Reading | Liu Qingbang: Let the writer open up

Author:Report Time:2022.07.04

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"The Contemporary Scholars' Memories and Thoughts"

Shu Jinyu

Life · Reading · Xinzhi Sanlian Bookstore Publishing

Generally speaking, writers are more sensitive, self -esteem, introverted. Long -term writing has made them get used to entering their hearts, daily to talk to themselves day after day, but not willing to talk to others.

Shu Jinyu's literary interview, from "Speaking, Speaking from the beginning", "Pen as the flag -military writer interview record", "deep dialogue Mao award writer", "deep dialogue Luzhu writer", and the just published "Bone Bone" , Almost including well -known contemporary Chinese writers. Shu Jinyu is also a reporter. Why did she interview so many heavyweight writers? Why is her interview so deep, rich and exciting? I think this is not only because Shu Jinyu's media platforms are higher and stronger, and the key is that Shu Jinyu won the favor and trust of the writer with the attitude of sincerity, respect, humiliation and learning, and the writers opened their hearts to her.

Do n’t think that Shu Jinyu ’s interviews are easy and easy to do. If you do n’t work hard, I would rather believe that it is not easy for Shu Jinyu to make an interview. I also encountered difficulties and even paid a lot of hard work. Every time she visits a writer, she must make her homework in advance and fully prepares. For a minute on the stage, ten years of merit on the stage, this is also applicable to Shu Jinyu. Her first interview "Speaking from the beginning -Shu Jinyu Literature Interview" is to let people "start from the beginning", and she has to read from scratch. Every time I visit a writer, at least she wants to read all the works of that writer again. It should be noted that diligent writers such as Jia Pingwa, their works, etc., have a large amount of work. Shu Jinyu must read them one by one in order to do it in their hearts. I noticed that whether it is "Speaking from the beginning", "Issuing the Banner -Military Writer Interview Record" or "Deep Dialogue Mao Awards Writer", in front of each interview, Shu Jinyu has a "interview notes", notes It is not long, but the words are simple, accurate and powerful, and a little "one sword sealed throat" effect. For example, she remembered Alai, saying that Alai "had a stream of energy." For example, she remembered Jia Pingwa: "Before writing, he has to burn incense, and his devotion to literature keeps him always awe." In a word or a few words, he outlined a writer.

This year, she also organized and published "Bone Bone", which has included Wu Xiaoru, Cao Ying, Tu An, Gao Mang, Qian Gurong and other old gentlemen who admire the academic and literary world. Writing Ma Shitu, Xu Yuanchong and other famous masters. Unlike the style of the interview, in these character biography, I saw the other side of Shu Jinyu. She is a reporter who can do things seriously. She is deeply considerate for these interview objects and the characters in the pen. Mr. Wu Xiaoru was desolate in the late scene, hoping that a child would be around him, and the young and middle -aged students who had a common language would help him organize the old work and complete his attempted desire. Miscellaneous and responsible for the trivial matters that the little nanny who came to work for two hours a day, felt that he "gradually struggled to dying, exhausted and unhappy." "Now, 20 years have passed quietly. I laughed at him with a smile, but turned around but burst into tears." Reading here, I also have a deep sympathy for Mr. Wu Xiaoru. She went to Shanghai East China Hospital to visit the grass: "He is sleeping, and his face is pale and calm. I suddenly had an impulse in my heart. Chinese readers introduced many Soviet -Russian works, from Shawlohoff to Tolstoy. These hands have opened the windows of Russian literature for Chinese readers. " Drinking white wine "—— Shu Jinyu's boldness is true and good -looking.

I think this may be one of the important reasons she can enter the heart of the interview.


Author: Liu Qingbang

Edit: Kim Jiuchao

Editor in charge: Zhu Zilong


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