[Literature Review] The double journey of physical and soul -Reading Li Er's "Great Death, I Must live every year"

Double journey of physical and soul

—— Read Li Er's "The Great Death, I will alive every year"

Liu Deyuan

Historical materials show that China is the country of poetry. "Book of Songs" and "Chu Ci" and Hanlefu constitute the source of Chinese poetry. Especially Qu Yuan's "Chu Ci", "Yixiang Wei, Zhuo Jueyi", "The road is long and far away, and I will ask for up and down." Qu Yuan's "seeking" spirit has become a noble spirit that the future generations believe and pursue. For this reason, the Dragon Boat Festival every year, literary works with the theme of Qu Yuan abound, and the scenery.

However, I think that since it is a literary work, there must be a difference between high. There are different senses. Substitute, there are five discussion.

One of the discussions, the poet's thoughts of the thoughts were deeply explored in history: "A glass of rice wine, pouring around" Li Sao "/that is the boundary of the poisonous snake dare not be siege." In Li Er's poems, this "male larce wine" sorrow is under the burning of alcohol, which makes people have a speechless pain. The poetic world of poets is a diverse and poetic world. It is both classical and present, both inherited and forward -looking. From the scene of his artistic conception, we can see the strong scenery in the poetry poetry: the myth of the history of the poem, the wake -up language of the poetry soul, it can be said that it provides the Dragon Boat Festival from the technical level. The very good innovation writing about Qu Yuan shows its humanity, narrative and another "living method". Its unique ideas, history, and literary values ​​have stayed in our memories.

From the perspective of content, this poem should be deeply tapped into the theme creation of historical figures, especially patriotism, and has a deep sense of historical and humanistic feelings. Tongguan's whole poem, it is not for Qu Yuan, Qu Yuan stands on the side of the Luo River two thousand years ago, with long hair and fluttering clothes, Gao Song "Li Sao" and then leaping up for thousands of years. "A pu like a sword, like a guardian of the post." Here, behind the poetry line, we see that Li Eryu is dissolved into history in the way of poetry, dissolves ourselves, and points to a new poeticity. Whether it is "great death, you have to survive every year" or "the triangle (zongzi) that stands forever", you will feel that this poem is a combination of spiritual high spirit and life: thick, vast, solid and agile. The "reed leaves wrapped, the dumplings that can not be cooked for two thousand years", the "triangle. A corner to the sky/one corner to the ground, one corner to people", "I hate it with you", how great it is "life", " How glorious "dead" is to allow people to watch their mainstream origin and life form after entering, feel the symbolic and abstract of historical figures, as well as the patriotic feelings related to it, and the people's livelihood of worrying about the country and the people. This is the creation of rich historical knowledge and life experience, and its cultural gold content and historical heavy sense are inestimable. In the language of poetry, love, things, words, spoken, and quotes, "also the pages of dampness for two thousand years", all give people a sense of psychicism. It can be said that this poem is another height of the personalized creation of Li Er's poems. I won't go into details.

In the third discussion, we found that Li Erma's eyes returned to the historical scene, and he expanded the soul dialogue with Qu Yuan with the sense of poetry. In the desktop of the perspective of historios, the slight texture of the poetic flow was launched in the flow of poetic flow. Double narrative: "I will chant the wine" Li Sao "with you. The whole poem is artistic interaction in Qu Yuan's life and death and simple and mysterious image, and then makes "dumplings" a poetic eye and a "triangle" that stands forever. OK, the words are shocked: "Great death, you have to survive every year."

The four negotiations, look at a "Triangle Standing Forever": "A piece of reed leaves, a triangular dumplings/standing for 2,300 years. Don't fall." Here, Li Eryu is a poet who knows how to be in the text and awe of celebrities. In the Dragon Boat Festival, the dumplings of the dumplings every year: "Grandma Baozi, use hemp ropes/mother's dumplings, and use hemp ropes/now, they have gone to/dumplings, plump principles/still bulging." After reading this, the triangle that is always standing forever will be shocked by the glossy sentences of the distant and present: "Dangzi" is not just a image, a symbol, and a totem. It also carries patriotism. The spiritual essence of the country and the feelings of the country have never been a matter of things, which has inspired the poet's creative inspiration. This is the integration of history and reality, and it is also a comprehensive display of a poet's spiritual world. Not only does the poet pour rich emotions, but also the creative attitude is rigorous. Each line of poetry pays great attention to the polishing of language. Each line of text and every word is placed properly.

