Beijing • Tao Art Museum opened the first exhibition of ten people abstract paintings
Author:Art Market Magazine Time:2022.07.10
On July 9, 2022, the first exhibition of Beijing Tao Art Museum's opening "Tao Ran Tianyuan -Ten Abstract Painting Exhibition of Contemporary Chinese Artists" opened in Tianyuan Port Center, Chaoyang District, Beijing. Professor Yang Weimin of the curator first gave the opening speech. Chen Haihua, Honorary Dean of the Enterprise Aesthetics (Beijing) Research Institute, wrote a congratulatory speech on behalf of the exhibition. ) Zhu Mingliang, Dean of the Institute, announced the opening of the hall. Yue Jieqiong, executive director of the Beijing Taimiao Museum of Art and director of the Coordinated Office of the Central Academy of Fine Arts, Liu Liping and Kang Lei, professors of the Central Academy of Fine Arts, Zhang Jinwei, a librarian of the National Museum of China, a consultant to the Chinese Counselor, Zhang Ruiqi, a senior reporter from Xinhua News Agency, and "Art Market" magazine. Editor -in -chief Shou Hongming, Jin Hao, editorial department of "Fine Arts" magazine attended the opening ceremony.
The opening ceremony of the exhibition
Participating artists include Deng Guoyuan, Bu Ridu, Pan Yan, Zheng Zhong, Jing Yucheng, Wang Aijun, Shang Chun, Zhao Qiang, Ni Beibei, and Wang Nanzheng. In his speech, Yang Weimin said that the Tao Art Museum was the first exhibition of contemporary Chinese abstract art themes, and his intention was high. The 40 abstract paintings of the 10 participating artists include a variety of media such as abstract ink, oil painting, acrylic, and comprehensive materials on the media.
Yang Weimin
Chen Haihua
Jing Yucheng
Yang Weimin believes that China's abstract painting art is around the 1920s, but in the real sense, Chinese abstract art has emerged in the eighty -five trend. As an exotic term, "abstract art" has experienced decades of local transformation and vocabulary tracers in China. In recent years, the Chinese art community has shown the diversification of expression language, technical means to media, and can long in long -ago. Harmony and unity Oriental aesthetics.
Part of the work
Among the participating artists, there are both Deng Guoyuan's reconstruction of the spiritual world with the traditional media language; there are the breakthroughs in the philosophy of ancient Chinese "Zen" and "complete" in ancient China; With Zheng Zhong's pens and ink's pens and ink, the macro and pure seeking; Buer Guide proceeded from individual aesthetic experience and rationally interpreted the perceptual experience; the three female painters showed the completely different perspective of female artists and male artists' abstract aesthetics completely different perspectives. And intervention -Pan Yan's "Phantom · Red" series purifies the graffiti into a single color block to restore the initial impression of artistic spirituality; Ni Beibei uses abstract and bright tones to draw a naive and bright picture, and freely use the use of colors and pictures to be free. In the division and deconstruction, under the color block of high purity, the delicate emotions and inner monologue are hidden; Wang Nanzhang extends infinitely in a limited time with softening and changing lines. Cognition. "In the era of the epidemic in the epidemic, China's abstract art is making its own value judgment on the way of the existence of individuals with a persistent position and poetic strategy." Yang Weimin said.
It is reported that the exhibition period will last until September 9.
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