Millennium "Sky Blue" blooming the Winter Olympics stage
Author:Consumer Daily Time:2022.07.12
The 2nd China Arts and Crafts Expo Hot Spot is the first to watch | Millennium "Sky Blue" blooms the Winter Olympics stage -Kee Chuanyi
The Beijing Winter Olympics franchise "Winter Olympics official hat tea cup" with its long historical heritage, deep humanistic heritage, gorgeous "sky blue" glaze color and exquisite device design, stunning sports athletes and children from all over the world Guest. His creator is the master of Henan Provincial Arts and Crafts and Chairman of the Jianyang Jianzhan Association of Fujian Province.
At the 2nd China Arts and Crafts Expo, Master Tan Chuanyi will bring many single ore crystal glaze to build the exhibition. The audience can appreciate the gorgeous glaze color of Long Kiln at the exhibition site, and listen to the master's legendary experience of the millennium glaze color.
Master Shi Chuanyi work scene scene scene
"The glaze color of the tea cup is based on the" sky blue "in the Beijing 2022 Winter Olympics and the Winter Paralympic Color System, which is complex with the golden colors of the edge of the mouth ..." On September 28, 2021, "Winter Olympics "Official Hat Tea Cup" was authorized by the Beijing Winter Olympics Organizing Committee, and issued 2022 units to the world's limited edition at the official flagship store of the 2022 official franchise product in Beijing. The advent of the "Winter Olympics official hat tea cup" was amazing that the athletes and guests from all over the world were also popular with consumers and collectors, becoming the most historic and cultural works of Winter Out products. His creator is the master of Henan Provincial Arts and Crafts and Chairman of the Jianyang Jianzhan Association of Fujian Province.
His white hair, dark skin, rough hands, thick smiles, flat language ... When he first saw Master Yuan Zhiyi, he seemed to be a "East Henan old man" in the year. It is not much related to the halo of "Master". However, it is such a simple "old man", but through the inheritance and innovation of the half -life persistent inheritance and innovation, he "holds" the stage of the Winter Olympics with a rough and temperature -filled hands and "holds" the audience all over the world. In front of the eyes, the Chinese Jianzhan, which had been dim thousands of years, shone the "light of the times" in the contemporary contemporary.
When "Sky Lan" meets the "Ice Five Ring"
Master is engraved with "Winter Olympic official hat tea cup"
The deep "sky blue", the exquisite Winter Olympics emblem, the "Winter Olympics official hat tea cup" symbolizes the future and dreams, condenses the long history in the quaint, will inherit the thousand -year -old handmade skills and the modern Winter Olympics. Perfect cross -border and integration.
Jianzhan is one of the eight famous porcelain in the Song Dynasty in China. The change of tea patterns with light and angle, exuding gorgeous and changeable colors, and is also famous for its superficially and changeable spotted patterns. Jianzhan is a specialty product of Jianyang District, Nanping City, Fujian Province, and China's national geographical logo. In 2011, Jianyao Jianzhan firing technology was approved by the State Council for the third batch of national intangible cultural heritage lists.
Tan Chuanyi introduced to reporters: "'Winter Olympics official hat tea cup' highly restores the construction of the Song Dynasty in the Song Dynasty, and uses a single ore to burn in glaze to perfectly combine the elements of the Winter Olympics and the non -heritage skills. A special 'identity', helping the Beijing Winter Olympics with traditional Chinese skills, and the guests and friends of the world in China. The burning difficulty of the underlying Winter Olympics emblem is very large, and you must find the opportunity when you are engraved. "
Because the firing of Jianzhan is known as "the contest of people and heaven", it will be severely restricted by the temperature of the blank, glaze, kiln, and temperature. Therefore, the firing of the "Winter Olympics official hat tea cup" at the bottom of the Winter Olympics became a man who had to go in front of Sugawa Chuanyi at that time.
