Reading | Reorganization of women from the art fiction of video works

"Women's Image Manual"

Zhang Pingjin

Published by Shanghai Literature and Art Publishing House

Understanding women or starting from images, classical love turns into reflection in water, and the era of mechanical replication has been stared at. In all kinds of clear and ambiguous mirror relationships, they are constantly defined, painted and reproduced. The film review collection of Professor Zhang Pingjin of Tongji University, with themes such as "Girls", "Professional Women", "Mother" and "Mad Women", cut into classic movies, and carefully analyze female images: presentation, fiction, and sensory effects.

>> Selected reading in the text:

Hui Ye Ji Mo Row

"The Story of Hui Ye Ji" is on the top three of my women's movies.

Of course, it is also on the list of the best animated long film. The investment that Ghibli Studio has found for it is 5 billion yen, which exceeds some more well -known works, such as Hayao Miyazaki's "Thousands and Thousands of Thousands and Thousands of Thousands Searching". This investment was realized in this exquisite movie, like tears disappeared into the rain, without trace. In fact, I do n’t know how to praise it. If you must summarize it from the front, then some binary confrontation issues that Asian art and ideology have been discussing, such as the nation/world, classical/modern, artistic, artistic /Commercial, all witnessed in "Huiye Ji".

Regardless of these grand themes, the image of "Huiye Ji" (or "Princess Hui Yao") itself is already exciting enough, and it is sad and dazzling. The story is taken from the Japanese folklore "Bamboo Story": The old couple took out a girl from the bamboo, raised it, and found that it was a fairy, and finally returned to the Moon Palace. This is an ancient folk story with East Asian characteristics, and Gao Xunxun made ancient fables into modern fable again: a story about how girls grow.

"Huiye Ji Story" stills

After the landing of Hui Ye Ji, he grew up like a bamboo and grew up in a year. The old man who cut the bamboo from the bamboo also got countless gold and five -color satin from the bamboo, and realized that he had to take this red feet and the children in the mountains. The little girl running together is trained into a noble princess. As a result, with the inexhaustible gold, Hui Yeji came to Kyoto, lived a mansion of a man of a fresh car, and ushered in the adult ceremony of the girl. Her self -awareness gradually happened in the process. Hui Yeji's beautiful childhood was too short, and soon faced the dilemma of growth. One was to live according to the wishes of others. For this bamboo girl, in addition to the parents' wishes, there is also God's will and fate ; The other is to live with your own ideas and experience the growth of adults in the sense of "discovering yourself". Anyway, she must go forward, and the carefree happy time is no longer back. There is only one "bird bug hundreds beasts, grass trees and flowers" in her mouth. Children's election.

Some people say that good girls go to heaven, and bad girls go to the Quartet. Staying with eyebrows and teeth to be princess, it still escapes immediately. This choice is of great significance, so that the moment of this choice is best to be delayed infinitely. Those who can't stay and can't escape, stuck when they grow up without growing up, like some girls' ghosts, hovering at the entrance of heaven or hell, slowly becoming the Bel Adilli in Dan Ding's pen. Si, eternal wandering is also a guidance. They are Matlida in "This Killer's Not Too Cold", Catherine Eros in "The Villa" in "The Villa", Matti Rose in "Thunder", "Lover" Jane ... "Is life in life? Only childhood is so painful? "" Oh no, so always. "Not only that ...

Hui Ye Ji wanted to escape from the palace of Kyoto twice. On the night of the adult gift banquet, she was irritated by the guest's rudeness and suddenly jumped. To the homeland. This is the most amazing scene in the entire movie. From the previous meticulous realism, the picture converts to abstract freehand. The color, lines, and blocks are sharply moved. The unique rhythm and rhythm of ink powder are short The performance in a few minutes, not only showing the speed of girl madness and running, but also expressing strong criticism and subversion of the existing world. When she returned to the mountains, she found that things were wrong, and her homeland had long been in the past, and her childhood partners did not know. Wake up.

The second escape was in the season when she rejected all the proposalists, and returned to the mountain forest that had recovered in all things. This time, she is much more mature than in the past. Looking at the nature she loves, she has understood that the world is not speaking. Among them, there are four seasons rotation and recurring. She met the young man who had once made a good bamboo horse and expressed his wish to him. The two ran freely together and soared in the sky. Finally, the young man replaced Hui Yeji to wake up from his dream and found that his wife and children stood beside him. The painting and music of this paragraph are full of dreamy and beautiful feelings, and also depict the ideal of the girl full of overflowing minds to the extreme.

"I don't want to sleep, and I don't want to die. I just think of the grassland of the sky."

One of Hollywood in the 1960s, one of the most popular films in the 1960s, "Tiffany Breakfast". In the original novel, the heroine Holly often hummed the lyrics above.

"Tiffany Breakfast" stills

In the movie, Holly neither walked the Quartet nor to heaven. Instead, she got the reunion of the world. The last scene "Love in the Rain" did not know how many tears had purified. In the original novel, Holly was a wanderer of Bo Miaya. When she appeared in the home of the small farm in Texas, she was only fourteen years old. The farm owner adopted her, worshiped her life, and regarded her husband, but she fled the home and wandered to New York, and New York was not the end of her life. From the eyes of the male protagonist, there is always a style of Holly's residence that is ready to go out at any time. Everything is packaged in the box, and her business card is also printed with "in the trip." Holly in the novel really disappeared into the vast sea of ​​people. It is said that someone saw her in the African jungle. Holly is a typical swimming soul of "living elsewhere". New York is not where romantic love is, but a place where survival, wandering, and finding herself. For young people, urban machines are full of humiliation, risks, and sin. The girl has a young and fearless, natural grace and vitality to deal with these humiliation, risks and sins, forming her unique free and unruly. Carfot said that he was not satisfied with Hepburn as Hepburn, but Hepburn's face, just like the face of Kaobao that Roland Bart once analyzed, has its own symbolic significance, let alone she wore several in the movie several in the movie. The fashion and dress sponsored by Ji Fanxi belongs to the front -line luxury goods of the capitalist market. When we laughed at the fashion show of the red men and green women in the Chinese TV series, think about how Hollywood spares no effort to make a rebellious country wild girl, which becomes an idol -level star image -Hepburn played Hepburn, her appearance, her appearance, Clothing and clothing are more like an important part of urban machines, deeply embedded in its body, adding a street scene to the city. This seems to be writing his destiny for the girls who want to go freely and freely, that is, the ultimate Buljacia of Bohemia.

