This skill of the Five Dynasties in History of more than 400 years has allowed him to win the Nation

Zhejiang News Client reporter Zhang Huicong Sharing Alliance Leqing Station Zheng Jianpei

Creation and production excellent works are the center of literary and artistic work.

Lin Shunkui is a representative inheritor of the National Non -Heritage of the Leqing Jewelry Dragon, and has learned the production of jewelry dragons since childhood. This is a folk craft with a history of more than 400 years. As the fifth -generation heir, he is always pursuing the ultimate skills. A few days ago, the \"Leqing Jewelry Dragon Lantern\" he produced won the 15th Chinese Folk Literature and Art Mountain Flower Award.

The Zhejiang Daily published today reported on the character version:

Following the tap of Ding Ding Ding. Recently, the reporter was in Baixiang Town, Beibaixiang Town, Leqing City. I saw Lin Shunkui in an old house in Dongcai Village. He is busy making two jewelry dragons in the two major and one small. The largest one will appear in the lively lantern scenes as the protagonist next year's Lantern Festival.

Leqing folk has the custom of holding lantern scenes. Whenever the Lantern Festival, the village jewelry dragons prayed with the patrol team, and wherever they went, the gongs and drums were gongs and drums. Because it is in the team's first place, the name \"first\" is taken in the name; the word \"decoration\" is rich because of rich decoration.

Lin Shunkui is a representative inheritor of the National Non -Heritage of the Lechian Dragon Dragon, and has followed his father since he was a child -Lin Bangdong, a master of Chinese arts and crafts. The fifth generation, I want to let Jewelry Dragon continue to be passed on. \"Lin Shunkui, who had dealt with the Jewelry Dragon for more than half a century, was proficient in the whole set of production technology. He had to use his life to maximize this skill.

200 wood gear

drive 300 people on the dragon [ 123] Wearing a pair of glasses, wearing vest shorts, and holding the chisels in hand to gather together to sculpt the jewelry dragons on the mini -waterwheel parts. When he first saw Lin Shunkui, the reporter felt that his simple image was almost the same as other craftsmen. After the conversation, he found that he was more spiritual in the past.

In 1956, Lin Shunkui was born in a folk craft family. His great -grandfather, grandfather, and father were all capable craftsmen who made jewelry dragons. On the one hand, his superb skills stem from the influence and teaching of his father, and on the other hand, he is hard to learn.

Entering Lin Shunkui's production workshop, I saw a car -sized finished jewelry dragon. There are 7 floors and more than 300 silk plastic characters on the tropping dragon with a length of 5 meters, 3 meters high, and 2 meters wide.

\"Don't look at it is a more than 800 pound, even a five or six -year -old child can make it obedient.\" Lin Shunkui introduced while leaning down and shaking his hand. I saw more than 300 characters on the dragon \"busy\" at the same time: in front of the water pavilion, the traditional thirty -six lines of craftsmen performed their duties, playingIron, pulled, cut vegetables, weaving ... seemingly interpreting a scene of costume dramas, so lively.

Such exquisitely, inseparable from more than 10,000 parts of different sizes, handmade parts and components in an orderly manner. What is even more amazing is that, such a complex craft, Lin Shunkui did not use a design drawing, all of which work hard for 50 years. In his words, \"As long as you see the\" keel \"he created, you have all the structure in your head.\"

If \"keel\" is the \"skeleton\" of jewelry dragons, then The intertwined wood gears are \"joints\", and the key to more than 300 characters at the same time is here.

\"Due to the different distribution positions, shapes, and presentation methods of villains, how to make them move at the same time is the biggest problem.\" Lin Shunkui placed more than 200 woods of different sizes in the dragon body. The gear is almost as large as the basketball, and the small nails are covered with the size of the nails. Five different specifications of gears are tightly integrated to accurately coordinate the movement of character with different speed and different range. \"Each gear must be polished by itself. The precision is high. If there is a slight stuck shell, the jewelry dragon will not move.\"

\"Hundred Gong Collection\"

Johor various traditional skills

The jewelry dragon skills passed down from generation to generation, blooming in Lin Shunkui's hands He was unprecedented, but he was not proud. Like his father, Lin Shunkui's bones are full of their respect of their opponents and their dedication to tradition. Seriously to make a complete jewelry dragon, he still needs to spend more than half a year.