Tan Chuanyi said, the porcelain soil of "Winter Olympics official hat" is relatively poor due to the high iron content, and the toughness and plasticity are relatively poor. Printing at the bottom of the tea cup also has also become a bottleneck in creation. In order to ensure the perfect presence of the emblem, it is necessary to repair the blank when the wet billet is sunny to 30%drying, and print it at the bottom to present a clear, complete, and comprehensive Winter Olympics logo on the porcelain soil. In the choice of engraving the printing materials, different materials such as plastic, glass, and metal have been adopted. After continuous exploration, the copper seal specially customized was finally selected to allow the Winter Olympics emblem to be perfectly displayed in tea perfectly in tea The bottom of the cup.
"In the entire production process, up to eight inspections and screening for the Winter Olympics emblem. A" Winter Olympic official hat tea cup "with beautiful spotted patterns and no defects in appearance is in a large number of waste and sub -products. On the basis, its finished product rate is only 20%. "Tan Chuanyi said:" Except for the emblem, the problem of jumping, glaze, luster is not warm enough, and the texture is not delicate enough. The reason, and the screen -sized tea cup will be destroyed by the scene, ensuring that it will never flow into the market. "
Looking back at the creative process of "Winter Olympic official hat tea cup", Sugawi said with emotion: "The perfect combination of the element of the Winter Olympics and the non -heritage skills is the artistic collision of the ingenuity of the ingenuity with the Olympic spirit. Cross -border integration. It aims to promote excellent non -heritage skills through the influence of the Winter Olympics, help the Beijing Winter Olympics with traditional Chinese skills, and build a guest and friend in the world with China. "
From "Foreign Gate" to "Single ore Crystal Celebrity" master
The "Winter Olympics official hat tea cup" made more viewers know the beauty of Jianzhan, and also made Fu Chuanyi a well -known master of Jianzhan. But today's master is also a "foreigner" who became a monk halfway.
In 1982, Sugi Chuanyi returned from the army to his hometown in Shangqiu, Henan, and opened a car repair plant. Because near the Sui and Tang Dynasties, there are often people digging the house to build a house, accompanied by some ancient porcelain unearthed with sediment. Out of interest, he embarked on the road of Song porcelain collection. From 1987 to 1999, he collected a lot of porcelain one after another, becoming an expert in the collection world. In 1999, Tan Chuanyi went to Jingdezhen, Jiangxi to study burning porcelain. In the following six years, he re -burned almost a few more famous kiln porcelain in China. During the recurring process, Sugawi found that only the porcelain in the kiln mouth of the kiln was the most difficult, which caused him to have a strong "victory". In 2013, Yuan Chuanyi successfully reinstated Jianzhan with electric kiln, but the joy of successful re -burning did not let the inheritance exploration of Jianzhan stopped. He believes that the ancients burned the Jianzhan in Long Kiln. Since then, he has made up his mind to reinstate the buildings in Long Kiln firewood. After various visits and investigations and field surveys, in 2015, the Chuanyi was in the birthplace of Jianzhan, Nanping Jianyang, and a class -type Pingyan Dragon Kiln was built according to the design of ancient books. Tan Chuanyi said that a good tea cup is complicated. From the beginning of the soil, more than 20 processes such as kneading, pulling the blank, drying, laundering, and glazing. Although there are modern machinery and equipment, many processes still need to rely on the "strange skills" of craftsmen and years of accumulated experience.
"The" Winter Olympic official hat tea cup '"can show the charming' Tianjin Blue ', the main reason is that it is derived from the single ore crystal glaze technology of the ancient method." , The plasticity is not strong, so the firing process is more difficult. In the 1990s, when the industry was fired in the industry, it used to be synthetic and mixed with glaze, but where is the synthetic glaze? The current synthetic and glaze firing method returns to the Song people's firing method. "In order to restore the real buildings, the Chuanyi poured all the two tons of glaze water that was difficult to get. Ore raw materials.
During the test, summary, and research and development process of day after day, the day after day, it finally made a single ore crystalline glaze built through the method of directly grinding the glaze and not adding plants ash through the ore.