Hepburn also played another classic girl image, Natasha in "War and Peace".

Stills of "War and Peace"

Natasha also came to the world with a golden spoon like Hui Yeji. She has an unusually beautiful talent, not only beauty, but also sensitive, simple, enthusiastic and unrestrained than ordinary people. This nature can affect all the people around. Once she was in the peasant's house, and the infection of their musical instruments also danced. First, the standard French court dance, the more she dances, and finally it becomes a folk dance in Russia. It shows the high degree of integration in her bones and the land. In the "War and Peace" directed by Soviet director Bonadarchuk, the performance of actress Lydmila Savidaeva, which was wonderful, reproduced this "Natasha dance". Natasha is not only a beautiful noble girl, but also a elves of nature and land, and deeply falling in love with her, but also the two heroes who have a strong boredom and doubt about the noble life: Ande Duke of Lie and Perl. In fact, Natasha, like the two of them, is ready to give up everything out of the door for her inner life, but Andre and Peier can choose to use the battlefield on the battlefield regardless of everything, or from the battlefield regardless of the battlefield, or disregard the battlefield. Leaving, and the choice of noble girls is really limited, it is not as good as the rural girl.

Natasha waited for the return of Duke Andre, waiting for a year, and when she was about to wait for her lover she wanted to think about, she was suddenly wrapped in a huge temptation and decided to work with the Playboy Anatoli Reliers Anatoli Elopement, in exchange for the most painful and shame in her life.

I have never had the urge to run and roam, so I ca n’t go back to the sky in the sky. My wild girls are so.

Postscript (excerpts)

This book is about women, images and stories.

My original intention is not to write a female movie history, nor is it just discussing female movies or female art. On the contrary, I want to break the concept of sufficient self -discipline of art works, and return to the meaning of their origin, that is, the image art mapper The realistic situation and further discuss the association. I think there is nothing to stimulate this discussion than gender issues. On the one hand, the topic of women and gender continues to ferment in the political and social fields in the field of politics and social. On the other hand, the level of film and television drama works is different from the performance of women's performance. It is even difficult for us to define the next definition of female movies or female art. No one thinks that only the works of female artists are women, because this has fallen into the fixed framework of the so -called "women's field". In fact, As I mentioned in the book, the expression of the male author's expression of women often surpass our essential understanding of the author's gender, even if these authors are not all models of gender politics.

So, should it be used to specify women's art with the subject matter and content? Is it a female work that tells the story of a woman? This is also an excessive narrow understanding. Forcing women as the protagonist does not change the marginality of women in real life, but will lead to a type of type of consumption. Women's social status and their secondary status in novels, movies and dramas. If they are consistent, it is very natural and real. This does not mean that the secondary characters and the story line do not have much future. On the contrary, the interpretation space they leave may be greater. This can be found in countless precedents in art criticism from ancient times to the present. "She" stills

Therefore, it is even more impossible for me to limit my writing to the prescribed women's movies, but to penetrate the layout of these images as much as possible to salvage and reconcile them.目前我找到的主要方法，是女性形象分析，电影在这方面有天然的优势，任何一部电影都离不开形象，电影中的形象除了源自剧本的人物塑造外，更通过演员的形体、 The appearance and performance have a direct effect on the sensory. The image of the protagonist has attracted most of the attention of the audience, and even if the role that is not important is also shaped by a living person, and also has the overallness and ductility of all people, which can give us endless imagination. The excellent actor organically connects one movie with another movie. The greater her plasticity, the more secretly connecting these movies. People are usually called actors. Narrative. I watched Isabel Yu Pell in "She", Merrier Starip in "Women's Political Trums", or Hao Lei in "Spring Tide", and will feel that these actors have once performed performances. There are many examples such as participating in her current role to varying degrees. In this sense, the female image in the image produces a wonderful penetration.

It is true that the image of a female is an ancient topic, and it has never received excessive attention as today. In the era when visual communication overwhelms other ways of communication, the image has become the starting point of commercial value, but the image is not only visually visual. It also contains all the settings of personality and characters, so it contains a series of life ethics and many colorful stories. I hope to interpret the full life of women from all these images, rather than listening to them. Try to "face value" and other words.

From the order of "girl", "professional women", "mother", "mad woman", readers can read a little about women's growth. Of course, this is just a very rough clue. If you want to draw a full image for a woman, this is not enough. There is a continuous writing plan in my mind. Now this plan has been handed over to the future. Readers should still feel that what I am really interested in is the real situation of reorganizing women from the art fiction of video works. And when you read a little book, you will know that "real" is never the things that are placed there, nor the things made by information and media. People will never know their truth, this is the meaning of artistic works. Our concept has created truth and distorted the truth, and the film is the best manifestation of this manufacturing and distorted process.

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Author: Zhang Pingjin

Edit: Zhou Yiqian

Editor in charge: Zhu Zilong

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