"Endless Sound" creates a "Time Sound Comprehensive" with music memory

Looking back at "The Sounds Endless" on the occasion of the finals, it is not just the stage that impresses it most, but an impression of Hong Kong music itself.

It is certain that this is not a variety show of consumer feelings. The wonderful stage itself is more like nails, and the wonderful moments of Hangle are hung on Hong Kong music, and then a series of stories of Hong Kong music development. It seems to be a documentary, inviting the calendar, witnesses and admirers of the Golden Age of Hong Kong to tell the past, present and future of Hong Kong music.

Several rounds of theme competition in "The Sounds Endless", from "juvenile" to "mature", from "love" to "urban memory", from personal destiny to social epitome. The "all over the fire" in the Hong Kong films has become a life, and it is also written as a song. Among them, there are emotional circulation. When "How to See" sounds, it is inevitable that they are unavoidable and memories; they are more rational and persuaded.

From this, we can understand the positioning of the "Time Sound of the Time". Compared with the simple show of the stage, music has become a pair of wings here, bringing audiences to the best era of time and space and meeting Hong Kong music. The emotions and feelings left by that era became the testimony of the same root of the cultural same as the 25th anniversary of the return of Hong Kong.

The story stringed by the show not only affects today's Chinese music, but also brings the experience reference of the golden age, but also to discuss what kind of sound comprehensive we need at the moment, how the industry should open the new one at the moment, and how the industry should open a new one. content. At the time of ending, these influences may be worth further discussion.

In the development of Hong Kong music in 50 years, I saw the "root of Chinese culture"

Hong Kong is not large. A Wutai Mountain Road is the history of Hong Kong entertainment, but it has the cultural power of radiating Asia. Cantonese films and Cantonese songs are the two starting points of opening Hong Kong's local culture.

In 1972, the director Chu Yuan found Shao Yifu, the owner of Shaw's film industry, and applied for filming his new film "Seventy -two Tests" into a Cantonese film. When the TVB show "Double Star News" hosted by his brother Xu Guanwen sang "Tower Lingyun" for the first time, the status of Cantonese pop songs ranked behind English songs, Mandarin songs, and Cantonese opera Cantonese opera.

As a result, "Seventy -two Tests" was released the following year, refreshing the Hong Kong box office record with 5.62 million box office, and even defeated Bruce Lee's "Dragon Fighting Tiger Fight"; say. Hong Kong culture has also started.

In his book "The History of Music of Hong Kong", Liu Jingzhi listed 1970-1990 as the second stage of the development of popular songs in Hong Kong. Its background was that Hong Kong became China's richest and most advanced city after 1970. It is also in this context that the activity of the Hong Kong citizens and the awakening of the Hong Kong people's consciousness has made Hong Kong music an important symbol of radiation of the Chinese circle and even the entire Asian culture. Li Xiyuan, a professor at the Yue, Hong Kong and Macao Development Research Institute of Sun Yat -sen University, said in "The Sound": "At that time, the film and television songs in Hong Kong basically monopolized the entire Chinese world."

On the occasion of the 25th anniversary of the regression, "Sound Everbright" found the most vitality part in this story: the rise of Hong Kong music is the momentum of time, and it has a deeper cultural root.

Mr. Zheng Guojiang, who came from the 1970s, recalled several lyricists in the show: he hoped to convey the spirit of the Chinese from being afraid of hardship, perseverance, and tolerance for things; "Do not fall"; Mr. Huang Zhan is familiar with Tang poetry and Song poetry, so he often conveys traditional culture and thoughts in his lyrics.

This kind of transmission of traditional culture, morality and spirit has allowed Hong Kong music to have homology with the Chinese and even East Asian cultural circles in terms of value, and has become the most intimate and familiar symbol in Hong Kong music since then.

Feng Yingqian, a professor at the School of Journalism and Communication of the Chinese University of Hong Kong and the director of the Asia -Pacific Institute, believes that Hong Kong music "has a root of Chinese culture": First, there are many Chinese melody and rhythm in music. "The most popular singers such as Lin Zixiang, Rong Zuer, Faye Wong, except for the European pop songs, there are some songs that are very small in China. "The second is values." At that time, many writers were readers and wrote their own values ​​inside. "These songs advised everyone The meaning and struggle.

So the audience heard "Reading" after fifty years, and recorded that in the process of urbanization in the 1970s, people began to re -recognize the value of the family, showing the Chinese family concept; and Lin Zixiang re -sang 1978 Nian Xu Guanjie's "Persuading Song" "Student Brother", today's people can still draw their strength.

More feelings are also borrowed in Hong Kong music notes. The "Hong Kong Le and Me", starting with "Under the Lion Mountain", the chorus of "The Pearl of the East" ended, one is the memory of the citizen that is glory in Hong Kong, and the other is a great love for the new era. Hong Kong music records not only people and events, but also the times and collective memories. Therefore, on the 25th anniversary of the regression, the Hong Kong Mand has become the best way to express emotions.

