Sun Bowen Painted Painting: An important discovery of the history of art now

"Art Market" cover Sun Bowen's works

Who is Sun Bowen?

What exactly do these people's hearts have prompted us to think of?

How to check and evaluate him in the dimension of the development and change of ink art?

What kind of academic value and historical significance do they have? What contribution to Chinese painting art?

In the art world in 2020, if there is any historic discovery, then Mr. Sun Bowen's art works should be the first choice. Those ink landscape paintings that use pen and unrestrained use of pens, brilliant colors, multi -end shapes, virtual reality, and mood in ink and landscape paintings are shocked in the Chinese Art Museum. Follow and warm response. The deterrent of the huge energy sprayed by these huge paintings in front of them, from the perspective of art history and artistic theory, uses various methods to describe and summarize these amazing works that can be said to be born. People want to know and tap everything behind everything in front of them.

——In the selection from Gaoling, "Sun Bowen, an outstanding person with visual surreal to nature -the outstanding figure of modern landscape painting transformation"

Sun Bowen (1938-2003), named Nine, Bowen, named Ruyangshan. He was born in Xifu Shan Village, Xuefang Town, Laizang, Shandong. Master of Landscape Painting Sun Tianmu, the great -grandson, Mr. Guan Yousheng, Hei Bolong, Wang Enterprise Hua, and Chen Fengyu. He was admitted to the Shandong Academy of Art in 1958 and graduated in 1963. After graduating, he took the initiative to go to the Junan County Cultural Museum to engage in the organization and education of grass -roots art and culture. In 1978, Sun Bowen left Junan and returned to Laiyang, and finally settled in Qingdao. In 1979, Sun Bowen Bai Laiyang painter Cui Zifan was a teacher. He transferred Cui Zifan Fan Jian's freehand flower and bird painting technique to landscape painting, and began to create a new appearance of landscape painting. Later, he studied Zhang Daqian's painting method, integrating innovation, and unique. He not only achieved remarkable achievements in landscape painting, but also made achievements in flowers, birds, poems, calligraphy, and seal.

Following the successful holding exhibition at the China Art Museum in November 2020 and in the Shandong Art Museum in June 2021, the "Drial Chapters -Sun Bowen Art Exhibition" was originally scheduled to be exhibited in the Shanghai Chinese Art Palace in the near future, but due to the epidemic, it was postponed by the epidemic. back. It is reported that Sun Bowen's works will be appeared in the "Art Beijing" Expo in September this year and will be exhibited in Germany, France, Italy and Hong Kong, China.

In the 17th year after Sun Bowen's death, his artistic life ushered in a high time. He himself is like his work, with full and distinctive colors, with the surging and high passion, breaking into the long -standing art world. He crossed the time and space, and he wrote a chapters across the times, and his people went far, but his art was forever.

China Art Museum Exhibition site

"No Sun Bowen in the world!"

"Sun Bowen's encounter with this era was somewhat unexpected. Because of his accidents, the sparks that he collided with this era was particularly dazzling. After two exhibitions of the China Art Museum in 2019 and the Shandong Art Museum in 2021, Sun Bowen, who did not have too many intersections in the academic community, caused a wide range of social response relying on its large painting paintings. Its fame is even more than the discovery of Huang Qiuyuan and Chen Zizhuang in the 1980s. "The Chinese Artists Association Theory Theory Zhang Xiaoling, deputy director of the committee and dean of the Academy of Fine Arts of East China Normal University.

On November 12, 2020, the "Drial Chapters -Sun Bowen Art Exhibition" opened at the China Art Museum, exhibiting 80 representative works covering Sun Bowen's historical periods, especially the appearance of a group of large -scale works. Let the art world review this painter who does not seek to Wen Da during his lifetime. Focusing on the artistic creation of Sun Bowen's life, comprehensively sorting out Sun Bowen's artistic path, highlighting its integration of Chinese and Western art, creating changes in expressive language, refining personal style art chapters, focusing on a series of attempts and conversions in ink painting, reflecting the reflection of it Since modern times, the new exploration process of Chinese painting.

