How to use a color to depict "Guangdong -Hong Kong -Macao Greater Bay Area Literature"?

Core reading

If you use a color to describe the literature of the Guangdong -Hong Kong -Macao Greater Bay Area, I think it should be blue. Blue is the color of the ocean and the color of the sky; blue is a tranquil color and the color of environmental protection; blue is the color of technology and the color of the future; blue is both a realism of geography of the Greater Bay Area, but also a better thing about people. A vision of the future. If there is a "Bay Area Blue", it is not one yuan, but colorful. Following the literature of the Guangdong -Hong Kong -Macao Greater Bay Area, the essence may be overlooking a higher blue.

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The concept of "Guangdong -Hong Kong -Macao Greater Bay Area Literature" (hereinafter referred to as the Greater Bay Area Literature) is the product of the concept of economic planning in the Guangdong -Hong Kong -Macao Greater Bay Area. The concept of literature in the Greater Bay Area contains such presets: the economic prosperity of a regional region is inseparable from the assistance of the identity community concluded by the culture. In a preset sense, a profound and difficult value proposition is proposed to all participants, that is, how literature should take on the task of nation -states that build a community as an imaginary community in the era of globalization. In the era of globalization and global villages, how literature builds a kind of identity of your identity in areas with multiple cultural types and diverse social systems, which may be a deeper mission of this concept.

There are two basic paths to discuss the Greater Bay Area literature: one faces reality and history, and the other is facing the future and possibilities. The so -called reality and history refers to reality and historical combing, cultural summary, and spiritual refining of the literary phenomenon of the space in the Greater Bay Area. This is a kind of idea to work in the face of the stock. It enables the literary phenomena and historical contexts of Guangdong, Hong Kong and Macao to comprehensively review it, so as to make arguments for the same veins of the three places culture, and to integrate the culture of the three places more closely. Find an opportunity. This kind of work is of course necessary, but it does not fundamentally create an increment. Because before the concept of literature in the Greater Bay Area, the reality and history of Guangdong, Hong Kong, and Australia are not without the Greater Bay Area. The future cultural potential of this concept should be wasted. In my opinion, discussing the Greater Bay Area literature cannot ignore its future dimension. The so -called future -oriented and possibility refers to the definition of the Greater Bay Area. It not only focuses on regional historical and culture, but also pays attention to the new quality of the Greater Bay Area in the Greater Bay Area. It will create unprecedented "possibilities" for Chinese contemporary literature. In this way, it is more constructive as an incremental Greater Bay Area literature.

Pay attention to the unique literary experience provided by literature provided by the Guangdong -Hong Kong -Macao Greater Bay Area:

One is the unique "new city literature" experience. The Greater Bay Area is not an ordinary urban agglomeration, but the most high -tech urban agglomeration. Therefore, the urban literature experience contributed by the Greater Bay Area is not traditional urban literature experience, but a new city experience with future nature. Only from the perspective of "New City Literature" to refine the literary experience of the Greater Bay Area can we show its uniqueness. There is a new transformation in contemporary Chinese society and literature. Science and technology make the human life and the value of belief that are faith. Hong Kong is a world -renowned financial center; Shenzhen brings together the most high -tech companies in China, the possibility of new changes in science and technology and human future life. These experiences are not only a topic of human beings in the future, and they are also hot -discussions. It is also the most "Greater Bay Area" literary experience.

The second is the unique Chinese new worker literary experience in the process of high -speed urbanization. As an important part of the Greater Bay Area, Dongguan, Shenzhen, Foshan and other major Pearl River Delta regions have spawned the new workers' literary experience or new immigration literary experience in the rapid development of the New Century. This is the most distinguished Chinese literature experience in the world's vision, which comes from the Greater Bay Area.

The third is the integration experience of Chinese and Western cultural collisions and convergence of Chinese and world literature. The Greater Bay Area must pursue an autonomous culture, but the Greater Bay Area also adheres to an open cultural care. The difference between the Greater Bay Area and other areas is that it is the bridgehead of the collision of Chinese and Western cultures. The natural attributes of the Greater Bay Area are open and created. The Greater Bay Area is a plan for the future and creation, so dare to create the inherent gene of the Greater Bay Area culture in the integration. The Greater Bay Area Literature must be fulfilled by practice. A very important inherent summary is to effectively establish a balance and cycle of self, local and worlds.

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Below will observe the literature of the Guangdong -Hong Kong -Macao Greater Bay Area since the 21st century. The vision and space are limited.

