Traditional craftsmanship is glowing in the time

Traditional craftsmanship is an important carrier to promote the excellent traditional culture of China, and it is also an important starting point for achieving rural revitalization. On June 30, the traditional craftsmanship and cultural industry development forum hosted by the Shandong Provincial Department of Education and hosted by the Shandong Academy of Arts and Crafts were combined and offline. Participating scholars conducted in -depth discussions on topics such as contemporary design and transformation of traditional craftsmanship, the industrial integration mechanism and policy of traditional craftsmanship, and the development of traditional craftsmanship and the integration of multi -cultural integration.

Traditional crafts in folk cultural ecosystems

The folk handicrafts that ordinary people say, including practical craftsmanship and artistic craftsmanship. Understanding folk handicrafts should be observed in the changes in urban and rural cultural exchanges and changes in inside and outside the family. Liu Tieliang, a professor at the School of Arts of Beijing Normal University, believes that folk handicrafts are bridges connecting rural and urban culture, and it is also a link between the emotional exchanges between urban and rural people. Those artists who walk in cities and villages often bring the latest information in the city to the countryside in the performance, and also bring the aesthetic interest of the villages into the city. The cycle between art and culture in urban and rural areas is the cultural exchange practice of urban and rural masses led by artists. The cultural status of urban and rural masses, as a national cultural inheritance and innovation, is manifested in this practice process.

Traditional craftsmanship is a living culture of comprehensive production, life and aesthetics. Pan Lusheng, vice chairman of the Chinese Federation of Literature as the Federation, believes that traditional craftsmanship, as the sidelines of farming production and the partner of the villagers, usually play a guidance role of the dynamic series of various elements of the Chinese map. This guidance is hidden. In the folk cultural ecosystem of local China, traditional craftsmanship and craftsmen have played a role in bond.

Traditional craftsmanship is the identification and cultural support at different stages of the development of Chinese civilization. Zhang Shiyan, a professor at the Confucian Higher Research Institute of Shandong University, believes that the "skills" and "memory" of the people's unity and expansion of traditional craftsmanship have played an important role in the evolution of Chinese civilization. Deepen the research of traditional craftsmanship, it is expected to continue the local academic tradition, build a Chinese discourse system, and resolve the "historical twists and turns" and "cultural entanglement" caused by modern academic implants in the West. Contributions.

Realize development in modern society

In the era of industrial civilization, under the rules of the production organization model of modern enterprises, the industrial chain continued to extend, the division of work continued to refine, and the professional identity of traditional process production subjects continued to be strengthened. In addition, factors such as the extraction of traditional craftsmanship and the lack of craftsmanship have made the production of traditional craftsmanship. How to achieve the inheritance and development of traditional handicrafts in the soil of modern society has triggers the academic community.

Creative transformation and innovative development are a very important strategic orientation. According to Xu Ping, a professor at the School of Design of the Central Academy of Fine Arts, inheritance and development of traditional craftsmanship must not only focus on discovering the traditional cultural heritage of handicraft craftsmanship, but also to pay attention to creative transformation and innovative development. Many successful cases in traditional craftsmanship show that the combination of traditional handicrafts and modern life ontology can return craftsmanship to real life and realize natural inheritance; help transition to life scenes into art carriers, so as to realize artistic life and life Artistic.

Different contemporary handicraft fields are still active in the "big country craftsman". Wu Wenxin, vice chairman of the Chinese Folk Literary and Artists Association, is the first batch of national intangible cultural heritage blue printing and dyeing techniques. He said that through the continuous innovation of artisticness, the blessing of the brand, and the cross -border interaction of the blue printing cloth, it develops the road of cultural heritage and modern transformation.

The developed media communication provides a broad platform for traditional craftsmanship into modern life. New industries such as handicraft industry integration and cultural and creative IP development are the representatives of better development. In this regard, the dean of the Peking University Cultural Industry Research Institute proposed that the traditional handicraft innovation model must have a sense of industrial chain, activate the internal cultural transformation to creative capital, and the combination of hard innovation and soft innovation forms ingenious innovation. The literary connotation of ability, value symbiosis, and adhere to the craftsmanship. In the development of cultural and creative development, we must pay special attention to values, activate local things, and realize the symbiosis of value.

Based on the new phenomenon of "handmade manufacturing" that is currently popular, Hangjian, a professor of Chinese Academy of Fine Arts, put forward the idea of ​​"practical craftsmanship". The elements of this idea include: let "craftsmanship" return to individual; establish a scientific theoretical system, and then return to "practice" from "theory"; clarify the relationship between "localization" and "locality", explore the daily life of the public Essence

Discover the contemporary value of traditional craftsmanship

Traditional craftsmanship includes the economic and industrial functions of national traditional creative wisdom, aesthetic art, technical capabilities, and ethical concepts, and has the connotation of agriculture, industry and information economy. "The essence of craftsmanship is through the interaction of people and things, build significance, carry tradition, and shape civilization." Zhang Shiyan believes that in the future, it is urgent to improve the social service capabilities of traditional craftsmanship, explore and connect rural revitalization, non -heritage protection and other countries major countries major countries such as major countries such as major countries such as non -heritage protection. Strategic practical path.

Liu Tieliang proposed that in the era of the Great Industry, people were tired of the homogeneity of process production, and handicrafts were given deep nostalgic significance and obtained a new cultural market. It takes the cultural and emotional communication effect of craftsmanship as the core, and is an important path to discover the contemporary value of the traditional craft industry.

Traditional craftsmanship empowering rural revitalization has become the focus of the current focus. Pan Lusheng proposed that the traditional craftsmanship and rural revitalization should be an organic unified relationship of mutual dependence. Since the implementation of the "Chinese Traditional Craft Revitalization Plan" in 2017, the varieties and techniques of traditional craftsmanship rooted in the vast villages can be continuously discovered, protected and inherited. Traditional craftsmanship has become increasingly important in the process of serving the revitalization of the countryside. effect. In Pan Lusheng's view, we should respect and maintain the field of revitalization of traditional craftsmanship to serve rural revitalization. It is necessary to use appropriate policies and systems to ensure the comprehensive development of traditional process production and promote the in -depth implementation of the strategy of rural revitalization. The foundation of policy formulation is to be in the village life, respect the reality of the countryside, and look at the countryside from the perspective of villagers. Incorporating into the local life, we must go to the rough and fine, give play to the role of aesthetic creation to create a sense of cultivation, and awaken and cultivate the cultural consciousness and civilization of the villagers; promote the revitalization of traditional craftsmanship into the village's revitalization. The production of the production of daily necessities to the creation of modern life, from the pots and bowls of rural markets to the "Chinese hand -made" of exports to export and export, realize the prosperity of traditional craftsmanship and rural development.

Source: China Social Science Network-Journal of Social Sciences of China

Author: Zhang Qingli Zhang Jie Li Xiaoxiao

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