Let the scientific sunshine's world of art- "Art + Science -Yin Yi Painting Scientific Research Work Exhibition" is held in Beijing

Art and science are the great creations of human beings in production practice. They are the two ways of understanding the world and transforming the world. It fully shows human excellent imagination and creativity. Throughout the history of human civilization, art innovation has always been supported, perfectly integrated, and reflecting each other with scientific and technological progress. With the tide of the times, it has developed huge potential and broad space.

The "Art+Science -Yin Yi Painting Scientific Research Works Exhibition" jointly organized by the National Museum of China, the Chinese Artists Association and the Silk Road Planning Research Center, from June 14th to July 15th in North 1 and North 2 of the National Museum of China The exhibition hall is held. Yin Yi created by the exhibition by presenting the different styles of different styles by presenting a national first -class artist, a member of the China Artists Association, the vice chairman of the Silk Road Planning and Research Center, and the head of the art technology Rongzhi Platform, and the deputy director of the Academic Committee of the China Institute of Art and Technology The more than 100 paintings of paintings show the results of his diversified creation and exploration, and show the overall structure, system division, logical relationship, and in -depth thinking of comprehensive research in the implementation of many provincial and ministerial scientific research projects.

Immersion and sense of gain

This exhibition is divided into five exhibition areas: ink and ink, artistic realm, classic reshape, melting beauty innovation, and scientific research results, comprehensively showing artists to deeply dig into art integration scientific resources, and study the art of contemporary ink -style language style and the characteristics of the times. Practice process. The exhibition exhibits more than 100 ink painting works and art appraisal patent equipment, artistic gymnommental system construction maps, and artistic gymnastics, etc. The exhibition level improves the sense of immersion and gain of the audience.

Ma Fenghui, Liu Wanming, Yin Yi and others visited the exhibition

On June 16th, the exhibition media meeting was held in Beijing. Ma Fenghui, Secretary of the Party Group, Deputy Chairman and Secretary -General of the Chinese Artists Association, Liu Wanming, deputy director of the National Museum of China and painter Yin Yi attended the exhibition planning with the media reporters. Artist's creative experience and artistic characteristics.

Ma Fenghui said that looking at the history of art, the birth and development of painting art have always been with science. The innovation of art and the advancement of science and technology have always rely on each other and support each other. To this day, the combination of art and science still shows huge potential and broad prospects. Yin Yi is both an artist and an expert in art research. He has long been in two environments: studio and laboratory for a long time. He has created and scientific research under the two -way driver of art and science. He entered the studio's careful creation and learning, continuously improved his painting skills and artistic accomplishment, and created a new way with the creative practice with the scientific minds and creative practice. To this end, he wants to explore more creative methods, more colorful artistic effects, and dedicate more original and epoch -making good works. He entered the experiment and experiments repeatedly, and accurately found the characteristics and advantages of his painting on the basis of scientific cognitive ink painting, and cut in from painting methods and materials scientific research, comprehensive optics, chemistry, materials and other disciplines The continuous optimization of traditional painting pigments, carriers and tools, explore the integration of new materials, new painting methods, traditional materials, and painting methods of ink painting, as well as the way to cross -painting inherent boundaries and innovation. The increasingly diverse tide of art meets the people's diversified needs for art.

Liu Wanming said that the particularity of the exhibition lies in a new realm reflected in the form of Yin Yi's works, lies in its theme -art and science. Usually people think that Chinese painting is not related to science. In fact, from ancient times to the present, the development of Chinese painting has great correlation with the development of materials in each period, such as paper, silk, and ink. Little is because the materials have different language expression. Yin Yi's exhibition is wonderful here: he constantly explores the use of new materials in traditional paintings. It can be said that he has ductility for the development of Chinese painting from technical. Through Yin Yi's work, we can see that he did not deviate from the body language of Chinese painting, but he used a new material different from the ancients, and even some materials were made by him. This is valuable. Among the current Chinese painters, Yin Yi has a kind of exploration. This exploration is deeper and cleverly serving the content, that is, his pursuit of the concept of Chinese painting ontology has not left China's traditional spirit. Under the influence of new techniques, new materials, and new ideas, he created a realm that seemed to be specially combined with the times.

Yin Yi was interviewed by the media

Yin Yi introduced that this exhibition is to confirm that ink painting is diverse and contemporary through his own creation. His creation not only pursues the unique style of style, but also try to "problems" as much as possible -pursuing different from the ancients, different from others in the same generation, and different from himself. He believes that you don't have to blindly pursue the purity of ink and ink, and you don't have to blindly pursue the so -called "authentic" of oil painting -With the development of the times, the boundaries of various paintings are breaking. It is necessary. He said that ink painting is an old -fashioned and contemporary painting. We should have cultural confidence to let the ink painting go to the world.

Mood

Yin Yi began to focus on the optimization of ink painting in the mid -1980s. For decades, he insisted on the study of painting methods, techniques, materials and tools. The work has a variety of personalized art language and unique artistic style. exhibition site

In the 1980s, in the face of various factors and phenomena that influenced Chinese art creation and development, Yin Yi, who studied Western painting in the early years, gradually formed a long -term academic goal of studying the art ecosystem, as well as a plan for the common development of creation and understanding. Based on the practice of self -creation, we strive to explore personalized painting art language and style.

