Peach Blossom Site", artist Zhou Li was inspired by Ev Claine's extreme saturated blue, and began long -term creation of blue in his self -spectrum. In the solo exhibition of Chate Lochate Art Winery, Zhou Li regarded the exhibition hall as "a drop of water, which can be the river in front of the backyard to the small lake, or the boundless sea, everywhere Among them, such as on the water, or in the water. Zhou Li said, "You can't feel water in the water, but you need to describe it."

▲ One of "Water and Dream", cloth comprehensive material, 250cmx600cm, 2022

"The lines of my paintings are from ancient Chinese painting and calligraphy. Yongle Palace in Shanxi, where the murals there really exert the charm of the lines to the extreme. It was drawn down, the characters were perspective, and the expression was very vivid, so exciting. "

The power and cultivation from Oriental culture have been penetrated in her creation. The always -emphasis on the experience of Zhou Li is always related to the current experience. What she wants to penetrate is the status quo that is facing in reality. The abstract treatment of natural landscape is trying to reproduce the perception of nature.

▲ Seventh "Water and Dream", cloth comprehensive material, 194cmx180cm, 2022

"The water surface during the day is like a mirror, reflecting the blue of the sky and the water of the lush plants by the river. At night, the water surface makes the darkness darker, and the inner emotions and spirit can be attributed to the form of the water." Under the inspiration of Ke Luo's "Species and Suggestions", the reality and dream in "Peach Blossom Source" are further extended.

Whether it is the painting exhibited by the Klin gallery or the Chate Lacoster Art Winer, the installation and painting experience, the pink and blue experience, they are "Peach Blossom Source · Trace" in the Shenzhen Pingshan Art Museum. Farmed the physical and eastern and west.

Introduction to the artist:

Thoroughly

He graduated from the Department of Oil Painting at the Guangzhou Academy of Fine Arts of China in 1991. From 1995 to 2003, he lived and worked in France. He used to be a guest painter at the Shenzhen Academy of Painting, a visiting professor at the School of Design and Art of Shenzhen University, and an art consultant of Shenzhen Airport. In 2015, he was hired as the Center for Arts and Culture Innovation and Development of Sun Yat -sen University, Director of the Institute of Abstract and Contemporary Art. Since 2013, he has been employed at the guest professor of Guangzhou Academy of Fine Arts. Since 2015, the art director of the box art space of Shenzhen OCAT Happy Coast Exhibition area; since 2017, the art director of the Box Art Museum of the Overseas Chinese Town of Shunde; since 2019, the Fifth Studio Director of the Oil Painting Department of the Guangzhou Academy of Fine Arts, academic member of Pingshan Art Museum.

Recently important exhibitions: from December 2020 to January 2021, "Green Missing", Guangdong Art Museum; in 2019, "I stand in the middle of the window -Xinyuan", Bai Cube Bermond, London, UK; "Shenglin is like a ring: a single exhibition", Beijing Honeycomb Contemporary Art Center; "Bai Ying", Shanghai Yu Deyao Art Museum. The works are collected by many art galleries, institutions and important collectors.

Source ｜ Jingbao APP

Reporter: Xie Chenxing

Edit: Chen Zhangwei

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