For a century in Suzhou Meijisha, the "root" and "soul" of Chinese oil paintings at the Canglang Pavilion

Yesterday (July 15) at 7:30 pm, the "enrichful glory · beauty" commemorating the 100th anniversary of the Suzhou Beauty College was officially launched at the Yan Wenliang Memorial Hall. Among them, Jun watched Canglang Jiejin -Yan Wenliang and Suzhou Fine Arts, Canglang Sanjie "Eye Black Bead" -The main founder Yan Wenliang, Hu Jizhong, Zhu Shijie's works exhibition, Huayuan deep in Canglang -important sponsorship Wu Zishen's works exhibition was officially launched, exhibiting more than 130 materials such as art works, documents and other information.

In 2022, the 100th anniversary of the establishment of the Suzhou American College of Suzhou American College, which was co -founded by Yan Wenliang, Hu Jizhong, Zhu Shijie, etc. To commemorate this famous art school in modern Chinese art, as well as the pioneers and achievers who remember to pay tribute to Suzhou art. The Suzhou Public Culture Center has planned this commemorative event since last year. The "enrichment of glorious, beautiful and big" commemorates the 100th anniversary of the Suzhou American Specialty School.

On the afternoon of the day of the series of activities, on the second floor of the Yan Wenliang Memorial Hall -Suzhou Art College once held the "Canglang Water Clear, Wind End of the Immortal" Suzhou American Specialty School Centennial Forum Seminar, many oil painting artists, art artists, art artists, arts Critics, American alumni, etc. have carried out academic discussions on the influence of Suzhou Art College on the creation of oil painting on the creation of oil painting and how to further reshape the "Jiangnan Culture and Art" brand.

苏州美术馆管理部部长高翔解释说：“苏州人说起苏州美专，称共同创办苏州美专的三位先生，颜文樑、朱士杰、胡粹中为'眼乌珠'，取吴语中颜、胡、 Zhu, the pronunciation of the three surnames, is quite the meaning of 'leadership direction' '' ', and the direction of Suzhou Art College is guided by the three gentlemen. The three gentlemen are also the "treasure' of Suzhou City and Suzhou people."

From left to right: Zhu Shijie, Hu Jizhong, Yan Wenliang

Now look at it again, Mr. Yan, Hu, and Zhu Sanzhi founded Suzhou Fine Arts College and the planning and development of Suzhou Fine Arts afterwards. National Fine Art Exhibition); In 1920, the Suzhou Fine Arts Association was established (the first organizing committee in the history of Chinese art to prepare for the exhibition); in 1922, the Suzhou Art Summer School (predecessor of Suzhou Art College) was founded; Recruit a female student, break the old concept of feudal etiquette, and start the beginning of Suzhou men and women. In 1927, the school moved into the Canglang Pavilion and established the Suzhou Art Museum (the First Museum of Modern Chinese Art History); in 1928, founded the school magazine " "Canglangmei" (later renamed "Yilang"); In 1930, Yan Wenliang returned from studying in Europe and brought back more than 460 plaster plaster and more than 10,000 books, which led Suzhou American specialty teaching equipment and facilities to lead the country; in 1932, in 1932, in 1932, in 1932, in 1932, The Roman -style new school building was completed. In the precedent of society; in 1950, the first animation department was founded to follow the needs of the times, and it trained the first batch of animation professionals for New China.

Yan Wenliang language

In the era when the western wind was gradually, the phenomenon of blindly pursuing Western culture abound, but Mr. Yan Wenliang was particularly sober. He asked students who studied oil painting in the student's art curriculum to choose Chinese paintings. He said, "Chinese painting is the tradition of China. Why must you understand the Chinese tradition? Because this is our root, can you become talented and develop in the future; So, this root is very important. When you do not get rid of tradition, you are actually standing because you have roots. "Mr. Yan Wenliang said the" roots "and" soul "of Chinese oil painting, Chinese oil painting Cultural self -confidence, self -reliance, and self -reliance have said the theory of "Western oil painting in China". He believes that Chinese people must have the style of Chinese people. Therefore Only a tree can be counted as a tree, and there must be Chinese oil painting trees in the wood -painting woods.

Li Zongjin "Yan Wenliang Portrait" 1975

In addition to cultivating painting talents, Suzhou Fine Arts also focuses on social needs, emphasizing "implementing the actual talent of education and contacting production, cultivating useful talents that the society needs" in professional restructuring, adding practical art departments, and establishing printing, casting, version of version, and photography workshop. It is the leader of Chinese design art.

Suzhou American School Office Printing Factory in the 1930s

In addition, the animation department was founded to cultivate and transport the first generation of animation talents and backbones for our country. China's first ink cartoon "Little Tadpoles Looking for Mom", Qian Jiajun, director of "Nine Color Deer"; Lu Qing, the main original painter of cartoons such as Tan "Tan" "Tan", "Sanmao Wandering"; the director "Tiger No Tiger" and Pu Jiaxiang, who served as the original painter for "Proud General", all came from Suzhou Meishang Animation Department. After the founding of the People's Republic of China, the Suzhou Meiji Animation Department was merged into the Beijing Film Academy.

Copy of "Nezha Troubled Sea"

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