In the 1990s, Yin Yi's "Ink and Ink+Textile Space" series could be regarded as an important stop of his exploration. As the famous painter commented by Mr. Yu Xining, Yin Yi's ink painting techniques are brand new and changeable, and the artistic effects are colorful. His works are rigorous, chic, fresh and elegant, empty and dusty, hazy and implicit, dreams and poetry, with high taste and artistic conception.

"Any phenomenon that Chinese painting happens in the past and present often has complex internal and external causes. Its past and future evolution and development run through their own regularity." Yin Yi once said. In the second decade of the new century, Yin Yi began to hidden in the "laboratory" and buried the contemporary and diversified research of ink art, especially the "new Chinese painting material in Chinese painting materials hosted by the person in charge of the project. Research projects such as new technical research "research and application of traditional Chinese painting materials" and other scientific research projects, such as Liu Guosong and others in the 1980s, set off a mantle that set off the technical update and texture production of the Chinese painting industry. The artistic language of art enhances the artistic expression of ink painting and enhances the overall quality of ink painting. The research results of new materials and new techniques have added unprecedented artistic effects and aesthetics to painting creation, and deepened the artistic expression of Chinese painting.

From the "Creative Room" into the "Laboratory", Yin Yi stepped into the "unpopular zone" of the artistic research of painting optimization and research. Materials " + pen ink" " + beauty of texture", " + beauty of space", " + beauty of light", " + natural beauty", " + abstract beauty" and "classic re -creation" as propositions, in different scientific research directions Multiple scientific research results have been achieved in practice.

exhibition site

In recent years, his "classic graphic+pen and ink re -creation" series has made the art world refreshing. In particular, the full roll of ink rolls of Fuchun Mountain Juju in this exhibition (17.4 meters in length), full roll of blue and white rolls (13.5 meters in length), and local pictures of spring rain rolls and writing rolls. Each volume is "re -created" in the basic graphics of Huang Gongwang's "Fuchun Mountain Residence". When Yin Yi repeatedly appreciates this classic picture, it is thought of: if the Fuchun Mountain guest in the picture exists, although its type is its shape, although its type It has been experienced for thousands of years and unchanged for thousands of years, but its scenery will be accompanied by the endless changes of reincarnation throughout the year and twenty -four days, and there are also the environment of sun, moonlight, clouds, rain, and snow. The change ... The mountains and rivers in this world show an endless objective picture, providing rich resources for human art creation. Besides, with the changes in the times, the concept of human inner world and aesthetics is also changing, and the artist's creative concept, expression, and artistic language is also changing. Therefore, Yin Yi shows the ever -changing beauty of the same landscape on the basis of Huang Gongwang's classic graphics. Yin Yi ’s representative works have been incorporated into the breath of the times based on the essence of the Fa, and the characteristics of inheritance and innovation are showed with contemporary aesthetic concepts.

More than 30 years ago, Yin Yi wrote a small poem: "admire the mountains of Wenyuan, and meditate on the artistic way. Ning Zengsuku's hills and do not climb the sacrifice of others." This later sentence has actually become Yin Yi's motto. During the long -term practice and exploration of art and science integration, Yin Yi while improving painting practice and artistic accomplishment, combining scientific use to mobilize the changes in ink and ink rhyme to explore the rich and diverse artistic language and artistic conception space; The painting method and materials are cut into thinking, mobilize professional technical means such as optics, chemistry, and material science, and continuously optimize the painting carrier of painting to better serve creation. He hopes to "let the scientific sun and the world of art" penetrate a variety of new materials and new painting methods, create the artistic mood of the ink and wash world, expand the creative form of contemporary ink, and enrich the aesthetic connotation of ink art. It has formed a unique artistic style, which provides a vivid example of daring to innovate, climbing the peak of art, and serving the people with excellent works.

[Appreciation of Yin Yi's works]

Wild call

Xueyu Qi Mountain

Cold night

Water movement

Water movement

Call of Life (Seven of Sets)

Call of Life (Four of the Group Painting)

Wilderlasa Feibu

Disabilist

Winter Song Two

landscape

Xue Rongtu

Snow Domains

On the water side

One of Swan Lake

Fanfan ·

Mountain scenery

Xuefeng Linli

Northern State

Snow Geological Series · Winter Fun

Blade

Jungle

Bird

Fuchun Mountain Jujie Creation Series · Ink Roll (Partial)

Fuchun Mountain Jujie Creation Series · Blue and White Volume (Partial)

Fuchun Mountain Jujie Creation Series · Chunyu Roll (partial)

Fuchun Mountain Jujie Creation Series · Writing Volume (Local) After the rain, Qianshan

Black and white charm

Snowy morning fog

Xueyu Chenyan

source

Morning Fog on the Lake

Source: Chinese Art News Author: Zhang Yameng Chen Sijing

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