[History and Culture] Li Shiyuan's drama life ‖ Qian Xia

Li Shiyuan's drama life

Shallow summer

In 1795, in the sixty years of Qianlong, Li Shiyuan was 61 years old. At this time, he was far away from the officialdom for 12 years. Luojiang's pastoral landscape and township style were the place where he was settled in his later years. This year, the sixteen volumes of "Yucun Poetry" was completed. He sent this poem to Yuan Mei with the previous poem collection "Complete Works of Tongshan" and attached a book "Mr. Yuan Zicai" to express his life for this life. I have never met, but I have a long time -consciousness who has been in the long -term poetry and gods: "Mr. Living in Jinling, living in Mianzhou, his place is more than 10,000 miles away. Shuang ', Mr. "Sui Garden Poetry", and "Yucun Poetry", unliked each other, and Xianghe. "Yuan Mei replied:" Read the "Complete Works of Tongshan", which is full of it. . "The same is the four sons of Qianlong, and Li Shiyuan was so promised that he was so pleased. However, the joy of this year should start from the first month.

Statue of Li Tiayuan (Picture Source: Mianyang Travel)

Happy Spring Tour

The Spring Festival of this year should also be a very happy year in Li Shiyuan's life. After Li Shiyuan refused to return to his hometown since Qianlong's fifty years, he woke up at home to hold a drama class, compiled and directed, entertaining and entertaining, and he also took his own family's team to come to various years. Relatives' performances and even performed nearby rural performances. In the spring of this year, Li Shiyuan's family drama class has formed ten years, but this year has achieved new achievements. "On the day of the people, the family music is the beginning", in fact, outside the Kunqu team formed ten years ago, the new team of singing high, playing, and Hu Qin's "Flower Department" can be performed on the stage. As a result, throughout the spring, the Li family's opera class began to tour.

New Year's Eve and the first day, naturally performed at home. On the second day, Li Tiayuan came to his sister Li Xiaolan's family for the holiday. The sister married the Cao family, and the young man was killed. Li Shiyuan and this sister have a poem since they were young. They were very emotional and often exchanged. Li Shiyuan wrote a poem:

This year's spring is superior, and the gongs and drums are lonely. Gao Qin's house was cow's preserved, and Cao Gu's house ate pork waist. Everyone is warm when the sun is warm, and the bird encounters Tian Qingpei. My sister will pay sixty next year, and the orchestra will be pre -pre -pre -pre -shaped.

The sister will be sixty next year. Li Shiyuan Titt will come to the New Year with the drama team. The Drummons knocked all the way, breaking the loneliness of the mountain village. Gao Qin Cao's family warmly welcomed, entertaining love, and the preserved cattle and pork waist came out. The performance of the home class was more festive and lively, and even the birds were noisy.

On the sixth day of the sixth day, the Li family's drama team came to the home of the in -laws of the in -laws, who was the younger brother's brother (Jiu Yan), and went to Hecun to watch the lamp with He Jiuli.

Without the Lantern Festival, the citizen of the Lantern Festival is even more glad to meet. Although there are no BMW incense cars, they all take the mountain apes and wild cranes. Winning the spring plate first, stealing the shoulders with a young age. Some people are legendary in the Ming Dynasty that the two poems are old. ("On the sixth day, He Jiujiu, He Jiuli, Hecun Village View Lights")

Lantern drama began in the village of the Lantern Festival, you can hear the noisy gongs and drums on the road, melodious orchestral, and go to watch with the "crazy friends" with the same hobbies. Essence Although there are no BMW incense cars in the city, the villagers actually led ape to watch the drama. The spring plate in the poem is similar to today's spring rolls. Spring cakes and lettuce are installed, which is the spring plate. Folklores can go to spring to sleep. This kind of new taste is also called "bite spring". In rural drama performances, the investors or local guests are provided with spring disks. They are sent at the theater and come first. After Li Shiyuan and He Jiuli, the two old men won the spring after winning the spring. The two also knew that they were celebrities. If the host saw that he would invite each other, he greeted him specifically. In order not to disturb everyone to watch the drama, he secretly appreciated and watched in the teenager who watched the shoulder. However, some people also hope that someone will see the passing tomorrow, a real celebrity's self -romantic madness.