"A single ore crystal glaze, no auxiliary materials, also called one yuan and one formula. The biggest feature is to resist corrosion, acid and alkali resistance, and long service life." Only by engraving can it reflect the value of the history and the value of the utensils given by the background of the times. Innovation is indispensable, but it must be based on the original Song porcelain. "
"There is no melting agent and crystallizer with a single ore glaze. The firing temperature must exceed 1400 degrees, and the surrounding area of the kiln is as high as 50-60 degrees Celsius. And a single mineral glaze has strict requirements for each temperature node, slightly deviation, and a slight deviation. It will be scrapped for the entire kiln. Therefore, when burning the kiln, you must keep a node of heating, heat preservation, cooling, and restore. Low sex, some information and technologies have not yet been fully mastered, so the success rate is relatively low. "Tan Chuanyi said.
Since the entire physical and mental invested research on Jianzhan in 2009, the Chuanyi tested more than 1,40 stones across the country, fired more than 260,000 blanks and more than 6,500 kilns, invested more than 20 million yuan, and made him really satisfied There are only dozens of works. Tan Chuanyi firmly said to the reporter: "The art has no end, and the real construction of the firing skills is not the end. There is only one peak that is left to the craftsman to climb."
Jianzhan: Leopard
Jianzhan: Kiln becomes violet
A "stubborn" is only to burn "the eyes of the sky"
During the 2016 Xiamen Tea Expo, Sugi Chuanyi brought some of the boutiques produced in recent years to participate in the exhibition. At the exhibition, a collector bid 2.2 million yuan to buy one of him, but he declined. At that time, some people said that Chuan Chuanyi was "strong", but he said disapprovingly: "I don't want to sell things to sell things. I just want everyone to see my products. These buildings are like my own children! "
Tan Chuanyi's persistence and "stubbornness" of Jianzhan's revival not only made him miss the opportunity to be collected at high prices, but also made his healthy situation. He experienced "escape in the dead" several times.
In order to reproduce Song Porcelain's burning environment, Guan Chuanyi checked various related literature, and also visited a number of local old kiln workers, asking them to teach with an open mind, and designed, built, and improved. I don’t know how much time and energy spent. In the end, he found a top ore suitable for firing Jianzhan, and built a class -style Pingyan Dragon Kiln with the most difficult firing of north and south according to the ancient books. The raw materials and kiln mouths are solved, and they are constantly explored step by step in the process of mineral selection, grinding glaze, and kiln. The busy work laid a solid foundation for the Jianzhan Jianzhan work of Tan Chuanyi, but also made his body overwhelmed, and he experienced three sudden myocardial infarction. Among them, one time was even more thrilling. He was sick on the way back to the kiln factory, and could only endure the recent hospital. As soon as the car stopped at the door of the hospital, the person fainted. Fortunately, the doctor at the duty doctor found that the car at the door stopped and rescued him.
In the years of Huajia, there is also an undisclosed wish, that is, to restore Song Porcelain Jianzhan with ancient techniques. Sugan Chuanyi told reporters: "All porcelain is very difficult to furnish. It is transported into a variety of changes in the constant. It can represent the pinnacle of Chinese porcelain. . '目 目。 曜' is the most precious variety among Jianzhan. My biggest wish is to donate to the country with the traditional '曜 曜。。' with the dragon kiln. To the pinnacle of Song Porcelain -'曜 曜 天 到'. "The first half of my life has carried guns, standing, doing business, and collecting. In the next half of his life, wearing deserts, walking in Gobi, visiting famous teachers, charges, academic porcelain, mining of minerals, repairing dragon kiln, digging skills ... Sugan Chuanyi said to reporters: " The big bottleneck means the stronger the challenge, and I just like to challenge high difficulty. Jianzhan can experience glory, disappear, rebirth, and rejuvenation. This contains the unremitting efforts of countless ceramic artisans. It is not difficult or hard to suffer. It is nothing. It can leave some good experience for future generations, which can reproduce the tea cups in ancient books, no matter how hard, it is worth it! "
Text | Our reporter Jia Taowen
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