Urban experience is undoubtedly one of the core experiences of literature in the Greater Bay Area, but urban experience is different, and there are multiple faces in the city. In the long feudal society, there have been always the city. This is a city with a root that maintains a city with history, culture and tradition. Another face of the city is the metropolis, but the "new city" as a high -tech giant metropolis is rooted, homogeneous, and landscape. The high -speed transportation network that is staggered and crisscrossed, the ubiquitous mirror skyscraper, the urban white -collar collar with a hurry, and the same makeup and makeup ... This is the similar face of the "new city". The third facial faces of the city are the bottom. Those who enter the city from the countryside are the important components of the modern landscape of China, which cannot be excluded by the city. In my opinion, the city writing of the Greater Bay Area literature is quite interesting to present different cities "inner" and urban imagination. The urban writing of the Greater Bay Area is also integrated. Hong Kong writers Liu Yizheng, Xixi, Huang Biyun, Edison Chen, Dong Qizhang and other generations of writers have great influence on other writers of the Greater Bay Area; interestingly, writers who debuted from mainland China, etc., have also enriched Hong Kong literature from Hong Kong literature. City writing. The city writing of the Greater Bay Area is colorful: the post -modern city writing of Xixi "My City" and "Flying felt" inspired several generations of mainland readers; The spiritual journey and difficulties; Deng Yiguang's "Shenzhen Trilogy" ("Shenzhen in 22O27' -22O52 'in the North Latitude", "You Can Let Lily Growth" and "Shenzhen Blue") imagine the way out in modern castles. The inner secrets of poetics and the literary ethics written by urban writing; although Wei Wei's writing does not have many urban landscapes, she wrote the struggle and dignity in the relationship between men and women in the city. Taking sympathy as the city's injury; Wang William is a new change in the city, a city -targeted, and cities as a writer. Capsule apartments, artificial sky, artificial universe, inverse people, and other people who are alienated to explore the possible fission of future cities; Cai Dong's "Star Book" is both a dilemma of the city and the light of people ... In fact, talk about the Greater Bay District literature requires a dialectical vision that respects the whole and differences. Emphasis on the overall emphasis should not smooth the differences of individuals, and respect for differences does not mean giving up the pursuit of overall viewing.

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Local or Wangxiang is also an important aspect of literature in the Greater Bay Area. The localization is not a lifestyle that is completely eliminated by modernization, and the local area is also an important component of modernity. How anxious is the modern city, how complicated the expression of the countryside is. Xiong Yuqun's "Lianerju" wrote the horror and temptation of "modern" to the villagers, paying attention to the process of "modern" penetration and rewriting of "native", and questioning the spiritual root system in the context of modernity in a routing language. Essence Bao Shi hopes northeast in Guangzhou, and "Northeast Style Sketch" cares for women, weak, and the fate of those who are as slightly like grass and mustard in the history of history. Modernity. Similarly, Zhou Jieru also looked at his hometown in Hong Kong. Write a lot of prose about the diet of your hometown, like the joy of appetite, and the feelings of real hometown. Chen Jiming's "Ping An approval" is both a historical theme and a local theme. Ping An's approval is not only a family book and mailing voucher, but also a token of the spirit of overseas travelers and the spirit of the home country. It is the projection of the Chinese culture to the heart and the subjectiveness. This is a country's country. Houpu's "Drag God" writes the spirit of the Chaoshan ethnic group to the sea and the unparalleled spirit. The spirit of this ethnic group is also an important part of the spirit of the Chinese nation. Houpu summons the spirit of "Dragging God", and has a spirit of summoning the alcoholic spirit of Nietzsche, all of which condense the national soul in modern and contemporary transformation. Chen Chongzheng is also good at local themes. He is accustomed to "planting a fictional land called Banbu Village", forming a aesthetic effect of literary geography and national fable. Its novel "Beauty City" in the front of the country and the lower part of the science fiction. "Beauty City" has become a physical space in the process of modernization in rural modernization in the 1980s to a strong experiencing real game space with a strong experiencing real game. Great thought. This kind of future thinking is by no means accidental. It is the result of life experience in the Greater Bay Area.

If you use a color to describe the literature of the Guangdong -Hong Kong -Macao Greater Bay Area, I think it should be blue. Blue is the color of the ocean and the color of the sky; blue is a tranquil color and the color of environmental protection; blue is the color of technology and the color of the future; blue is both a realism of geography of the Greater Bay Area, but also a better thing about people. A vision of the future. If there is a "Bay Area Blue", it is not one yuan, but colorful. Following the literature of the Guangdong -Hong Kong -Macao Greater Bay Area, the essence may be overlooking a higher blue. For the "Greater Bay Area Literature", my basic view is: in the face of historical research and future writing. For literature, the aesthetic tradition that precipitates in history must be respected, but only the future can create new aesthetics.

Source: Literature and Art News July 2, 2022

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