"Menghua Record": Woman is expensive and self -reliant, what about then?

When we say that as long as you have sugar, you don't have to be true. We have to give so many insurances in love to be immersed in. Even if you dream of dreaming, you lose your new meaning. This is obviously not just a kind of "recognizing reality". This is obviously not just not just It is a question of "Menghua Record".

Text ｜ Liu Yuan

Figure ｜ "Menghua Record"

1

According to the data of Cat's Eye, the ending "Menghua Lu" is the hottest web drama in the first half of the year.

Many factors and emotions outside the play have contributed to this result. For example, if there is no idol drama on the market for too long, everyone retaliated the resentment of ugly men in costume costumes into the pursuit of Liu Yifei and Chen Xiao. In addition to the face value, Liu Yifei also had a vivid expression this time. Essence The emotions between Zhao Pan'er and Gu Qianfan are sad, happy, conflict and understanding, and open layers in a fresh atmosphere.

Director Yang Yang's interpretation of traditional aesthetics is also an extra points that cannot be ignored. This point is not only reflected in the static clothing and landscape, but also the description of the love drama. The love drama of "Menghua Record" has a rare implicit in recent years. The moonlight looks at each other, that is, the screen is hazy across the screen, or the yellow flowers full of the wall express their thoughts. The right white blank is more rhyme than the lines that express their chests.

What makes this drama the most popular is the image of three major female characters. They were all born with low origin. Zhao Pan'er had not been cheap. The three sisters fight for scum men and do their careers. The declaration they pursue are: "Women are expensive, once they rely on others, they have weaknesses." Such a setting is named "female strong" and "girls help girls". , Highly respected.

However, after the plot was advanced, it caused controversy, and the crux was in this slogan.

"Women's independence". Such an assertion actually imply a premise, that is, whether women stand self -reliance and depend on others are something that can be selected independently. This premise even seemed to be out of reality even in 2022, let alone the Song Dynasty where the story happened. Such a so -called "female strong" has become a new shackles that contempt for each other in women, and it is difficult to produce the power to break the ceiling.

In fact, the trend of the plot is indeed the same.

In order to make Liu Yifei's heroine Zhao Pan'er standing up in the Song Dynasty, the screenwriter gave her a lot of "plug -in". She has the beauty and style. If necessary, she can be taken out at any time as punishing the scum man's weapon, but she can be exempted from the fate of being stunned by "pretending to be stupid". She is so rational that she can retreat from the whole body in the marriage contract with the "scum man" Ouyang Xu, and she can go back to the whole body of the "scum" Ouyang Xu, and runs tea houses and restaurants. She is still the daughter of the door, and her father is convicted to save the people. She is "Gao Jie" from beginning to end in terms of subjectively and objectively.

During the entire self -rescue process of Zhao Pan'er, she has always been resistant to me and my sisters should not be classified as cheap, not the persecution of women in the level system of cheapness. From the first episode, she has always emphasized that "I am clear and innocent, and she has never been a person who has a person who has fallen. In the highlights of the finale, in the face of the emperor, she prayed that "music, craftsman, official and private slave" were no longer attributed to cheap. The rationality of the aspiration of women's mats.

Song Yinzhang's awakening road is a control group of Zhao Pan'er to a certain extent. The barrage stuck to her: love brain. She encountered a crisis twice, and she was shaped to be unclear when she had a better choice. She took the initiative to jump into the trap. She deeply reflected her vanity and jealousy. The ideological epiphany came briskly, and the dilemma was briskly resolved: In the play, she tied the scumbag up with her own power, and escaped the government without any effort to hold the pipa.

Liu Yan's San Niang is one of the most modern values ​​among the three. After being divorced, she did not entangle the custody of her son. After a brief loss, she quickly reorganized the fanfare, earned money with a skill, and bravely invested in new love. Preparing for her son to come to her again before remarry, she simply said, "No one in this world has the right to control my marriage, even if you are my son." Her thoughts beyond the times have almost no resistance in the play in the play. But such a person, the ultimate pursuit in front of the emperor is still Feng Guanxia.

This drama is adapted from Guan Hanqing's "Save the Wind and Dust", but the episodes have no wind and dust. For the film and television industry, there are probably considerations for the subject matter restrictions, but it also allows the vision of "Menghua Record" to cover it from the beginning.

Three sisters opened tea houses and restaurants and rushed to Tokyo together

2

Zhao Pan'er has been shaped so rationally. Even in the love period, he never indulged in love. From Qiantang to Tokyo, he always worked with money to do his career. It was almost the perfect personality image of women's strong narratives popular in social networks.