Jewelry Dragon production has extremely strict requirements for craftsmen, which can be described as \"a collection of works.\" The craftsmanship involves fine lines, bamboo, paper tie, sculpture, paint painting, etc., and even several different techniques. \"First of all, all kinds of traditional techniques must be able to come in hand, such as bamboo artists, carpenter, craftsmen, etc., even the work of water power engines has to be done.\" Lin Shunkui said.

When the overall shape of the jewelry dragon is completed, the character's head, face, hands and feet, color and painting, then make all color silk into different character costumes, and then use thin ropes and steel wires to be used by thin ropes and steel wires. All kinds of characters are fixed on the dragon. Every character not only has a full head and hat, but even hair accessories and hairpins are fine.

Lin Shunkui's ghost -like skill is fully reflected in similar details. For example, waterwheels, rigid machines, stone crusher, spinning vehicles, etc. The agricultural tools that can be seen on jewelry dragons are no different from the appliances that farmers really use.

The reporter picked up the mini water vehicle that Lin Shunkui had just carved, and saw a scraper and water bucket at the top of each spoke. Scrape the water, water fighting water. The \"river water\" rushed, slowly turning the spokes, and the water fights were filled with water and was raised step by step. When it comes to the top, the water bucket is naturally inclined, and the water is injected into the hetermonist ... likeThere are 36 jewelry dragons in such exquisite small objects.

Previously, the scale of jewelry dragons was not large, generally only 20 personalities. After Lin Shunkui continued to improve, there are now more than 300 characters in a jewelry dragon. In addition to the traditional thirty -six lines, Lin Shunkui also incorporated the classic figures of the four masterpieces into the creation, and the jewelry dragon became more and more fresh. In the selection of the 15th China Folk Literature and Art Mountain Flower Awards this year, 20 (pieces, sets) works were finally awarded, of which Lin Shunkui's \"Leqing Jewelry Dragon Lantern\".

Lin Shunkui gave class students to Leiqing Baixiang Middle School students to introduce jewelry dragon production skills.

Teaching for students in various places

Make traditional crafts on further

Jewelry dragon production has 400 production dragon production has 400 Many years of history. What makes Lin Shunkui pleased is that the skill of this ancestor uploaded has the sixth generation of heirs -son -in -law Huang Meng and her daughter Lin Xiaoqing. Late at night in the workshop, Huang Meng and Lin Xiaoqing's busy figures have been accompanied by Lin Shunkui. Huang Meng has followed Lin Shunkui to learn to produce jewelry dragons for 10 years. So far, he has produced more than 30 Pinglong (Simplified version of Jewelry) and 4 jewelry dragons.

\"I can't make this skill a\" singing '. I want to let the jewelry dragons enter the field and let more people know it. \"Lin Shunkui said. Three years ago, Lin Shunkui transformed the newly completed new house. Considering the bustling area of \u200b\u200bthe new house, he specially made the first floor of the Lin's fine -grained carved paper and jewelry dragon lantern art museum. The old house is not idle. He placed a large jewelry dragon in front of the door, without door locks, letting tourists and villagers watch and appreciate, interacting at zero distance.

In addition to family inheritance, Lin Shunkui also taught the production skills of jewelry dragon from the local, Yongjia, Qingtian, Guizhou and other places. In order to make traditional craftsmanship further, Lin Shunkui has given Leiqing Baixiang Middle School students for many years. His studio has also become a practical education base for Wenzhou Institute of Technology.

For Lin Shunkui, the road of skills has not stopped. Just after making a jewelry dragon he is satisfied with, he will immediately think of making better. In recent years, he has also restored the Aoshan Lantern with a long time and similar jewelry dragon with superb skills.

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