Peking opera performance during the Qing Dynasty

On the seventh day, the real elegance came. Li Shiyuan also took He Jiuyi and carried the newly formed family to go to Lu Jianlin's house to perform "Red Plum" under the red plum tree of the Lu family. Lu Jianlin's family has a big red plum that two people siege. One tree is divided into two colors. Every year in spring, it is white and red, and it is rotten. Lu Jianlin once gave two books to Li Tiayuan, and his Hongmei Book House was named. On the same day, the owner was under the wine and listened to the legend of the red plum.

One kind of spring breeze is colorful, and the color is colorful. The shallow and deep dyeing river snow, from the distance and the clouds on the clouds. People lean on the same laughter, and Tianjiao Yiyuan enters Fangqun. When the red plum song is played, you must be considered to be heard. In

The red plum blossom rewarding "Red Plum" is indeed a first -class literati. After that, the Chinese officials of Shu heard about this, and they made poetry and no less than a hundred people. Li Shiyuan also wrote eight poems. Lu Jianlin brought together "Red Plum Singing and Collection" and formed the Red Poetry Society.

"Red Plum" was written by Zhou Chaojun, a famous opera master of the Ming Dynasty. The scholar Pei Yutou traveled to the West Lake, and the servant Li Hui Niang, who was in power, praised Pei Huisheng, and praised him to kill Jia Sidao. The daughter of the chief soldier Lu Zhaoyong looked at the building and looked at it. Jia Sidao saw Zhao Rong's beauty, and wanted to be strong. Pei Shengquan charged the son -in -law of Lu's family and refused to marry in Jiafu. Jia Sidao detained Pei Sheng in the secret room. Hui Niang's ghost had to meet with Pei Sheng, saved Pei Sheng from danger, and cherished Jia Xiangdao's brutal. Later, Jia Xiangdao defeated Xiangyang. The later Peking Opera "Li Hui Niang" was adapted accordingly. "Red Plum" is one of the "Four Big Books" of the traditional drama of Sichuan opera. The third is "Golden Seal", "Pipa" and "Ban Chao". After 400 years, it has been enduring. Essence Kunqu "Red Plum" stills

After the first month, Li Shiyuan's footsteps did not stop:

Therefore, friends have carried respect, and a lot of Buddha listened to Sheng song. The guests in the mountains went to see the mother, and the people in the river came to the mother. The monks of the ancient temple are rare and loose leaves, and there are many skin cane in the scene. In less than ten years, he has not been in the group dam. ("On February 3rd to the group dam, the group dam in Meng Shi, Sanzhang, Sanzhang Mountain Find Medicine, and did not meet Ye Zanzhitian Mao Dian Mao Dian Chunxiu to invite to the bottom of Ziyi Palace to watch the drama."

From this long poem name, you can know that he visited a friend named Meng Shisan in the group dam (now Wenxing Town) that day. I met the two talents of Ye Zanzhi and Mao Dianzheng. The two solemnly invited him to the Ziyong Palace to watch the drama, and also bought the natives of the villagers, which are commonly known as the assassin, that is, the bass to entertain the guests. The poem is very interesting in the poem, and the temples in the towns and towns are also a place for the people at the time. The ancient temple is usually left out, but because of the play in the scene, there are many people watching the scene, and even "there are many people who disperse cane." The temple borrows as a theater, respects the entertainment, and is cheap twice. In this poem, Li Shiyuan also specifically noted the "cane skin": Sugar cane winter cellar in spring, children and women are particularly happy, and the theater is very good. In the winter and spring season, in the Sichuan scenes, bookstores, etc., women and children like to eat sugar cane while watching, and even the skin and slag of sugar cane are all over the place. This situation can be a unique folk customs in Sichuan. exist.

