Autumn Water Hibiscus E restrained -the famous calligrapher Yang Jie

In the history of Chinese calligraphy, although there are not many women, they have never been absent. Especially in contemporary, female scholars have become an important force in today's book world. Many outstanding female scholars have become the object of attention. In 2016, the "China Calligraphy News" organized netizens to vote and select experts, evaluated ten "most influential female scholars in contemporary contemporary", and used a large number of layouts to promote their resumes and calligraphy works, leaving everyone a deep impression on everyone Essence They are: Zhou Huiyi, Qi Guhua, Lin Yan, Chen Xiuqing, Zhang Gaiqin, Song Huiying, Guo Yajun, Sun Xiaoyun, Yang Jie, Luo Yan.

Mr. Yang Jie, as a leader in the calligraphy province of Henan, is named, but she is too low -key and does not want to propagate herself too much. Many people do not know enough about her. She began to study books in the 1970s and started from Tang Kai. She has experienced the years of Bian Bian, who has been grinding ink, and having ink. Passionate to submit awards, just as a day -to -day post -day posting, but all the efforts are endless, and his book skills bloom with the growth of the spirit. It was not until 2015 that she was elected as a director of the seventh session of the Chinese Book Association and the chairman of the Henan Calligraphers Association before entering the public vision.

In the national literary and art circles, a woman is both chairman and chairman of the Provincial Federation of Literature and Art. For a while, her work was amazing, and it was very hot. Faced with the opportunity to obtain fame and fortune in the eyes of others, Mr. Yang Jie was unmoved and always put his energy on improving himself until he was transferred from the post of chairman of the Provincial Federation of Literary and Art Federations to hold his first exhibition.

The exhibition is very sensational. More people are infected by her works. They believe that she has both root traditions and distinctive characteristics and personal styles. It has a positive and positive weather. She is an excellent representative of Central Plains calligraphy.

The famous critic Mr. Li Gangtian said that she was deeply infiltrated by the Central Plains culture, and her poems and articles and calligraphy all had the vastness of the Yellow River, the towering of Song Yue, the high hyperactivity of Yu opera, the round and soft of Tai Chi, the majesty of Wei Bei, the ancient elegance of Zhong Yan Wang Duo's calmness, these characteristics of these Central Plains culture interpreted in Yang Jie's works.

The exhibition from Zhengzhou to Beijing, in the "Weiyang -Yang Jie Calligraphy Works Exhibition" of the Chinese Calligraphers Association, etc. The opening ceremony. During the exhibition, every day, people are crowded, rubbing their shoulders, and they are raised. Many people think that Mr. Yang Jie should open the market to borrow the popularity of the exhibition? But what everyone saw was that she tried to raise one million to donate to his alma mater Zhengzhou University Calligraphy College. Then I still read, write, and do what I like.

Mr. Yang Jie has always been low -key and restrained. Xiaobian searched on the Internet to see that she had very few information. Some sporadic materials sent by the media were mostly made by outsiders without interviews and verification. Many of them were inaccurate at all, and even many works were Zhang Guan Li Dai. Xiaobian asked her why she did not often publish first -hand information and share her works? The gentleman smiled and said that he didn't like to be lively. This reminds me of Huang Zunxian's poem "Authentic Qian Qian Jin Jing, Xue Cuo still shocked his disciples. Qiu Shui hibiscus light was restrained, and he waved his head."

Calligraphy is a lonely career. Only when you calm down and have no heart, can you truly enter the best creative state. Recently, Xiaobian was fortunate to see Mr. Yang Jie's new works, which was shocking, the older spicyness, and the rich connotation. Don't be impetuous, don't chase the wind, don't exaggerate. Don't forget your original intention, be indifferent to self -defending, concentrate on book art, and continue to surpass yourself. Books who can treat art so seriously are very rare, and they must be able to make a big difference. Mr. Yang Jie is creating the golden period. We believe that she will definitely get out of her Chinese color on the road of calligraphy. Her works must have a long -term vitality, which is worth studying and discovering. Recently, we will launch works and related comments on Mr. Yang Jie in installments to readers.

About the Author

Yang Jie, seventh -session of the Chinese Calligraphers Association, Deputy Director of the Six and Seventh Women's Calligraphers Committee, Honor Chairman of the Henan Provincial Calligraphers Association, Henan Calligraphers Association, Henan Literature and History Museum, Researcher, Zhengzhou University, A special professor of universities such as the School of Science and Technology of Yellow River. Graduated from the Chinese Department of Zhengzhou University.

Former chairman of Henan Provincial Social Sciences Federation, Chairman of Henan Provincial Federation, Standing Committee Member of the Henan Provincial Political Consultative Conference, Deputy Director of the Henan Provincial CPPCC Education, Culture, Health and Sports Committee, and chairman of the Henan Provincial Book Association.

In the 1970s, he began to study books. His works have participated in important exhibitions at home and abroad and were promoted and published by magazines such as "Chinese Calligraphy" and "New Chinese Digest". Many museums, stele forests, gallery collections, and carved stones at home and abroad. Published "Weiyang -Yang Jie's Calligraphy Collection" and so on.

He has held the "Weiyang -Yang Jie Calligraphy Works Exhibition" co -sponsored by the Chinese Calligraphers Association and other co -sponsored at the China Art Museum. In 2016, it was rated as "the most influential female calligrapher in contemporary contemporary" by the China Calligraphy News.

Source: Mo Lang 墨

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