From popular culture, to emotions and memory, to city imprint, the glory of Hong Kong music is the result of the common creation of the market, content and the times. At present, it has no meaning of reference. And this complete image is exactly the success of "Endless" to create an immersive era.

Under immersive time and space, decoding the secret of "no sound"

In "Sound", in addition to the personal experience of the Golden Age of Hong Kong, there are many witnesses at that time.

Li Jian recalled: "When you meet those familiar Hong Kong singers, you can always think of the youth of the Cantonese songs." Hong Kong music entered the golden age just happened to meet the enlightenment of pop music in the Mainland. The CD and tapes transported from the South China Sea to the streets of the Mainland have become the earliest music feelings of young people who love music. These melody also become a symbol of the memory of the era.

In 2021, this past feeling quickly fissioned in the Internet space. Whether it is the short video platform "Kiss everywhere", "Moon Ban Xiaoyu" cover, the popularity of the two innovations, or the extensive recognition of Hong Kong music singers, is making Hong Kong music. It has become a cultural language that runs through the times.

The value of music is further reflected. In each issue of "Sound", there will be a classic song of the audience in each issue, and these songs can even sing with most viewers. This is the charm of Hong Kong music and the magic of the times. Such a popular cognition and a degree of breaking circle have become increasingly difficult in the music circle in recent years.

The secret of Hong Kong music "endless" is worth a longer reference for the entertainment industry. For example, compared to the Hong Kong music industry in the Golden Age, now the mature digital music ecology has capital investment, industrial scale and market demand, and the content has become the main shortcomings. Only by making sincere music, emotional, memory, and value output can the public sing and remember.

It is the story of "Lion Mountain" described by "Endless", and it is also a kind of positive value sharing and transmission in the immersive space -time.

At the moment when the entertainment industry needs to open a new space, "The Everbright" attempts to re -decoding the comprehensive content of the sound with the sense of the times and immersion, it may not be such a spiritual embodiment. The content of the content of the content of young people is constantly put forward higher requirements for the content, and the advantage of long videos is precisely the sense of companionship, immersion, and the resonance of opening value and emotion. "No Best" can continue to obtain positive feedback.

Furthermore, the overall development and external output of the entertainment industry will also bring opportunities to the industry. For example, the quality of the current film and television comprehensive content will be improved and frequently landed overseas, which also provides an environment similar to Hong Kong culture after the 1980s. Binding will also bring opportunities and new channels to Mainland music. Under the improvement of the inside and outside environment, we may be able to look forward to more possibilities in the entertainment industry.

In the new era of Hong Kong music, the possibility of the entertainment industry

With the broadcast of "Endless Sound", Hong Kong Le is re -gaining vitality. After the first episode of the program was broadcast, the popularity of Zengbi and Yan Mingzhang increased rapidly. Zeng Bit's "First Love" not only won the audience to vote first, but also then appeared on the major music platform hot lists.

From the perspective of the industry, the vitality of a music ecosystem lies in the ability of new songs and new people. With the broadcast of "Endless Sound", Hong Kong music seems to be reappearing this aspect in the public's vision. In addition to the newcomers, such as "Gossip", "Yuan", "High Mountains and Valley", have also been widely sung in the past decade.

The development of the economy and the opening of the market have brought new opportunities for Hong Kong music. For example, Zeng Bit and Yan Mingyi, they stood out by participating in the singing competition in Hong Kong in recent years, showing market activity. On the other hand, after the Hong Kong region is attributed to the Greater Bay Area strategy and further integrates into the Chinese cultural circle, it is also obtaining more market dividends.

From a market perspective, Chinese music is ushered in a diverse and packed compound market. Young people cultivate rich music preferences and even cover the niche music that I thought before, including Hong Kong music musicians Zhang You talent and Lin Jiaqian in the past ten years. Chen Yongtong, Zeng Bit, and AGA have no shortage of fans; at the same time, young people of classic Hong Kong music will not refuse, and they will also join the gameplay and interactive net gameplay.

The new vitality of Hong Kong music seems to be regarded as a microcosm of the development of the entertainment industry. With the opening of the economic environment and the opening of cultural exchanges in internal and external, new development opportunities are brewing.

Not only the variety show "Endless", June this year China Youth Daily · China Youth Online also combined with smart dogs to launch "Guangdong Good Listening" special music project, such as Wang Ye's "I like You", actor Huang Jue "Don't Decorate Your Dreams" and Yuan Yawei's "We all grow up like this", etc. These mainland singers cover Cantonese golden songs, becoming a driving force for further driving Hong Kong music.

Mainland singers can try Hong Kong music creation, and as the industry is becoming more and more mature, this cross -border and innovation capabilities are constantly improving. Among the singers who participated in "The Sound", young musicians such as Mao Yiyi, Single Chun, and Wang Yuan also had very exciting and dedicated performance. In particular, the performance of Azaki was surprised. She grew up in the mainland idol training system. However, the audience saw her progress as a "singer", and her "self -enthusiasm" stage has won the public development of the original singing Zhou Huimin to affirm and thank the cover.

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