Junior Sun Bowen

Many art enthusiasts who have come here stand in front of these unprecedented huge paintings, shocked and amazed. This is a high -standard exhibition with unique faculties. Traditional media and online new media are scrambling to report the exhibition. After the art market, it awakened the enthusiasm of many people's calligraphy and painting. In the art world in 2020, if there is any historic discovery, then, the "Drise Chapters -Sun Bowen Art Exhibition" is the first choice. Those ink landscape paintings that use pen and unrestrained use of pens, brilliant colors, multi -end shapes, virtual reality, and mood in the mood are shocked in the Chinese Art Museum. Follow and warm response.

Sun Bowen and parents

"The purpose of the exhibition is more important to discover the painter. From the basis of discovering the painter, to examine the academic background, art exploration, and its relationship with history and reality. The seminar should be said to be an important event of the current art history. "Shang Hui, director of the theoretical committee of the Chinese Artists Association and the president of the" Art "magazine, believes that Sun Bowen's works emphasize the expression of life. The impression of Sun Bowen's art, the characteristics of the academic world for the modernity of Chinese art, may have some rewriting due to the existence of Sun Bowen.

Fan Dian, chairman of the Chinese Artists Association and dean of the Central Academy of Fine Arts, believes that Sun Bowen's artistic scene is a natural Chinese chapter. In the process of the development of Chinese landscape paintings, the new road of art with unique aesthetic value is highlighted. Sun Bowen's art has three distinctive characteristics: first, he always has deep emotions about the magnificent mountains and rivers of the motherland. His works are full of visual strong sounds of the times; second, Sun Bowen bravely develops a new party from the tradition. In the artistic pattern, his work is an important model of this integration and innovation; third, Sun Bowen's work has a very strong modern form. His picture can integrate the universe and natural things of heaven and earth. , Especially the realm of the picture is very broad. Sun Bowen's art is indeed the art of life. He injected all his feelings, enthusiasm and even life experience into the picture and put it into the picture, which formed his very strong visual tension and very rich spiritual connotation.

Young Sun Bowen

Chen Chuanxi, a professor of Renmin University of China, praised in the interview: "Mr. Sun Bowen has a thick foundation, positive roads, and high talent, his paintings can achieve such high achievements, which is very amazing. The impression is that on the basis of tradition, he dares to innovate. Only by innovation and his own unique appearance can he leave that position in the history of art. " With our own culture, we now need art and culture like Sun Bowen. "

Yin Shuangxi, a professor and doctoral instructor of the Central Academy of Fine Arts, put forward the concept of "four standards" on Sun Bowen's art as the object of research, namely "specimen", "benchmark", "sign" and "sign". The second is to be moved. "He believes that" Sun Bowen's paintings do not follow common sense, it can be said that there is a wild power in it, and the aesthetic experience that brings us is unprecedented. " In the article "The Symphony of the Most of the Body -Sun Bowen's Art World", Yin Shuangxi discussed the compatibility and innovation of Sun Bowen, thinking that Sun Bowen is compatible with Chinese and Western, independent innovation, tradition but not muddy, painting the pattern of painting, and the pattern of painting has one. The wildness of wildness is unforgettable, and it is self -contained outside the mainstream Chinese painting industry. Sun Bowen Art has mentioned the fundamental problem of nature and poetic in Chinese painting to the new height, and the use of his own practice to reflect the concrete theoretical problems, thereby raising problems to art history, promoting art historians of art historians, the art historians of art historians. Studies, "Sun Bowen is an important research object in the innovation process of contemporary Chinese painting, which has an iconic significance."

Peng Feng, dean of the School of Art of Peking University, sorted out the three bland types of Chinese painting -born and bland, dull, and gorgeous, and then believed that Sun Bowen's paintings were particularly sincere, without any pretending. "In Sun Bowen's works, we are not seeing simplicity and blandness, nor the dullness of the world, but the gorgeousness. The depth of the life of Bowen. It is a long and exaggerated culture of Yuanyuan, which has created the width of Sun Bowen's art. In Sun Bowen's works, we seem to feel the lofty quantity and strength of Kant. Cultural inheritance ".