For a generation of celebrities who have been promoted by Qianlong as the officials of the officials and the Guangdong school, Li Shiyuan, who is the most old, releases the movement of free and free in this spring.

Do not go to the academy love pear garden

It was also in this year. When his friends in his youth had been in charge of the Chengdu Jinjiang Academy for more than ten years, Jiang Xizheng recommended Li Tiayuan to lecture on Jinjiang Academy in the previous year, Li Tiayuan wrote two poems:

Yoshishan Ape was willing to accept it, and only Yilin went down to travel. He never lived in a letter in his life. In the case, there are two Sheng Ge frogs, and it is difficult to leave the slave oranges. The poem is sent to Jiang Muzi, and the sick horse is not whipped today.

Fu Fan was painted with Zhu Man, and the same year was light. Whoever has the tent and the music, willing to love Jiao for the sake. Can you sit up from time to time? Laolai is more warm, only to recognize the Song Dynasty. ("Sending Jiang Tae Shire often persuaded Yu to talk about the poems of Jinjiang Academy")

Jiang Xizheng (characteristic) is a native of Neijiang. He was studying in Jinjiang Academy in his 20s in his 20s. Li Shiyuan did not take a long time in the academy, only a year before and after. But that year, there were 6 people in the academy at the same time. Jiang Xizheng was the teacher of Prince Jiaqing, and he was very taught, and he was interested in Li Tiayuan. In his later years, he witnessed the drama of Li Tiayuan, that is, he persuaded him to talk about the academy in the academy outside the opera and dancing entertainment, but at this time Li Shiyuan had completely let go of the worldly name.

Looking back on his father, he studied in Shuzhong and Jiangsu and Zhejiang in Shuzhong and Jiangsu and Zhejiang. At the age of 18, he tried to show the first talent in the state. At the age of 22, he went to Beijing at the age of 29 to try the second. Emperor Qianlong's patrons and privileges favored, clean and honest, known as "iron officer". The 43 -year -old Emperor Qianlong ordered the officials of the official department to be promoted to Guangdong to study politics. Before leaving, he summoned Qianlong. He repeatedly encouraged him to return to Beijing at the age of 47. The officials of the officials are reputation. Because of this, it is common to be jealous. In the second year, a "Siku Quanshu" was escorted to Shengjing (now Shenyang). Later, friends were rescued, recalled from exile, returned to their original status, and cut their duties as the people. This eunuch storm made the talented talent and Hanlin of Shu. Someone advised him to try to reinstate, and he replied with Dongpo Shi Yong: "Then he went from Luoshe's official, and he still lived for 20 years."

The aspirations have not been paid, and they have to be framed to go home, and the mood of being unwilling and unwilling to retreat eventually turned into the splash of the drama stage. As for the academy lecture, the muddy water in the provincial government is inevitable. The two poems of Li Shiyuan's writing were chic, and they also revealed the old astringent. First of all, I have been used as a leisurely free and free, and I have never lectured and taught in my life. Besides, life is not bad now, there are both songs and dances and countryside. In the letter of Jiang Xizheng's invitation, there was the ridicule and admonition of "singing and listening to the book".

Deyang City Li Shiyuan Reading Table (Picture Source: Deyang Published)

Li Shiyuan's love for the drama can start with the phrase "Fu Fan Tu Zhu Man's face, and the same year. When he was young, he was studying with Jiang Xizheng and others in Jinjiang Academy. Li Tiayuan often dressed himself, and he might also appear in person. He was outstanding among the students. When I entered Beijing as an official, I often watched the show with my friends and colleagues. After the middle -aged hiddenness, he was enjoying the drama. As early as in Guangdong's academic duty, Li Tiayuan completed the two theoretical monographs of "Yucun Qu" and "Yucun Drama". After returning to the original status, Li Tiayuan was built in Xingyuan in the second year of Xingyuan to teach teachers and practice themselves. In his "Mr. Si Gui Biography", he said: "Gu Xing Xisi, you can't live in silence, but also a small order of Gonglefu. There are several children in the family, all teach songs and dances." Miscellaneous thoughts of pastime, and for class songs. "The college's tent does not allow the music dance team. His choice is to carry music and Aijiao. He is afraid of the wind and rain. He only hopes to reunite with his family and enjoy warmth. If you come to teach, I am afraid that students will be considered to be beautiful and beautiful in the Spring and Autumn Period. Li Shiyuan's sarcasm with the "Song Dynasty" of the Jinjiang Academy's lecture was his usual romance. But from the joy of that spring, it can be seen that Li Tiayuan is not a drama. He has already regarded drama as knowledge and career, and it is not just a pastime of song and dance.

