Looking for non -heritage, "hiding" new stories in the old craftsmanship

The record of the record film "Tianshu Su Zuo" has continuously expanded the influence and spread of Jiangsu African heritage. Recently, the "renovated non -heritage" Jiangsu Station, which was initiated by huge engines, bytes beating public welfare, today's headline and historical channel, Guangming.com, etc., entered Suzhou again. The icing on the cake, the "Chinese style" Su Fan, the unique nuclear carving on the fingertips ... In the decades of persistence, exploration, and innovation of the "non -survivors", the "Su Zuo" under these years cross time and space , Huancai Modern Life.

The needle is endless, watch the Su Xiu incorporate the daily "seventy -two changes"

Entering Suzhou Guangfu Town Culture and Cultural City, the "Xiang Red Embroidery Mansion" of the Suxiu (Municipal) inheritance of the national non -heritage project made people shine.

The history of Su Xiu can be traced back to the Spring and Autumn Period of more than 2600 years ago. In the hands of the house, the "old craft" has a "new application" that keeps pace with the times: the mouse pads, mobile phone cases, laptops, clothes, bags, rings, earrings, earrings, earrings, earrings, and earrings on the desktop. Nothing is cleverly embroidered with ancient craftsmanship in daily life scenes.

Mansion Xianghong, born in 1967 in Kao Village, Guangfu Town, Wu County, Suzhou. In the age of her growth, 90%of women in the village were embroidered. After the reform and opening up, Fu Xianghong also put down the needle line to the factory like many companions, but was eventually loved by the "tie" back to the stretch. At the age of 26, he formed his own embroidery team to undertake a large number of orders from Japan, South Korea, Europe and the United States. Founded "Xiang Red Embroidery Mansion". More than 40 years of embroidery career, she participated in the "New Middle School" embroidered in the Beijing APEC meeting. At the conference, the duplicated Qing Dynasty Emperor Qianlong's dragon robe appeared in Beijing International Fashion Week ... Under the participation of her daughter, her Su Xiu showed younger and more peaceful life.

"Non -heritage" comes from life, but now she is gradually away from people's daily life. "No matter how beautiful it is, it is not vitality if it is not used well." From the perspective of Hong Xianghong, "embroidery" is a kind of skill and a life. Only by allowing the use scenarios of non -heritage to have more connections with modern life can non -heritage be "live".

She saw more and more ancient "non -heritage" began to change her mind. Last week, a number of units such as Suzhou Culture, Radio, Film and Television and Tourism Bureau (Suzhou Cultural Relics Bureau) launched the "non -ordinary market" event of the 2022 Suzhou Cultural Heritage Day to put the various "non -heritage" skills and skills and skills with Suzhou characteristics. The product is concentrated together, while litting the night economy, it also gives non -legacy a more fashionable face.

How do I go into life? The government reminds Honghong that the true user thinking must be established in addition to ingenuity. "For example, in non -heritage handicrafts in clothing, you have to consider whether customers are comfortable to wear them home; they are embroidered, hanging on the wall and touching with their hands. The dimensions of appreciation are also different. In addition to the beauty, the durability of functions and use is also the key factor in the market and life. "

Live drainage, the skill of ghost ax magical work is not a legend

In Zhushan Village, who was not far from the house, Song Shuiguan, a 76 -year -old non -heritage project (Guangfu Nuclear Carving), has been cultivating in the live broadcast room for many years. Entering the "China Nuclear Carving First Village" Zhoushan Village in Wuzhong District, hundreds of stores are related to nuclear carving. Song Shuiguan's studio is also his home, and a nuclear carving work placed at the door has attracted everyone's attention.

Nuclear carving is a traditional skill. It uses a solid olive or peach nucleus as raw materials. The artists use the natural shape, linen, and texture of the nucleus, and they will be carefully deployed to create. "Blade tours are everywhere, and the nuclear is like a god." Song Shuiguan named his work "Breaking the Wind and Breaking the Waves of the Cross Book". A olive nucleus blends a variety of carvings such as carving, relief, standing carving, and micro -carving. The most amazing thing is that the eight micro -window on the nuclear carving ship can still open.

If you don't inherit, you may only be a legend in the future! Fortunately, the "Song Shui Guan" caught up with the good era. In 2008, Suzhou (Guangfu) nuclear carving was entered into the second batch of Chinese intangible cultural heritage projects.