Therefore, Li Erxun's writing strategy, attitude and spirit are moving. For many years, it is solid, step -by -step, and frequent results. It is worthy of admiration and learning of every writer. ) We must learn. Many poets (writers) have written their lives for a lifetime, but they have not been clear about what they write and why they have been writing, and have not found their own positioning. But Li Erxun is different. He always knows that his writing direction is constantly deepened. He can sneak down the poetry materials. The works are based on a large number of knowledge structures. "Edition" has sorted out a large number of propositions about "old" and Shu Di style. The most valuable thing is that he can deepen, or in simple, since ancient times, Qu Yuan's patriotism and excellent poems have repeatedly chanting for people, which is evidence. The five of the discussion expresses historical figures and celebrity achievements in the architecture of a poem. If you do not grasp it well, it is easy to fall into the embarrassment of the theme first, loose structure, scattered spirit, and lack of poetry. On the other hand, Li Erxun, he bypassing this disadvantage and opening a new situation. The complexity and richness of the same history and reality of the same structure and the reality of the same frequency as the times as the times. Readers' resonance and empathy. There is no doubt that this kind of three -dimensional presentation and multi -directional expression of character, emotion, aesthetics, and thought equal to one, provides a new possibility for writing the creation of historical figure poems in our era, and there are many insights.

Li Erxun (Picture Source: The Inner River)

In short, most of the narrative poems of ancient and modern Chinese and foreign countries are mostly lyrical with writing people's narrative, and rational artistic imaginations are launched, and they are integrated into their philosophical thinking about society, life and history. The core imagery of Li Er's poems "Zongzi", with the poetic language, the rhetoric, the rhetoric skills, the superb and even imagined methods, and the complement of each other. To be precise, the poet tries to make a depth of history with personal experience and text imagination. Through the re -writing of memory and the craftsmanship, through the "great death, you must survive every year," break the limits of time and space, and rub linear history into one The group, placement of historical materials and viewpoints, let the historic, poetic and non -fictionality exert their strength from a historical perspective to contemporary, from the outside of poetry to the inside, overall presentation of "Li Sao" poetics and personal views, looking for Qu Yuan history In the process of the old and new seals, the dual journey of showing the body and soul through the "zongzi" figurative three -dimensional is both very rare and very clever!

Attach

Great death, you have to survive every year

(One outside)

Li Erxun

Every year, you have to survive in the Dragon Boat Festival

A cup of male rice wine, pour a circle around "Li Sao"

That's the boundary where the poisonous snake dare not besieged

Wordworm uses fragrance as a bunker, smoked the bugs of baked bamboo and bamboo slips

A sacrifice like a sword, like a guardian guardian

The lintel that keeps you patriotism

Credit leaves wrapped, dumplings that can not be cooked in two thousand years

There is a script in the arranged in it

White rice, black beans, that is clear and turbid

The milestone of drunk and wake -up

I hate to live with you

When you chant "Bird Flying on Hometown"

Take the moonlight with you

Chant "Li Sao" with you

Ask you

Writing the speechless sky is omitted

I hate it to be the fisherman of the year

When you sing "Fox Deadly the Head of the Hill"

The stone must be thrown into the Milo River first

Fill the deep pool of your body

I have always thought, if I am by your side

Is the river with you

Still do my best to save you ashore

I know, saving you ashore will insult Gao Jie without you

And I can do the river with you, and I can't get it

A grave that is across the river

Great and humble are in a moment

History respects you and let you live

The longest house in the world

You jump in the waves

Wet the incense car galloping in the dream

Wet pages of two thousand years

Nourish you the luridated that you have never witnessed

Great death, you have to survive every year

Triangle that stands forever

A piece of reed leaves, wrapped into a triangle dumplings

Standing for 2,300 years. Does not fall

Because triangle is the most stable mechanical principle

Dumplings, imitating the triangle of the horny horns

Also imitating a drinking device called "horns"

That's the most noble totem in sacrifice

And the totem always falls

The standing of rice dumplings, patriotism and people are the focus of eternal

Triangle. A corner to the sky

One corner to the ground, one corner to people

That's 374 sentences to ask the sky

The heavens and the earth are close, the yin and yang changes

Sun, moon and stars, sages are fierce and stubborn

"I will search up and down"

Dangzi is the epitome of pursuing truth

Grandma Bao Zongzi, tightly tightened with hemp ropes

My mother wraps the rice dumplings, and it is tightly tightened with hemp rope

Today, they are far away

In the dumplings, the full principle

It's still swollen

Brief Introduction to Poet

Li Yong, pseudonym Li Erxun, Li Guanchen, inner Jiang. The collection of prose poems "Bashu Feng San Board" fills the gaps of the theme of the people's folk poetry of Bashu people's customs; video recitation poems "Beltic", "Come on, I Waiting for Tianming" stories and the story of central media such as CCTV and Xinhua News Agency Music works, etc., once became a hot search.

Commentator

Liu Deyuan, a native of Neijiang, Sichuan. Member of the Sichuan Writers Association, a member of the Sichuan Provincial Critics Association, a member of the Sichuan Provincial Society of Sichuan Province. See the newspapers and magazines of the work, publishing the essay collection "Xinyu" (Sichuan People's Publishing House) in 1997, and the 2019 collection of publishing comments "The Gate of the Great Merchant" (Modern Culture Publishing House).

Source: Sichuan Provincial Local House Work Office

Author: Liu Deyuan Picture: Fang Zhi Sichuan

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