Liu Yantao ||

The picture shows Mr. Liu Yantao

When entering the creative state, you must give the "rational intuition" to "irrational intuition" before the creation, and look at calligraphy creation as a kind of pastime and game. Take a walk with a pen and ink to let the pen and ink and the soul talk freely and sincerely. After thousands of hard work, such as writing, pen -transportation, a monument, a certain post, a certain family, etc., forget the pen and ink, regardless of work, and self -confident in the desire of the unable to suppress , "I am God", so that it is free and chic. With the drive of temperament, the brush and ink, let it go naturally, such as the Tang Dynasty poet Jiao Ran said in "Poetry", "but seeing temperament, not seeing the text, the poetry is also extremely" and the Song Dynasty painter Guo Xi "Gao Zhi · Shanshui Training" In the middle of his paintings, "I don't see silk vegetarian, I don't know the pen and ink, Lei Lei is falling, 杳杳 高 高, and I can paint." "Nature is Buddha, and there is no Buddha in gender." Who can say that the six ancestors who dare to tear the Buddhist scriptures in the "Six Ancestral Altars" are not disciples of Buddhism!

Of course, calligraphy is the art of dancing with special shackles. The "proud and forgetful shape" here is not that there is no "shape" or no "shape". Calligraphy cannot be without law. On the contrary The more strange. At this time, "I don't know if there is a Han" after all the monuments and read the masterpieces of the family. Only the creation of the chest and the "Han" is not controlled by me. It is "not the only to the Fa", and it is a Dafa that is not left -handed. Calligraphers are by no means boring to play with some tricks. After all, calligraphy is writing, writing temperament, writing style, and writing. Therefore, it seems that "nonsense" is really the personal experience of his own scholars and a deep understanding of its own scholars. It is blood that is out of blood, so I can be like Zhuangzi's cloud: "All forget it, there are all, it is indifferent and beautiful."

Calligraphy is a language and code that expresses emotions by lines. The line is its pure art exchange. Although it is impossible and there is no need to get rid of the text thoroughly, it cannot be passively and can not stop in writing, explanation, and illustration of writing. The text here is not a text of language expression. Instead, the connotation is eliminated as a symbol of personality, just like flowers, birds, insects and fish. In the literati painting, their original meaning has been eliminated. The internal logic is flowers, flowers, flowers, or flowers. Logic charm. Therefore, text has become the medium of inspiration of calligraphy creation, and it is the "flower" in "painting and the meaning of flowers." Subjective and actively dancing in the work is the means of the scholar's main spirit and high vitality. Therefore, I think the text in the calligraphy is more ambiguous and even exaggerated. These details have nothing to do with the charm and emotions of the work before the work. Tagore's poem is very wonderful: "If the music is really cut, and the words are not enough to believe, then you should be satisfied."

In the field of calligraphy art, do not bother to try to find any unique "correct answers". Instead, you should take the initiative to choose the art information that coincides with "I" in various trends and doctrines. I am useful, it is valuable to me. The experience of any calligrapher can only be said to be in his own way. At that time, the passion and way of thinking and thinking at that time were neither the unique, nor the constant. Moreover, "mortals are qi and blood, different bones and bones. The heart is dense, the hands are clever, the book is ugly, and the heart and hand can be strong!" The style of parallel and peaceful and peaceful. Therefore, a scholar must be good at following his temperament, and he can truly reveal his style. If the specific environment is not combined with its own characteristics, and blindly superstitious, imitate, and abuse, this experience will become shackles and become a cricket that kills calligraphy creation. Just as the "Green Painting Scholarship": "Can't do it, and finally there is a law." Similarly, the success of any scholar can only go by himself. We can learn from, reference Enlightenment, but unspecified. After reading the article "Unexpectedly No Art", I read the articles about the artistic decision of arts, I remembered the lyrics in the Zael's song "Don't Oce": "Any person's success has the way he has taken himself."

A successful calligraphy work is a complex with wonderful pens, wonderful knots, wonderful chapters (including the location of the money and the seal, the size, and the paper, etc.). Whether each body has aesthetic characteristics depends on whether its relationship with the entire chapter and the overall structure is coordinated, and whether it is an indiscriminate organizational part. Imagine Van Gogh, who was excited when he mentioned the name. He wrote the magical and wonderful golden yellow of "Sunflower" and picked a piece of "Mona Lisa" with a mysterious and eternal smile. It's poor. It can be seen that leaving the overall as a whole has a local beauty and ugliness. He stares at a certain detail, and its movements, a certain color, and a person with a certain note must not feel the aesthetic characteristics of an artistic work. Searching for chapters, disconnection, and righteousness in history do not know how many kinds of people have been cruelly hurt. This is not difficult to understand the word selected from the law posts in the past. It is simply transplanted to my work in the process of losing its connection with the surroundings and looking forward to the surroundings. When studying cursive script, it is necessary to do it as a whole. The most basic ones are more than three lines of practice. Studying the relationship between each word and the upper, lower, left, and right, and study the spatial structure of each line and the passage. Grasp it in spirit and sentiment, from writing "Gong" to writing "Heart", and seeing the author's joy and sorrow behind the pen and ink. To cultivate your own aesthetic direct ability -that is, the "meaningful form" feature of the aesthetic object is directly grasped from the whole. Belled Birds and ducks are different from beauty, ugly, elegant, and high. Among them, one is the monotonous repetition of "，-呱-呱", and the other is a multi-note and multi-rhythmic smart change. Calligraphy is also the same, and beginners can easily understand the change of changes as mechanical false and reality, moisturizing and repeated transformation, three -character real two -character deficiency, three -character moisturizing two -character group arranged. I do n’t know if this is only a difference between fifty steps and a hundred steps.大家们的作品在虚与实、润与燥、曲与直、收与放、聚与散、刚与柔、动与静、沉着与痛快、婉约与豪放、清秀与雄强、典雅与稚拙、 The dense and refreshing changes are endless, and God is ghost, just like the seven notes changed differently in the hands of the musicians to change a pleasant classic famous song. There are opening and closing in the entire part, each part is also open, there are ups and downs, and each part has ups and downs. Just as there are bright lights and dark backlights when drawing sketches, there are bright and dark changes in the light, and there are bright and dark changes in the backlight. In the big changes and great rhythms, the more wonderful place is the gain and deletion between the connection between the momentum, so that too much can be suppressed, and the lack of replenishment is supplemented. Zero, hidden and present, break and connection, direction and back, anxiety and slowness, lively manifestations in the works, there are traces and no traces. In this way, the peak circuit turns, and the clouds and fog will close, so that it can be called an excellent calligraphy art.

(Liu Yantao: Born in 1965, member of the Chinese Book Association Book Committee, Professor of Calligraphy Training Center, member of the Calligraphy Art Committee of the Chinese Culture Museum, Vice Chairman and Secretary -General of the Anyang Book Association of Henan Province. The honorary title of "National Middle -aged and Young Deyi Double Xinxin Literary and Art Workers" is awarded, and the Chinese Book Association has awarded the title of "Deyi Shuangxin" calligrapher. The tenth representative of the national conference in the country has been repeatedly served as a calligraphy exhibition judge sponsored by the China Book Association. )

- END -