However, how big can her world be in such a role? After she rescued the Song Dynasty, she was rescued by the male lead Gu Qianfan, and Gu Qianfan set off her clear scope: "You can dance long -sleeved in the folk, but once you are a person in the government, there is no chance of winning."

This sentence easily outlines another world that is higher, Zhao Pan'er has opened the world where the plug -in is the biggest gear that cannot be stained, which is the world of power built by men. After this line, the world view of this drama was completed, and the position of money and power was judged to be high. Ouyang Xu, who has no money and has no right to become the only pure villain in the protagonist. In the logic of the episode, he is destined to be fascinated by Tokyo's glamor, can't stand the temptation, and wants to go up. People despise, or use it. And the same is to harm Zhao Pan'er, the rich Chi Yan is stupid and cute. Although he once forced Zhao Pan'er to kneel, it is more like a rich second generation who is lacking in love and makes people understand. He bought the money to help Zhao Pan'er open the restaurant, and his money provided them with the possibility of turning the enemy into friends.

And Zhao Pan'er's method of checking in the balancing pool is to introduce higher -level power than "money" to let him eat. Chi Yin can allow all shops to not sell ice to Zhao Pan'er's restaurant, but it can't be against her boyfriend's service unit Huangcheng Department. Similarly, Zhao Pan'er went out to talk about the business and was oppressed. The solution was to imply that Song Yinzhang met the senior officials by playing the pipa.

Maybe some people will say that money to suppress the people and the power to suppress money are social reality. In the play, people in the play are also reasonable, but how the creator presents this limitations is a manifestation of a drama values. In "Menghua Record", this relationship is naturally accepted, and the power and official rank of men who interact with each other has become a medal that women can show off.

The pink bubbles in the love drama have become the obstacle of power. Almost every man in the play is calling violence and privileges, and this violence and privileges are evil or righteous, and the criteria for judging are highly bound to love. In simple terms, the scumbag is like Ouyang Xu, which is the great sin to drive the heroine out of Tokyo. And Gu Qianfan was affectionate to the heroine, then he used privileges to bring Zhao Pan'er back to the city, which was a romantic manifestation.

Even the highest power emperor himself was shaped into a cartoon -based role. The biggest conspiracy of the entire drama was just the little emperor's husband and wife after being unveiled. None of them, spoiled tolerance for the queen. In such distortion ending and disturbance, the struggle of the female characters in the first half of the episode appears to be a vain gesture performance.

In the finale, the queen confessed to the emperor

3

As a popular cultural product, a TV series can be carried. It is indeed limited. It provides entertainment and satisfies the dreams of major audiences. It is still a mirror that reflects some social mentality of the times.

In the past 20 years, Gao Fushuai, a film and television drama used to carry romantic fantasy, has evolved various sub -species.

At first, with the popularity of the Taiwan idol drama, the second generation of the rich second generation, their mother would hold 10 million cash to ask the grassroots female lead and her son to break up. In the era of the Internet, wealth has become possible quickly. Later, Xiao Nai, who opened the game company in "Slightly Smile".

In the sweet drama in the previous two years, the good boy and male lead in high -level middle -class families were popular. They often superimposed the attributes of school hegemony. The male and female protagonists fell in love. Lawyers and doctors, the middle class that has a stable and not bad money -the fantasies of the audience, from the conflict between dramatic love and the native family, to the sweet and stable of this world.

Until now, security and determination have become the biggest emotional needs. The aesthetics of "boyfriends in the system" and "bureau" have emerged again. The rice noodle oil issued by the units in the trunk has become a new strength proof. When I came to "Menghua Record", Gu Qianfan's father was a senior official, and his mother was famous. He could speak in front of the emperor. He was smart and decided. Make him balance in various factions. At the same time, he is also delicate, generous, and compassionate. He responded to a comprehensive security request: in the face of power, money, and intimate relationships, he could solve the problem.

Back to Zhao Pan'er and Gu Qianfan when they first met. At first, I was curious about the line that chased this drama. It was Zhao Pan'er said to Gu Qianfan: What happened to me, I am better than your name. Originally thought that it would be the story of the two edge people who resisted the redeem of power together, but at the end of the story, they joined hands to help the emperor's emperor enhance the relationship between husband and wife -a reunion ending of power and love.

San Niang finally wished to wear Feng Guanxia 三

This is a safe ending and an insufficient ending. The protagonists have opened the most powerful plug -in, trying to regulate the possibility of suffering from all of the pain, but you know that success is so fragile and needs to be carefully protected. As a popular cultural product, "Menghua Record" is qualified, but the reality it reflects is relatively closed. How can we get new possibilities in cultural products? I am afraid to imagine more possibilities and larger space for women in reality.

- END -