Yang Weimin, a professor of Tianjin Academy of Fine Arts, felt the deepest of Sun Bowen Cai's "Hehe" in the landscape. He said: "Mr. Sun's work is rich in form, deep connotation, and magnificent, and there is a" and 'and "and' sense of order and order of order and order. The generous and heroic 'combination'. In the contemporary derivation of pen and ink order, performance, and artistic interest, this method of 'harmony' not only promotes the evolution of Mr. Sun's personal characteristics and maturity, which is in line with tradition and the aesthetics of the times, but also the aesthetics of the times. It contributes to the dual context of Chinese ink painting in the dual context of heterogeneous culture and local culture.

"His name is written on the water" is a comment article by Zhang Tao, an associate professor of the Central Academy of Fine Arts. Such a poetic name shows his respect for Sun Bowen himself and his art. The article has sorted out the internal volume process of traditional Chinese landscape painting since the Northern Song Dynasty, and the far -reaching impact on this world has highly affirmed Sun Bowen's stay away from the mainstream painting world and focusing on the exploration of self -painting language. "In the current media and exhibitions, art information can be shared by planes to become the normal state, and we have discovered the covered sand from the mean and snobbish art history. Wu Dayu ... To this day, we have discovered Sun Bowen! "Zhang Tao also bluntly appreciated the artistic personality of Sun Bowen:" Sun Bowen's painting sex is so unique, inadvertently tracing ancient and modern, crossing Chinese and Western, which is both a traditional Chinese landscape painting painting. The strong departure is actually continuing the long -term traditional Chinese painting tradition. It is not only the integration of Chinese and Western painting, but also to find a very visual tension point between Chinese and Western painting in the mind. " No Sun Bowen! "

Art critically critic and curator Kaoling wrote "Sun Bowen, an outstanding figure of modern landscape painting with visual surrealness to the immortality of nature,", under the large framework of Chinese and Western culture comparison, based on the development and change of ancient and modern ink art. Dimensions, multi -angle analysis and comprehensive analysis of Sun Bowen's artistic process, and thinking about summarizing its academic value and historical significance. "Two or thirty years ago, Mr. Sun Bowen chose his own visual expression in many possibilities to shape himself in many possibilities he faced. At the same time, he also shaped his natural relationship with the world. The long -term vitality only needs to have a firm confidence and the courage to be sensitive, and it is also necessary to have a wide mind to Hai Naishuan. Qingshan lives up to others, but it is not when it arrives. More latecomers will also draw more magnificent pictures. "

Shandong Art Museum on display scene

"Color Master, Van Gogh in the ink painting industry"

Since the 20th century, the Chinese painting world has been full of the combination of "new" and "old", "middle" and "west", "traditional" and "modern", and the modern change of Chinese painting has become the focus of the times. Sun Bowen's landscape paintings have moved from traditional languages ​​to creative innovation and development, and have taken the expression language of Western painting, and eventually condensed into the style of colorful landscape painting with personal characteristics.

Sun Bowen has devoted himself to the exploration and innovation of Chinese painting throughout his life. Whether it is a huge structure or a sketch of the work, the work is strong and magnificent; In particular, in his later years, a large number of giant systems were created, with large scale and large number, which completely broke through the normal viewing path and thinking mode; the rich theme, the gorgeous color of the subject, completely subverted the historical accumulation and traditional concept of Chinese landscape painting. Its artistic achievements are very special, and have made outstanding contributions to the development of Chinese paintings.

Shao Dazhen Shao Dazhen, a professor of the Central Academy of Fine Arts in the History of Fine Arts and the Professor of the Central Academy of Fine Arts, made a high degree of evaluation of Sun Bowen's distinctive personality style in the article "Innovation -Sun Bowen's Chinese Painting": "The overall picture, the atmosphere, the composition get rid of the traditional program, the composition gets rid of the traditional program. Properly absorbing the style of Western painting, the beauty of the change of the pen line is cleverly combined with the bright color, showing his unique feelings of the objective object of nature, so as to express his inner mood. "And think that Sun Bowen's picture is rich, dare to use the dare to use The clear contrasting solid color obviously absorbs the experience of western art and also absorbs the tradition of literati painting; and can feel the breath of the times from his picture, naturally flowing his personal temperament and personality. In contemporary Chinese painting, this exploration is quite valuable.