"1, 2, 3, on the link!" Seeing that in the mobile phone, the young apprentice worked hard to "sip" the nuclear sculpture crafts in the Douyin live broadcast. ... "The 76 -year -old Song Shui official thought.

In 1946, Song Shuiguan was born in Zhoushan Village. For decades, he has witnessed the advancement of nuclear sculptures in the years: the style has changed from more than 2000 to more than 10,000, from imitation to innovation. He also personally experienced the changes in the sales channels of nuclear carvings. From the point -to -point sales in the 1960s and 1970s, to today's online and offline flowers.

Song Shuiguan recalled that in the 1980s, nuclear carving sales could only "run" by two legs. At that time, running a dock in all parts of the country was the norm of his life. "No money, you can only buy a train station ticket and stop all the way to Beijing. Sales during the day, you can only live in the bathroom at night."

Today, the small screen of one side is closely connected to the consumers in all directions. "In the past, nuclear carvings were for life, and now they are the same. As people's living standards have improved, Suzhou nuclear carvings have been loved by people again, which can be appreciated and practical. About four years ago, I began to try online Live sales. For non -heritage handicrafts, the best protection is to buy and sell. "Under the continuous exploration and learning, the current development momentum of the Douyin nuclear carving base of Song Shuiguan is very good. There can be three or four billion times! "Song Shuiguan said cheerfully. Now even a college student came to learn to learn art, which gave him more confidence in the inheritance of the nuclear carving skills passed down from the ancestor. Cultural aesthetics, "fan" out of Qinfang Chinese style

Every summer, Su Fan can be seen everywhere in the streets of Suzhou. Among the "three fans of Suzhou" in the silk palace fan, folding fan, and sandalwood fan, sandalwood fans are particularly special.

The sandalwood fan of the "Sunflower Fan Fan" is naturally a Chinese element with a symbol of smell. The use of sandalwood fans was derived from the late Ming and early Qing dynasties, and evolved from the folding fan to be the first in my country.

"A small sandalwood fan was very expensive before, which was equivalent to a person's salary. But at that time, Suzhou people married their daughter and always married her with a fan. First, to give her the best thing to her daughter; Another is to shake the fan with a sedan, happy and happy for a lifetime! "In Suzhou Ruyi Sandalwood Fan Factory, Chen Qin, a representative inheritor of the intangible cultural heritage (fan technology) in Jiangsu Province, said with a smile.

How does a piece of wood become a fan? Chen Qin introduced that the production process of Suzhou sandalwood fan is divided into opening, sawing pieces, pulling flowers, hot flowers, carved flowers, painting flowers, assembly, etc., as many as 14. Among them, the "four flowers" of pulling flowers, hot flowers, carved flowers, and painting flowers. She pointed at a fan with modern book style — Qiufeng fan said that from design, conceived to the final molding, even if many masters cooperated together, this fan also took a year and a half to complete.

Chen Qin has been engaged in the design of Su Fan design and sandalwood fans for forty years. The inheritance and development of sandalwood fans is also a problem that she is constantly thinking. Take the old sandalwoodwood imported from India, with the fan wind, the fragrance is overflowing, but there are also shortcomings that are increasingly scarce and high in price; from design, pulling flowers, hot flowers, etc. Difficulties; practitioners with high skills, and the foundation of painting, coupled with insufficient marketization, apprentices can come and go, and there are very few people who can stay.

How to do? Chen Qin found that changes are happening. On the one hand, using Australian sandalwood wood and other alternative materials, not only the purchase price is down, but also the method of half -manual and semi -machine workers, and the output is also followed; on the other hand Make some sandalwood fan derivatives that are more aesthetically aesthetically. And she continued to work hard on researching skills and inheritance culture. "Non -heritage, there is no vitality without the market. But just like the relationship between fast food and Manhan, the inheritance and development of non -heritage also need to walk with two legs. On the one hand, you can introduce young design talents to give it new vitality; on the other hand, on the other hand, Non -survivors also need to be able to bear their temperament and keep improving their skills in adherence. "

How many Jiangnan is a Su Fan. How to inherit the cultural inheritance between the square wood chips, and the inheritors of Su Fan continue to explore.

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