Culture is very 丨 Calligraphy everyone Sun Boxiang: The new day of Xuexue Day is finally wonderful
Author:CCTV News Time:2022.07.04
Wei Beitai, Sun Boxiang, advocated monument, and favored the northern school. He used his unique understanding of the spiritual images of the contemporary people in Wei Bei's book, and brought new inspiration to contemporary monument calligraphy creation. He once said: "There is no accumulation, rare and wonderful chapters, there is no years, it is difficult to have an instant." This is exactly the portrayal of Han Mo in his life. Today's show, walk into the world of Sun Boxiang together.
Although he has entered the year of the puppet, writing is still the center of Sun Boxiang's daily life.
China Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone Sun Boxiang: I love to write Xin Qiji's words or Li Qingzhao's words. The calligraphy is very esoteric. One painting has the truth of being a person. You have to work hard first, and then temperament. Until now, I am 88. Writing is my elderly, and it can be said to be a belief.
Write yourself, and also gives students a one or two. Calligraphy has already become the whole of Sun Boxiang's life.
In 1934, Sun Boxiang was born in an ordinary farmer in Wuqing, Tianjin. When he was a child, his grandfather and father's words taught and cultivated Sun Boxiang's interest in writing brushes.
The Chinese Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone Sun Boxiang: I grew up in the countryside, learned private school, and started to read "Zhao, Qian, Sun, Li", and another "Three Characters", "Thousand Characters" and "University". The private time of the past two or three years did give me the foundation, and I started to describe the red mold.
In 1955, 21 -year -old Sun Boxiang entered the city from the countryside and did a simple job. The leisure of work allows him to have a lot of time to practice calligraphy.
The Chinese Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone Sun Boxiang: At that time, I put a table in the middle of the warehouse, and I wrote for 20 years.
In 20 years, Tang Kai's regular and dignified, making Sun Boxiang intoxicated. Occasionally, a friend gave him a "Shi Ping Gongxiang". Wei Bei Fangxiong, after thousands of years, with a strong mountainous and strong atmosphere, he was so strong that Sun Boxiang shocked it.
The Chinese Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone, Sun Boxiang: Fang's inside must be pens, the round place needs to be lifted, there is a pause, just like the rope skipping rope. What changes my destiny and changes my life, that is, this statue. Wei Bei is a combination of ethnic minorities and Chinese culture. It is jumping. It can be said that sparse horses and unprepared winds can make your spirit completely change.
Since then, Sun Boxiang began to practice statues and cliffs, and he had merged with Wei Bei calligraphy throughout his life. In order to improve his skills, Sun Boxiang also signed up for the calligraphy class organized by Mr. Wang Xuezhong, a teacher of Tianjin University at that time. Sun Boxiang's diligence and talent made the painter Wang Xuezhong very appreciated and collected as a disciple of the room.
Sun Boxiang, the winner of the Chinese Calligraphy Calligraphy Pavilion Award for Lifetime Achievement Award: At the age of 40, he wrote Wei Bei in Professor Wang Xuezhong. He asked me even higher. He told me to write Wei Bei as an iron cast by steel, which laid the foundation at that time.
Kang Youwei summarized ten advantages for the Northern Wei Dynasty calligraphy. Among them, the "brushwork jumping", "meaningfulness", and "structural Tiancheng" are the most important thing, which is the spirit of Wei Bei calligraphy. Sun Boxiang grabbed these three essence points. After tens of thousands of monuments such as "Zhang Raptors" and "Statue of Shiping Gong" repeatedly, he formed his own unique and unique insights on Wei Bei, creating a calligraphy art image of culprit, ax and knife -cut knife. Essence
China Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone Sun Boxiang: This is square, this is also square. You need to press this stroke, how much you can press, and then take a little more, there are rounds in the square, and the circle is the recipe.
In 1982, Sun Boxiang's "Song of Zhengqi" won the second prize of the first National Young Calligraphy Exhibition. His inscription calligraphy began to attract the attention of the industry and gradually entered the public's horizon.
Zhang Jianhui, vice chairman of the Chinese Calligraphers Association, Zhang Jianhui: He is not only written in one inscription and one post. Here it combines the content of various inscriptions, so it really gives people a refreshing feeling. Special sensation caused by this exhibition.
Sun Boxiang said that he had four teachers in his life: Wang Xuezhong, Sun Qifeng, Shi Kai and Ma Xiao. The first two were his teaching teachers, but the last two were those who criticized him. Shi Kai once pointed out sharply that Sun Boxiang's calligraphy was "small feet women, dare not over the thunder pool." And Ma Xiao, even bluntly stated that Sun Boxiang wrote "the painful Wei Bei". Faced with criticism, Sun Boxiang begged with an open mind.
The Chinese Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone Sun Boxiang: It is like the ancients, but not like the ancients. Finally, I wrote myself, that is, I have me in ancient times, and I have ancient.
After many attempts, Sun Boxiang chose to use the smooth and vividness of the book, which was used in the solemn and solemnity of Wei Bei. The combination of different strokes was complementary. Book writer. Later, Sun Boxiang repeatedly rewritten "Zheng Qi Song".
The Chinese Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone Sun Boxiang: In the end, I rewritten again. I have to be peaceful, not in a hurry. The second skill is the spirit of the Chinese.
Industry insiders commented that Sun Boxiang's biggest contribution to Chinese contemporary calligraphy was to make a very vivid summary and vivid description of Wei Bei's pen. Sun Boxiang once said that the horizontal strokes must be written as Cangsong in the Daxinganling, which is full of vitality.
In 2014, Sun Boxiang won the 11th Styling Performance Art Achievement Award of the Chinese Federation of Literature. In 2015, Sun Boxiang was awarded the Lifetime Achievement Award at the Fifth China Calligraphy Pavilion Award. In 2017, the word "Fu" written by Sun Boxiang appeared on the Spring Festival Gala. In his later years, Sun Boxiang insisted on practicing words every day. The difference is that in the artistic realm of calligraphy, he began to pursue "cool" and explore more harmonious and more comfortable natural art expression. Essence In 2021, Sun Boxiang, 87, held the "Xue Day New" calligraphy and painting art exhibition at the Tianjin Art Museum. More than 100 works on display were all his new works in the past two years.
The Chinese Calligraphy Calligraphy Pavilion Award Lifetime Achievement Award winner Calligraphy, everyone, Sun Boxiang: Cool is like saying that the water comes out of the hibiscus, as if (Zhou Dunyi) lotus flowers, the bottom is cool, the sludge is not stained, it is called cool. To achieve truth, goodness and beauty, experts nodded, and the masses applauded. Chinese characters are squares, and the squares are like square squares. It is the same as being a person. It must be justified. It should be based on traditional calligraphy, do Chinese people, and write Chinese characters.
Sun Boxiang described himself that I was an old man. The paintings of calligraphy are revealed by people's character and temperament. When learning books and being a man, we should always maintain a quiet mentality, not to be regarded as fame and fortune. Facing the current situation of "rivers and lakes" and "ugly books", Sun Boxiang hopes that our next generation can learn pure traditional calligraphy from an early age, and understand the beauty of traditional culture, write Chinese characters, and do well in Chinese.
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