Sun Bowen "One River Autumn Water and the Clouds" 451 × 144cm

Liu Xilin, a historian of art, is the old classmate of Sun Bowen at the Shandong Academy of Art. He praised Sun Bowen's paintings. The most purposeful feature of Bowen art is: warm passion and moving color, which is beyond my imagination. His traditional 'ink ink is the top' aesthetic practice, Van Gogh waves the original color, and the volcanic eruption expresses it. Xieye, let the "magma 'naturally eruption flow." Through Sun Bowen's artistic path, further thinking and summarizing: "How do we go to modern times today, whether we are modern basis, and what kind of open eyes to treat world art, These are all subjects we are facing. Sun Bowen provides us with good experience. "

"His paintings opened a new world of space beauty for our vision, making our artistic mind suddenly and cheerful, as if on the spacecraft, earth stars, Vientiane! The beauty of the world is beautiful, and the colorful landscape is drawn. "Chen Chiyu, a professor at the School of Fine Arts of Tsinghua University and the director of the Chinese Institute of Chinese Art, believes that Sun Bowen's landscape paintings have a contemporary form. Creating a new image of a macro landscape, this is Sun Bowen's biggest contribution to Chinese landscape painting. Sun Bowen "The Nothing Born" 119 × 119cm

Yang Wei, a professor at the School of Fine Arts of Hunan Normal University, was the first art critic for Sun Bowen's art. He believes that Sun Bowen's ink painting has developed the northern school landscape in the contemporary sense, or the creation of landscape painting is introduced into a contemporary context. The first place is his bold use of color. After Sun Bowen was completely subjective and abstract, these colors were blended with ink and wash, and they rushed out in their pens, like the pen of God, giving landscape painting with the rhythm of life and the hot light of life. "In his own landscape paintings, Sun Bowen created a colorful wonders and a colorful world. Therefore, it is not an exaggeration to call him Van Gogh in the painting industry in the painting industry."

Wang Yuan, the editor -in -chief of the China Art News, was originally strange to Sun Bowen. After watching the exhibition, the first feeling was Sun Bowen's strong innovative consciousness: "His art language is quite modern and retains traditional Chinese aesthetics. Humanity. The abstraction of his splashing ink is still a poetic cultural background, which is also the characteristic of his splashing color. You can see his unrestrained use of the pen, the red, yellow and blue very strong color, you can feel this People have a very heroic temperament ... "

Wang Chunchen, deputy curator and professor of the Central Academy of Fine Arts, mentioned that Sun Bowen boldly used color, "Zhang Daqian and Liu Haisu we are familiar with, and more rich in color than others." In the article "The Spring Spring Spring of Mo You on the Moral Stone -Sun Bowen Landscape Painting", he put Sun Bowen's creation and works in the Chinese landscape painting system since the 20th century. "Color romance"; and advocates studying Sun Bowen's art from the perspective of the great history, and builds its relationship with history.

Zheng Gong, director of the Art Research Center of Guangzhou Academy of Fine Arts, said that Sun Bowen was a spectacle of life. It was the first time that he had surprised him since the 21st century. He believes that Sun Bowen's paintings have created a restless visual world, which strongly impressed the viewer's heart. In the article "The Wonderful Realm of Life -I Reading Sun Bowen's Paintings", I carefully analyzed the many representative paintings of Sun Bowen, analyzed layer by layer, and finally summarized: Purpose. Because of his Zen, his painting life was so open -minded, and he did not accept all the time. When talking about Sun Bowen, he can't do without Zen or painting. He just confirms the wonderful realm of life through painting practice.

Gu Yifeng, a professor at the School of Fine Arts of Nanjing Academy of Arts, paid tribute to Sun Bowen with the article "Sun Bowen, the Phenomenon of the Phenomenon of" Hearts ". "" The image of the intention "and" the image of the heart ", and believe that the late art work of Sun Bowen has broken the balance of" the image of intention ", showing the spraying state of" spirit of the wine god ", and entered a kind of no ancient man. "The image of the heart". In terms of color, it is not restricted to the law, and the color is strong; in the shape of the artistic conception, it is even more magnificent, and even strange.