From the other two "Errying Equipment", we can further see the summary of Li Shiyuan's life in his drama:

Laughing at Qingshanqu has not ended, he watched the fisherman leisurely; returned to sit in Liyuan, and it was always empty to see the prosperity. His career resembles Li Yan, and he lives in Du Yanzhong. The habit is not eliminated, and he has knocked on the Tan board class.

Sichuan Kunfeng Timing snow

Li Shiyuan was in Sichuan, and later learned to travel to Jiangsu and Zhejiang with his father. This is the birthplace of Kunqu. Later in Beijing for many years, the Beijing cavity prevailed, and twice from Beijing to Guangdong, the Guangdong style Nanqu has also been heard. After returning to the country, you can rehearse the family music class, which can be regarded as a drama with both theoretical and practice. He was very familiar with the various dramas and accents that were popular at the time, and recorded, verified, and discussing it was his interest in his childhood. "Yucun Qu" and "Yucun Drama" are Li Tiayuan's most valuable drama theory monograph. "Qu Wan" is mainly based on the previous discussion of the records, and may be attached. The first volume mainly quoted the famous sentences of the Yuan song, and the achievements of their words and rhythm styles were reviewed; "Drama" talks about the drama system, and the next volume has verified the story of the opera. Among them, the records and discussions of Sichuan opera voices can be said to be the most historic and theoretical value.

The initial singing of the drama class in Li Tiayuan's family was Kunqu opera. His "Opera" said: "The world is nothing more than a drama. Xiaozhong can see the big, and this is also expected to cultivate. "" There are Wu County Zou Zou Zhongzhong, the overseas Chinese live in Chengdu, good at Kunqu, extended to the home, and teach Xiao Ling. " Extending to the home, guiding the children in Sichuan in the book at home, both reading and learning Kunqu. At that time, there were two flowers and elegances in the drama. The elegance refers to the Kunshan cavity, while the flower parts were other vocal forms such as Puyang cavity, stick cavity, Jingqiang, and Qin cavity. At that time, it was also called chaos. In the middle and late Ming Dynasty, after the improvement of Wei Liangfu, the Kunqiang was elegant and washed away. It was popular in the circle of Jiangsu and Zhejiang's literati. Later, due to the influence of the stars, such as Anxian, Shifang, Mianzhu, Mianzhou, etc.

In the poems written by Li Tiantuan to Jiang Xizheng's resignation academy, it is clear that "there are two Sheng Ge frogs." The ancients used frogs to refer to the music class. Li Shiyuan's "two frogs" were not virtual. His original "gentleman's real Su produced, his disciples did all the Chuan children", and he sang Kunqu Ya. The spring of Qianlong's sixty years of "Jiale's first success" was the time when Li Tiayuan's flower department's class was officially debuted. After the second day of the second day, after the sister's house was hot, the premiere was the grand event of "Red Plum Plum under the Red Plum Tree" on the seventh day. "Red Plum" is a famous drama of Sichuan opera. In the play, "Picking Red Plum", "Youhui", "Putting Pei" and "Injection" are all excellent Sichuan opera traditional folding dramas. From the special performance of Kunzan opera to Kun, Gao, Hu, Bouncing, Lantern, Li Hanlin's opera class to meet the requirements of the times and the needs of the masses. "Wind Tuck Snow" big drama team. "Wind Tiexue" is a unique term of Sichuan opera, that is, five types of vocal cavity of high cavity, Kunqiang, Huqin, played drama, and lamp play are collected in one shift or a performance form.

