[Poetry Master] Zhong Zhenzhen: Song Wu Wenying "Dream Window" new solution | Episode 30

About the Author

Zhong Zhenzhen, born in 1950, was born in Nanjing. He is currently a professor and doctoral supervisor of Nanjing Normal University. Director of the Institute of Ancient Literature Collection. He is also the guidance professor of the "Foreign Scholar Chinese Culture Research Scholarship" of the State Council of Study abroad, the president of the Chinese Rhyme Culture Association, the vice chairman of the Global Chinese Poetry Federation, a consultant of the Chinese Poetry Society, the general consultant of the CCTV "Poetry Conference", the National Library Wenjin Special professor of the forum. He has been invited to lecture in more than 30 famous universities overseas in Yale and Stanford in the United States.

Pearl curtain

Kasuga Guixi, who lived in a noble family, heard the flute and drums from the wall, suspected to be dancing, standing for a long time

Honey sinking and warm smoke. Curtain rolls, stood by pedestrian official roads. Lin belongs to sorrow, listening to the dancing flute clouds. The hate of love is far away, dreams are difficult to separate, and the silver screen is difficult. Cold. There are Dongfeng tender willows, and you have a small waist.

Also close to the green water, sighing like a swallow, and the flowers will be wrapped frequently. The drizzle was dusk and half drunk. He lost his song for a long time, tears and smiled. Book 杳. See Chun Lao.

About "honey sinking and warm canona smoke"

Mr. Chen Yan's "Hai Yan Words" said: "Smoke", 伏 ‘陈 陈."

Press: The "smoke" of the first sentence, "Honey Said Embers", is the smoke of the incense; the fourth sentence "Listening to the Yun Miao" of the "Yun Miao" Xiao Sheng: The two are not related to each other, so it is impossible to say that "smoke" is "Yun Miao".

About "standing pedestrian official road"

Mr. Yang Tiefu's "Wu Meng Wind Words" Volume 3 said: "The four characters of" Pedestrian Official Road "are a word."

Press: "Pedestrian" is "passers -by", "official road" is a public road built by the government. How can the two synthesize a term? In fact, the "standing pedestrian official road" here is "pedestrian standing official road", which reversed the order of words because of the rhythm. "Pedestrian" is Wu Wenying's point. Mr. Yang reads words in prose, so there is such a mistake.

About "Lin Bai's sorrowful fragrance, listen to the dance flute clouds"

Mr. Chen Yan's "Hai Yan Words" said: "‘ Lin belt ’, old meaning;‘ dance flute ’, today’ s love:

Press: "Lin Bai is sorrowful, listening to the dance flute Yun Miao", neither against, nor the tips of time and space, where is the difference between "old meaning" and "now love"? The two sentences seem to be unified in "Today".

About "drizzle dusk dusk, semi -drunk returns to the arms"

Mr. Liu Yongji's "Speaking of the Micro -Room" said: "The two sentences of" drizzle "were returned from Guixi at that time.

Press: "The drizzle is dusk dusk, and half drunk is hug". If the word "half drunk" reads the words, then the "backwood" below is not the word.

The "half -drunken arms" here should be read for "one or four" sentences- "half, drunk back", and cannot be used as "two or three" sentences- "half drunk, home embrace". Zhou Mi Tong Tong Tong Tong of the "Liuli Curtain", this rhyme is "golden stranded fragrance, connected with Cui Peng Yun Qi"; Jiang Jie tuned "Shou Yue Jun Chuan". The same, can be proof.

These two sentences actually say that the drizzle is even more dusk, and its bitterness is quite a bit like the feelings when I get drunk.

About "Nianke Pillow Youpin, see the spring old"

Mr. Liu Yongji's "The Words of the Micro -His Room" said: "Take two sentences to break, and use Changji" Renhe Li Miscellaneous Emperor's Emperor "poem 'guest pillow Youpan to read the old Spring Lao' meaning, and the top crown" Book 杳 "Two Words, saying that the news has been stunned today, but "see the old spring". "

Press: To say that Wu Wenying's words are used by Li He poems, yes. But Wu Wenying's words are not exactly the same as Li He's poetry. Wu Wenying's "look at Chun Lao" means that it looks like Chun Mu. If a word "look" alone, of course, the word "see" should be used as a verb solution; and "look" is no longer a verb, but a time adverb. The difference between the two is obvious.

There are many examples of "look" in Song Ci, such as::

Liu Yong's "Dumping Cup" said: "The diligence of the banquet, the Lanzhou stagnant, see the giving off to Nanpu."

Ouyang Xiu's "Night Walking Boat" (full of east wind flying) said: "Falling flowers flowing grass and clouds, see it, break the intestinal Nanpu."

Wang Zhongfu's "Yong Yu Le" (Feng Zhe Xinying) said: "Look at Feiyan, the title will go, and the desire and dusk."

Li Zhiyi's "Qingpingle" said: "The fairy courtyard, the red day is late. A plum blossom is on the side of the pillow, and the jade fingers look at it several times."

Shu Yan's "Man Tingfang · After the Jiuzhi Feng Tong Rhyme" said: "Hua Fa looked at Man Ye, I couldn't keep it, Zhu Yan that day."

Huang Chang's "Butterfly Love Flower · Peony" said: "A few degrees a day a day, look at the back of me."

地 Duanli "Flowers Everywhere" (Mi Ying Youhuan tried to think about it): "Come to all the spirit, some child spirit, trouble, look at thin damage."

Ding Yu's "No Sullen" (Feng Jun was still accepted): "Also compete, see the gradually returning to spring. So as Dong Jun is not conscious, put all the gardens in advance."

Zhou Bangyan's "Hua Yin Yin · Qiu Si" said: "Dry Si Xiang, gradually look at it, and silk."

Mi Youren's "Drunk Spring Breeze" (Yiyang Lai Qunyin "said:" Full of singing new words, see the spring, and go to the plum. "

The above "look" is "seeing" what it means, which can be giving alignment.

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