Sun Bowen "Moon Sky and Water" 144 × 361cm 2001

Wang Xuefeng, a research librarian of the Chinese Art Museum, pays special attention to Sun Bowen's colorful ink language in his later years. He believes that all the past and artistic experience of life and artistic experience will be transformed into colorful images with the magnificent momentum of his heart. End and get the freedom of life. " From the perspective of art history, it is the creation of a large number of huge colorful landscapes in Sun Bowen in his later years, which has entered his art into the realm of the unity of heaven and man. This is the highest requirement of the spirit of Chinese art. Sun Bowen surpassed himself, Zhuo Ran, and unique color ink language, providing new possibilities for the expansion of Chinese painting color language in the contemporary contemporary, and also left his art in the history of contemporary art.

Huang Dan, an editor -in -chief of the China Art Museum, carefully sorted out Sun Bowen's painting art, and pointed out that Sun Bowen's paintings contain Confucian landscapes. Based on the colorful painting of Wu Guanzhong, Liu Guosong and others. "Mr. Sun Bowen, according to the virtue, the benevolence, the tourism, the freehand, the color of the color is free, the ancient and the modern, the combination of the Chinese and the West, and the combination of Chinese and the West, which composes a beautiful and gorgeous and gorgeous movement, which will definitely be in contemporary Chinese contemporary colorful color. The history of landscape painting leaves a touch of bright colors, dedicating a feast for the reconstruction of Chinese landscape painting color aesthetics. "

When watching Sun Bowen's works at the Shandong Museum of Fine Arts, the overwhelming and hot pictures made Liu Yizhu, a professor at Hubei Academy of Fine Arts, and said, "His entire work is like a fire, very hot. When I think of Van Gogh’s "Starry Sky" and "Mai Field", Monke's "Scream" and "Dance of Life" works, the feeling of giving me is the call of life, the echo of the heart rhythm, and see the book of the blog post. The work, thinks that Sun Bowen's splashing color is completely different from them. He agrees that Sun Bowen is drawing his life and unique style. His unique expression is worthy of our in -depth research, especially for the expansion of Chinese ink. "Hubei Fine Arts The college professor Liu Maoping praised Sun Bowen's talents with "swallowing eight wastes, vitality, passionate filthy". He believed that Sun Bowen created a new visual wonders, giving people a very strong visual experience. He bluntly said: "I feel that he is a" outer foreigner ". Suddenly so many things in front of us, let us be at a loss, so strong! Such spectacular! Such a impact!" He was in the article " A preliminary study of Chinese -style expression of painting, the preliminary study of Sun Bowen's old age painting ":" Sun Bowen's creation is a thunder, awakening our color memory and perception, and activating the traditional life of Chinese traditional colors. Praise Sun Bowen's artistic style is the publicity of our national spirit, a wake -up of the spirit of majestic and strong art, and a example of modern art strong aesthetic style. "

Sun Bowen "Light of Sexual Spirit" 795 × 144cm 2000

"One of Qilu, one of the domestic family"

Sun Bowen's paintings, with the pure Ming Rui, spilled the vigorous cultural vitality of the times, also showed singing nature, comfortable and smooth artistic feelings, and containing a deep spirit of Qilu.

The success of the "Drise Chapters -Sun Bowen Art Exhibition", thanks to the common promotion of collectors in Xue Song and the theoretical circles. Following the exhibition of the Chinese Art Museum, from June 6 to 17, 2021, the Sun Bowen Art Exhibition was reached again at the Shandong Art Museum. Nearly a hundred experts and scholars rushed to the Shandong Art Museum from all over the country to participate in the seminar. This is unprecedented in Shandong Art Museum and even the country.