Interestingly, from the day of the second day of the first month of the first month, it is not difficult to see that the Hanlin family ’s gongs and drums are tapped all the way. "The pure Kun cavity. During the Qianlong period of Li Tiayuan, due to the preferences of the emperor, he promoted opera up and down. Sichuan folk social opera was in full swing. During the temple fairy fairy faires, counties and towns performed thousands of repertoires. This is an inevitable trend of the evolution of Sichuan Kun.

Wild Fox Church Lord Hanlin Opera

In the history of Sichuan opera development, there is a role of colorful art and rolling up in the Beijing drama. This is Jinsheng Wei Changsheng, who has made a significant contribution to the development of Sichuan opera and Sichuan opera. Li Tiayuan, who is a native of Sichuan, must not be noticed and pays special attention. Wei Changsheng, the word Wan Qing, was called Wei San. He was born in the ninth year of Qianlong (1744). He died in the seventh year of Jiaqing (1802). He was 10 years younger than Li Shiyuan. The two died at the same time. For three hours of Wei, because of his poor family, he became an apprentice, and then went to Shaanxi to study the Qinqiang of Shaanxi with the Qin cavity. Before learning the arts back to Sichuan, it is said that he had performed in the Jiangnan area with him, and was exposed to the blowing and emblem of the Shengyang Shengqiang System. Wei San entered Beijing for the first time in the thirty -five years of Qianlong. He was 26 years old. At that time, the Beijing Banban was extremely prosperous. In the 39th year of Qianlong, at the age of 31 that year, he entered Beijing again and began to emerge, but the reason why he did not continue the performance was unknown. Some people said that the enemy was framed.

Wei Changsheng statue

Wei San was really appreciated by everyone, and the popularity began in the forty -four years of Qianlong at the age of 36. He entered Beijing for the first time. Although he was unsuccessful, he knew about the advantages and disadvantages of the accent and the interests of the audience. After he returned to Sichuan, he had a innovation with the Sichuan opera artist and used the Qin Qin cavity to use Huqin in the Qin Qin cavity. The coincidence of silk bamboo forms a unique Sichuan Qin cavity. This kind of Qinqiang and Huqin drama have similarities, which means that although Wei Changsheng sang as Qinqiang, it has changed a lot from the Qinqiang of Shaanxi from Sichuan. Wei is a Jin Tang people, close to Chengdu, and his vocals are closer to the Sichuan opera barrier.

Beijing Jingzhong Temple Qing Dynasty murals stage

In the forty -four years of Qianlong (1779), Wei Changsheng led his apprentice to Beijing to perform with the "double celebration class". At that time, there were also Qinqiang opera classes in Beijing, but they were not appreciated by the audience, and Wei Changsheng's Chuan Qin cavity walked in the Red Beijing Division. "Yan Lan's Spectrum" says: "There are many high accent in Beijing, since Wei three changes to the cricket cavity, as the sound of the permanent." The big team is reduced. "" The princes are valuable, and even the word Yuan Fan Department has thousands of entanglement. I do n’t know the three Wei of Wei for a while. ”Wei Changsheng sang the repertoire for men and women. During the performance, men are dressed as women, and they are charming. His Hua Dan opera is delicate and easy to understand, and his words are easy to understand. He used the male dan, and was dressed as a corner of the corner. He changed the Baotou to the head of the water and patching, creating the stilts, and showed the women's graceful figure. These techniques have been used on the stage now.

In the forty -seven years of Qianlong (1782), the government finally banned Wei San's double celebration class with "obscene demon evil". "Generally, the two cavities of Kun and Xun, as unwilling, listen to them to seek another physiology. If those who do not follow the evils, hand in the yamen to check the punishment and resolve the return." This year, with Li Tiayuan's The stains are almost the same at the same time. Since then, Wei San has moved to Rongzhou and other places.

