Tiger print

□ Jie Dehui

Printmaker Chen Guohu, a famous tiger, was born in Lingkou Town, Linxian. The colorful humanistic landscape and natural landscape of the ancient town of Yantou, the endless charm of the story and customs of the Jin merchants, the ancient streets, ancient shops, ancient docks, ancient villages, the shocking scrolls of the Yellow River Baili Gallery, antique Li Li Jiashan and Xiwan residential buildings have become the source of the incomparable creation of his prints.

The Jinsui version has a deep historical and cultural heritage, and has experienced the evolution process from rough to delicate transformation, from black and white to colored woodcuts. As the leader of China's emerging prints, Lu Xun once described the woodcut prints: "A pair of iron pens and a few wooden boards", which can develop "vigorous", and can also be "one version and more, far away." The famous woodcut printmakers include Niuwen and Litu. They are the example of Huizi to learn inheritance prints.

Reading tiger prints. From the perspective of a single creation, its constituent elements, types, layout design and color are more particular, and it can fully display the artistic value of loess style and caves. From a practical point of view, it is extremely decorative, and its special sword charm makes the love of collectors at home and abroad. The out -of -print colored woodcut is a new trend in the creation of Huzi. It has expanded the scope of prints with its own production techniques, especially in the performance of traditional kiln cave settlements. The expression of the art form of woodcuts has exceeded the effect of general oil paintings and Chinese paintings. Some painters evaluated the creative procedures and aesthetic consciousness of the "Hippling Scroll" have been greatly broken.

The masterpiece of Huzi prints, "The Lauret of the Houkou Set", from the Grand Supreme Courtyard to the kiln cave site, from the Black Dragon Temple to the ancient pier to express the changes in the artistic emotion and emotions of the author in the colored woodcut prints. The temple and the Jinshang terminal culture, the color is highlighting, the layers are clear, and the effects and texture of the prints are very practical and ornamental, which enhances people's understanding of the long history and Yellow River style of the ancient town of Laou.

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