Zhang Wang, chairman of the Shandong Artists Association and director of the Shandong Art Museum, believes that Sun Bowen is a representative painter in Shandong. Its unique appearance, especially in the development process of Chinese landscape painting, can write a strong stroke. "The spirit conveyed by his works is positive, with the heroic temperament of the Qilu people, and even the artistic temperament of heroism." He also talked about the reality and ideal conversion of Chinese landscape painting. All the arts are nothing more than two pursuits: one is natural, and the other is to create nature. Performance is naturally written, and as an artist, it is also necessary to create ideal nature. The two pursuit of art and the conversion of pursuit are a good case, which can be used as an inspiration. "He wrote in the article" Gorgeous Park -Reading Sun Bowen's Landscape Paintings ":" Mr. Sun Bowen's ancestor Several generations of Sun are all veterans who have participated in the revolution. His landscape paintings are full of emotions for culture and art and the country and the world. Art is a portrayal of thought and emotional sustenance for him. It was respectful of us. From his paintings, I read out the cultural spirit of a Qilu painter who contributed to the times. We pay tribute to him. "

Yu Yang, a professor at the Central Academy of Fine Arts and deputy director of the National Theme Fine Arts Creation Research Center, explained the artistic realm of Sun Bowen's landscape painting in the article "Qiluqiu, Meteorological Gao Hua", and affirmed the brilliant brilliantness and vividness of the freehand landscape paintings. Essence The image of the Jiashan image of Qilu land has created the gao Huahua and brilliantness of the freehand landscape paintings. Materials and techniques are integrated in their own landscape painting, and they have been on the way to integrate innovation. Yu Yang suggested to interpret an artist from the perspective of knowing people, including regional culture and artistic sources. Throughout the artistic characteristics of Sun Bowen, it can be summarized as three points: strong and clumsy graphics; the light colors of splashing and pen and ink; deep and light imagery.

Sun Bowen "Spring and Jingming" 361 × 144cm 2001

Sun Lei, deputy dean of the Academy of Fine Arts of Shandong Academy of Art, interpreted Sun Bowen's work from three paradox: one is the paradox of the spirit of classical literati painting and the spirit of modern literati painting; the other is the paradox in painting language The third is the paradox in color expression. In the article "Dialectical Reflection", Sun Lei proposed: "Mr. Sun Bowen's paintings remind a reflection on the spirit of the literati: no literati paintings without life and vitality can not echo his era. The new temperature of the literati spirit "" Mr. Sun Bowen has the courage to dialectically treat this contradiction, not only maintains a strong spirit of pen and ink, but also actively introduces the spirit and feelings of expressionism. There is also a sense of encounter with a rushing charm. "" Sun Bowen actually has its special ideas and ambitions in the expression of color language. He seems to be trying to build a strong oriental color system. Injecting a spiritual performance in Chinese painting language, many of his works obviously present the refutation and subversion of the original 'ink division of the five -colored' in Chinese painting. " Sun Xin, deputy secretary -general of the "Chinese Painting and Calligraphy" magazine of China Painting and Calligraphy, graduated from Shandong Academy of Arts, expressed regret that his predecessor Sun Bowen only realized his predecessor Sun Bowen. Speaking of the experience of watching the exhibition, she bluntly said: "There are strange rise in life, there is a lot of simplicity in the gorgeous, and in the emotional power released by his language characteristics, it is not difficult for us to find Mr. Sun's temperament, and he and Qilu culture and traditional essays. The spiritual connection of the pulse and the era. "Sun Bowen's late landscape works are particularly moving. She said:" Sun Bowen's landscape painting creation is lonely, put on a pen, and the drama of coloring The emotional tension is filled with the spirit of the pen and ink of literati painting, showing the dialectical tension that is inferior and orderly. " The style makes him different from many creators in the same period. "

In the article "Holding the Middle School, Culture and Binbin Binbin", a researcher at the Beijing Painting Academy, the painting of the flowers and birds of Sun Bowen is evaluated: "The style of Qilu painting with Mr. Sun Bowen is such a literary character with both literary and elegant and vulgar appreciation. Therefore, Mr. Sun Bowen's flower and bird painting art is not a family of Qilu, nor is it as a home at home. "He believes that Sun Bowen's landscape paintings are dominated by artistic conception, composition of the composition, and the rules are strong. Specific, but more full and rich and have a sense of life. Sun Bowen's artistic innovation in his later years is an extremely bold attempt, showing an admirable innovation and changing spirit.

