"People's Daily" issued a document affirming "Meimei Village": the real picture of the art of lighting the countryside

Author:Zhejiang Satellite TV Time:2022.07.14

On July 14, "People's Daily" published literary and artistic comments "Art of Lighting the True Picture of the Country", affirming the documentary "Meimei Village": Through the discovery of "Art Revitalizing the Countryside", the audience deeply felt that from that kind of from that kind of from the kind of from The simple, sincere, and real emotions growing in Chinese land, then rich references to the vast number of villagers and villagers and friends, stimulating more people to change the courage of the countryside with art.

Recently, the documentary "Meimei Village" jointly produced by the Propaganda Department of the Zhejiang Provincial Party Committee of the Communist Party of China and jointly produced by Zhejiang Radio and Television Group and the Propaganda Department of the Ningbo Municipal Party Committee of the Communist Party of China, through the Chinese story of "artistic lighting the countryside", spread a scene to the audience. Jiangnan picture with beautiful, beautiful, and more beautiful life.

For documentary, the lifestyle of content and quality lies in the truth. "The villagers dragged us from the floating air to the real Chinese land, and truly felt the simple, sincere and real emotions that grew out of the Chinese land." This is "Beautiful Village" A young student in the last issue of "Meimei Village Seeing the present" was emotional after participating in the practice of art in the village. This emotion may have a lot of views of the audience, which can reflect the influence of this documentary. The main creative team presented the rural art excavation journey with dirt, dew, and hot air in a lively and dynamic way, which enhanced the appeal and appeal of the documentary.

"Meimei Village" transformed the big theme of "art revitalization of the countryside" into vivid and sensible characters, stories, and scenes. "The Artists in the Village", "Villagers Become an Artist", "Meimei Village Watch the present", three chapters are progressive, and they are the wake -up of art in a village, assistance between villages and villages, and co -creation of society and villages. Three perspectives, telling how art takes root in Ninghai, Zhejiang, and starts from this to sow the seeds to a wider and wider place, and it continues to bloom beautiful flowers.

The creative team of "Meimei Rural" sneaked into the texture of rural life and deeply tapped the real and moving story. The work presents the lively and plump "township building artist" group portrait for the audience: the optimistic and cheerful handmade art museum hostess Yuan Xiaoxian, constantly changing the "old man" Ge Detu who attitude towards the artistic attitude, putting his childhood memory into the 80s of the country bar 80 Later, the Dream Ge Pin Gao, who has been thinking and practicing the modern expression of traditional opera, the Ge Zhaolong couple, "Sister Wei" Sun Hongwei, who loves flowers, loves reading, and loves food. The call of Aiang Niang, Uncle, and Ah "calls for the teachers and students of the art colleges as a family of arts ... all shows the image of farmers in the new era and new weather governance.

The rural area focused on the film is an ordinary countryside in southeast Zhejiang. From the pastoral scenery of Qingshan, Maozhu, streams, pebbles, and osmanthus forests to villagers, the artistic scenery created by the villagers to use shells, stones, cloth heads, and even idle houses, abandoned objects ... I want to see the "treasures" growing out of the village in the village of Zhejiang, and closer to those cute and respectable township artists. "Meimei Village" clearly painted Jiangnan Gongbi painting with visual impact, showing the practical picture of Zhejiang land that is constantly "butterfly changes".

The film is also a delicate interpretation of "rural rejuvenation and common prosperity", and vividly records the transition process of villagers from "receiving" to "enablers". The most moving scene of the three episodes is the scene of the township construction artists in the small villages in southeast Zhejiang and the ding villagers in Qinglong County, Guizhou meeting and exchanging. The village was closely linked together, and the people who stretched their hands as the stage became the host of the village happiness.

Some audiences left a message that this is a vivid film about "art revitalizing the countryside". Its vitality is to make villagers with different labor skills, different development points, and different ideas of thinking, and the way to explore the exploration of the statement, and then rich references to the vast villages and villagers and friends, stimulating more people to change the courage of the countryside with art.

This film uses the creative method of record movies to bring the audience's "chasing drama" experience. Can villagers be artists? How to take the road of art to revitalize the countryside? How to achieve the sustainable development of rural art? Trends one by one, attracting the audience to follow the villagers to continue to explore and get various beneficial inspirations.

Author of this article: Meng Jing

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