The concert of "Our Melody Singing the Wind of Youth" was successfully held in Xiamen in Xiamen

Recently, the concert entitled "Our" was successfully held in the ancient stone of Xiamen. "We" not only refer to the performers, but also the Chinese children who are closely dependent. Faced with the great changes in the century, as an artist, "we should" and make good help, make the voices of the nation and the world, so that the world can hear China and understand China. The concert aims to present the charm of traditional music of the Chinese nation, uses Western American sound vocal skills, and combines the singing of traditional Oriental music, with the guiding ideology of "I mainly use me as", promotes national art, triggers audiences present. resonance. The performance lineup is young, but there is no shortage of "blue and blue than blue". The concert revealed the firm recognition of traditional culture and strong cultural confidence in the national culture.

Art instructor Zhuang Yating (left) Singing Chen Andi (right)

There are various singing styles, and the performance lineup is quite potential. Among them, there are teachers from Professor Wang Shuyi, a Dr. Wang Shuyi, who travels from Xinghai Conservatory of Music, and Chen Anti, Master of Tsing Yi Guo Yuang from Shanghai Academy of Drama, Chen Anti, Professor of Master from Quanzhou Normal University, and national first -class performers, Sri Lanka Teacher Qin's Chen Manting, Master Yao Jiyuan from Teacher Gao Xiaoqiao, Sichuan Conservatory of Music, Guo Yuqing, Professor of Elina of the Far East National Academy of Arts, Zhuang Yating, who graduated from the French National Higher Normal University, and Teacher Zhang Yu from the Central University for Nationalities University Luo Yichen, Liu Longhui, Mr. Chen Hao, Mr. Chen Hao from Xiamen University, Liu Longhui and other young performers. Performance tracks include "The Wave of Gulangyu", the vocal art song "Tung Tears of Mid -Autumn Festival", the Minnan art song "The Spring Wind", the Mongolian art song "Moni Mountain", the Beijing opera selection section "The Locking Pork" "Media", "White Snake Biography", Tibetan new art song "Light" and so on.

From the perspective of vocalization technology, the sound efficiency of Western American sounds has indeed great advantages. We must recognize its scientificity and learn its technology. However, in terms of guiding ideology, we should firmly guard the national cultural positions, protect the inheritance of the national culture, and use Western art skills to wings. And learn advanced technologies, so that the powerful "we" is stronger, the fire of the stars can be alarmed, and I hope that each small glowing "us" can also help the great rejuvenation of the Chinese nation. "We".

Luo Yichen Guo Yuqing (left) Chen Manting Chen Anti (middle) Yao Jiyuan Liu Longhui (right)

On the other hand, for various reasons, traditional music has always been in a weak position in the world. But please believe in our traditional culture, please believe the trueness of our Chinese children's blood. Take its essence to its dross and enhance our cultural confidence in our culture, because we and our culture are coexisting and honor, and you have me in me. Our Chinese civilization has gone through the wind and rain of 5,000 years, and the bloodlines of 56 ethnic groups are united and united. Cultural heritage and national spirit are indescribable and moved. Many young friends are lacking in traditional music, but in fact, as long as we calm down to understand the stories and national cultural heritage behind music, the charm of oriental music must be fascinating.

With the economic development, the people have lived a better life, and the conditions of health, education, clothing, food, food, food,, and transportation have been greatly improved. Many people living in the Plateau in Dashan have lived in more secure housing or moved into the big. In the city, this is definitely a good thing that is conducive to modernization and poverty alleviation to attack the country and the people, but it is also necessary to pay attention to traditional music that has not yet works and academicization. What we can do is not to let people return to Dashan, but to speed up the pace of recording traditional music, save more traditional music works, and even perform secondary creation and protection. Let our descendants also hear the wonderful rhythm of our east land. Looking back at the past, we do not forget history, look forward to the future, we work together. We will dedicate youth to the national culture we love, and the national culture will also live up to us.

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