Meng Xianping, an associate professor of Shandong Academy of Art, discussed the purity, native power, the significance of Qilu culture, and the significance of contemporary art. He said: "Mr. Sun's giant landscape is eye -catching, freehand ink and ink are drooling, and the infinite vitality sprays out, releases a strong contagion. It has special significance. He not only enriches our general understanding of the art of Chinese contemporary calligraphy and painting, but also allows us to re -examine the development of Shandong art, especially the original power and vitality of Qilu art. "

Sun Bowen "Mo Mountain Thousands of Autumn" 360 × 144cm 1999

Shang Hui summarized Sun Bowen's artistic characteristics as "Writing of Life", and supported Sun Bowen with a powerful structure to support the picture, and to highlight the visual shocking artistic reform with the ink color effect of informal. As far as teachers are concerned, their flowers and birds chase white stones far, and they have the most samples. Sun Bowen's landscape paintings are a style phenomenon generated by the 20th century Haipai and Jingpai painting in Qilu. In Qilu's wide and deep cultural infiltration, he uses his personal experience in Yimeng Mountains and the Yimeng landform organically. In the creation of landscape painting, the characteristics of the landscape area of ​​Qilu painting wind are strengthened. The precious thing is that this regional characteristics always present a extreme color expression with his own endless life, thereby forming his expressive freehand freehand landscape painting style.

"Since Sun Bowen, we have learned to look up at the starry sky"

The Sun Bowen Art Exhibition presents a broad, warm and rich world. What exactly do these people's hearts have prompted us to think of? How to check and evaluate him in the dimension of the development and change of ink art? What kind of academic value and historical significance do they have?

"In a region where a local culture is destroyed and the cultural soil is fully saline, how does it grow up like a towering tree like Sun Bowen?" In his own point of view, he felt that according to the nature of early and late works, there are two different Sun Bowen. Watching Sun Bowen's exhibition is like a dense forest that is spherical, as if entering a huge spiritual dojo.

Professor Pi Daojian, a professor of the Fine Arts Department of South China Normal University, borrowed Mr. Lu Xun's words "in the new shape, especially in the new color to write his own world, and there are still Chinese souls" to explain the art of Sun Bowen art Thinking of "nationality". He praised Sun Bowen's paintings, and there was no ancient person in the past. Hua Zhang is the clear landscape of our poor era, and shows the glory of Chinese art in the new century. "

Professor Wang Lin, a professor of Sichuan Academy of Fine Arts, said in "The Preface to Mr. Bowen's Works": "Sun Bowen Gao Sing Gao's Symphony is the symphony of color. It is indeed admirable. "He attributed Sun Bowen as the leader of free freehand art creation. The achievements of art exploration for life have left a large number of valuable historical heritage of Chinese color ink art creation, which will be inherited by subsequent people and future scholars. "

The professor of the School of Fine Arts of Tsinghua University proposed: "Mr. Sun inherited the style of literati painting, with the highest Chinese aesthetic, the first product of" Twenty -Four Products "is majestic. The big cultural tradition looks at his works. "He put forward the concept of" Guangyun Landscape "from the perspective of philosophy and culture. He believes that Sun Bowen's art has opened up the clear state of Guanghua who is living in the world.

Sun Bowen "Seeing Caiyun Gui" 359 × 144cm 2001

Chen Ming, deputy director and researcher of the Institute of theoretical Research Institute of the Chinese Academy of Painting, believes that Sun Bowen's colorful ink painting spans the boundaries between the ends of the ends and re -build a new form of modern characteristics in the traditional Chinese ink system -a kind of integration of east to west Art form. Sun Bowen is worthy of being courageous and insights among contemporary ink painters. For decades, the ink exploration he made has introduced the traditional ink language into the state of modern painting, which has greatly expanded the territory of Chinese ink painting. No one before.