Investigating Li Tiayuan's whereabouts and experiences, his first meeting with Wei Changsheng should be between the 46th and forty -seventh years of Qianlong, when he returned from Guangdong to Beijing. For a person who loves drama, Li Tiayuan cannot notice that Wei Changsheng, who is popular in Beijing. Wei Changsheng is extremely enchanting on the stage, but he is quite good in actual life. After becoming popular, he had aimed at the hometown of his hometown in his hometown. When the Shu Shou asked what kind of return he wanted, he only said, "I wish to be a good official in my hometown." At this time, Li Shiyuan and Wei Changsheng met in Beijing. One is a famous actress, and the other is Hanlin, who is talented in the world. The personality is equally bold and easy. At first sight, he became a reasonable thing at the time of his friends.

However, seeing the popularity of the fellow of Sichuan, Li Shiyuan's mood was a little contradictory. In his later "Yucun Poetry", the view and mood of the time was recorded.

Recently, Jingshi Liyuan is dominant. People do not know that there are aunts ... the most, the most old, and the official Chengdu Chen Yinzhi's second official. As soon as "Rolling House" ran away, the younger and scholars were also intoxicated. Other miscellaneous dramas are nothing more than science and prostitution. The six majority of Jingzhong Wangfu, Cuiqing, Dacheng, Yuqing, Yu Qing, and Baohe. Ren Yinqiu, who entered the class in the ban, the wind started ... Yu said that the three figurines of Wei, can be called a wild fox teacher, hurt!

Li Shiyuan believes that Wei Changsheng is the "Yellow Drama" of the "Yellow Drama" of "Koji", which is called the leader of the wild fox. This shows that Li Shiyuan's opera has a strong Confucianism. Later, Wei Changsheng switched to the loyal and loyal enlightenment in the Kunji class of Beijing, such as "Iron Lotus" and "Xianglianzhang", which was as good as old and charm. The drama, the sound is true, it is tearful. Then the fat powder is removed, and Guyou is the children of Liyuan. The effect of the effect should be the first, and then the ears of the owner can be avoided. " It is still very sure, to warn those who can have the real color.

Later, Wei Changsheng and his apprentice Chen Yinguan returned to his original status with the matter, and Li Tiayuan also returned to Tian to Chengdu. After passing Jinsang, Wei San had a book with a book. Li Tiayuan had a poem and evaluated Wei Changsheng:

The guest of the king of the Wei Dynasty was from Yanjing for a long time. Suddenly Jin Guanxin came from Huoshui City. He pushed Wang Baozhan, with the name of the wild fox. The value is expensive, and the paper is not light.

Uncle He Ping, Shi Zhu Zhang Liulang. Life flowers all my life, sitting incense for three days. The fake clouds are greasy, entangled with golden jade. Who is the score of "Yan Lan", the name is the unique hall. Yan Jing met with each other, reunited with the hometown of Huoshui City. Nowadays, the view of the previous recurrence is also a drama in life. Wei San's rays are related to Qianlong forbidden play. Qianlong is a fans, but he is also the originator of the ban on the plays of the Qing Dynasty. In the forty -five years of Qianlong, about 300 dramas were prohibited in the country. The dramas of preaching national emotions, genius and beauty love dramas, water markers, palace dramas, etc. are all in the ban on the ban. The banning order is still being implemented until the early years of Jiaqing. In this regard, Li Shiyuan, who toured in the country in his later years, was also helpless. On the first day of July of the third year of Jiaqing, Li Tiayuan took the Lingling to enter the country in Anxian, but he heard that there was a performance ban in Anxian County, so he wrote two poems:

Yanzi slaughtered Wusheng that year, and the cut chicken could surprise the sage. The preface talked about the scenes, and sent the string song and dance.

In the past, Jiangdong had Xie An, and he also carried Dongshan. He is not Xie Fei, and several Linger is not a class.

In the poem, Li Hanlin said euphemistically that his play was only "string and dancing Taiping", and he was not able to carry Xie An's family, but his performance was just a childlike drama.

Source: Sichuan Provincial Local House Work Office

Author: Qianxia

Supply: Local Chronicle of Jinniu District, Chengdu City

- END -