Xia Kejun, a professor at the School of Arts of Renmin University of China, pays special attention to the relationship between Sun Bowen and Zen. In the article "The Zen Ding in the Mast", he affirmed that Sun Bowen had opened a majestic world and opened a strong freehand world. In his thinking, he also asked: "Is there a change in the possibility of the sticky pen of the wild Zen in the complicated and great spiritual spirit?" Finally, he concluded: "You can also think that Mr. Sun Bowen's painting art has been Joining the giant beauty state, he has opened the world of worldly and vitality, and he has already breathe freely ... "

Li Xiaofeng, a professor at the School of Fine Arts of Shanghai University, was shocked during the visit. He praised Sun Bowen's paintings with a strong light, just like the outbreak of volcanoes. He believes that Sun Bowen "has the ability to control the talent for the big picture", especially praise his huge vertical painting, has a high and high -profile weather, is an avant -garde art and pioneer art that is subverted, rebellious and breakthrough.

Sun Bowen "Zen's Freedom of the Clouds" 248 × 124cm 2001

Zhang Peng, a professor at the Central Academy of Fine Arts and the president of the "Fine Arts Research" magazine, explained the thinking of Sun Bowen's painting art from the perspective of bone phase and weather. She believes that for the artist, it is necessary to extend to tradition and reach life in one hand, and Sun Bowen has done very well in this regard. , Together with a kind of majesty and shock, it should be said that it is a kind of wanton, not a kind of wanton, and he is still relaxed. "She believes that Sun Bowen has entered the third realm of Zen Wu, reaching the mountains and rivers Yan Zhi built a poetic, very beautiful world. Especially the giant scales and spitting of ground fire and wave -like color energy that is extremely visual impact, shows his contribution to "vast" of Chinese paintings, reminding us that the color and performance scale of Chinese paintings are huge Give full play and expansion.

Fan Xiaonan, a postdoctoral post -doctoral and Tianjin Academy of Fine Arts, in the article "The Praise of Life -Sun Bowen's Giant Abstract Ink Study", comprehensively sorted out Sun Bowen's art exploration, and believed that "in the final stage of his life, he was purely purely purely pure. Abstract enters the absolute freedom of spiritual exploration, gorgeous colors and rotating strokes to show their praise of life. " She believes that Mr. Sun Bowen's change of traditional ink painting can be described as bold and innovative, breaking through all the constraints of traditional concepts.

"If Sun Bowen's new body has changed the territory, pattern, and language system of contemporary Chinese paintings, and to some extent, it is amended to some extent, then this may be Sun Bowen's biggest contribution to contemporary Chinese painting. In terms of two points, it can be seen from two points: First, Sun Bowen uses the whole element of large splashes and the system of systemicization, which enriches the contemporary Chinese painting technology system. It is not simply visual perception. Therefore, it provides a highly spiritual language system for contemporary Chinese painting, which is exactly what contemporary Chinese paintings and even Chinese contemporary art. "Zhang Xiaoling believes that Sun Bowen's creativity has reached the same time at the same time It is difficult for artists to reach a height.

Sun Bowen "Nirvana" 359 × 144cm 2001

When summing up Sun Bowen's contribution to contemporary Chinese paintings, Zhang Xiaoling made a highly summarized summary: at the level of images and realm, Sun Bowen completed a double transcendence with the construction of new images and overwhelmed worlds in the universe, mountains and rivers, As well as the realm of majestic, turbulent, and enthusiastic, the transcendence of the realm of painting ancient, cold, and small in the realm of traditional literati has completed the transcendence of the realistic Chinese painting system with the strange imagination and hallucinations; At the level of creative concept and methodology, Sun Bowen provides a new outlook and production logic for contemporary Chinese paintings with a comprehensive observation method, full -sense thinking method, and holographic visual structure of the universe and mountains. The super -imagery and grand narrative built by Bo Wen based on life as the core, accurately interpreted the deserved meaning and value of contemporary Chinese painting, and re -activated the spiritual dimension of contemporary Chinese painting images and language. Zhang Xiaoling said: "As far as the essence of spiritual life is concerned, Sun Bowen in his later years follows a return road: return to nature, the universe, return to God, Tao, and return to the true return of life. The starting point of splashing art and the ultimate destination. There, Sun Bowen completely completed the reshaping of life and soul. Starting from Sun Bowen, we learned to look up at the starry sky. "

(The original title "Find Sun Bowen: Important Incidents of Art History", published in "Art Market" 2022, No. 06)

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