Cover exclusive ｜ "Selected Works of Dai Wei Calligraphy": Sixty years with a knife, the heavens and the earth are wide between the square inches

Cover Journalist Yang Fan

As a rare artistic all -talented talent in Chinese painting, Dai Wei, a famous Sichuan artist, has very high accomplishments in many aspects such as painting, calligraphy, and seal engraving. Recently, when Dai Wei's 80th birthday is coming, the new book "Selected Works of Dai Wei Calligraphy" was grandly published by Xiling Yinshe Press. Cover news reporters are quick to see this 292 -page huge book. The book includes the proud works of Dai Wei calligraphy engraved, including seal, annotations and explanations including calligraphy and painting works.

Wearing a guard

"Selection of Dai Wei Calligraphy Carvings"

To "get the heart source"

Literature, philosophy, golden stone, calligraphy and painting are indispensable

Dai Wei learned to paint and was famous for his talents when he was childhood. He was a teenager in Western painting when he was young. He was a novel cover and illustration of famous writers such as Mao Dun, Bajin, Sha Ting, Aiwu, and Ma Shitu. Dai Wei believes that traditional Chinese paintings are pursuing "the ancients, the teacher creation, and the heart." "Master Ancient" is a research tradition, including the world's excellent painting tradition; "teacher creation" is graduate life, studying nature, and whether you can "get the heart". This depends on your own education. In this field Philosophy, golden stone, calligraphy and painting are indispensable. The governance is also a necessary way to lead to the "center of the heart".

Since the painting, Dai Wei has also insisted on engraving creation. Although in the poetry, calligraphy and painting printing, the printed printed in the eyes of many calligraphy and painters is extremely sacred. The best way to learn the calligraphy of the golden stone is engraving. Dai Wei once said, "Now remembered that if my painting still has a taste of Chinese painting, it is because of the practice of calligraphy and seal engraving, which makes me deeply understand the elements of Chinese painting -the spirit of the line and the connotation of the pen and ink, as well as the aesthetics of the golden stone. Miao Miao. "In addition, Dai Wei collected Gu Yin into an infatuation, and each ancient seal could play for half a month, so as to make himself and the ancients make the most direct conversation.

50 -year -old re -engraved knife

After 70 years old, he studied like a child

Although it is already known as the Huaxia art world, Dai Wei still has the pursuit of art and still maintains the heart of a red son. His humble attitude is enough to make the late students admire. In the preface of "Dai Wei's Calligraphy Research Collection": "I have been in a long time, but I have never written the words. I started to learn the engraving at the age of 20. After the age of 50 Side, after that, I started to do "Flower Armor Skills", and after the age of sixty, I did "Seventy Replery". Looking back, I was very ignorant. My students and I reached an agreement in the process of learning calligraphy and painting and seal engraving. , Seek the same first, then look for different. Carefully write inscriptions and describe the seal of the ancients. First, seek peace, then seek danger, and return to the right. "

"Seventy Mongolian Tong"

"Seventy Mongolian Children" is one of the masterpieces of Dai Wei's engraving. He laughed that he started to study like a child after seventy years old, and these folds were his "homework". "The older the age, the more you find you don't know, only learning, learning, and studying." Dai Wei can see the seriousness and hard work of learning from the trivial matter he talked, "I get up at seven every day, I have eaten eaten, I have eaten, and I have eaten. I started working at 8:30 after breakfast. Until 12:30, my aunt called me to go downstairs for dinner. I had to pass by for four hours. I was still wondering.

Book Li Bai Shi Four screens

Sometimes three parties a day

It's like eating and drinking water is a necessary life

Sealing is a matter of energy, physical strength, and eye strength, especially for an old man. Dai Wei originally planned to seal the knife at the age of 70. In 2016, an old friend in Beijing asked him to engrave him. He couldn't hinder the emotional face. "Wu Changshuo was engraved at the age of seven or eighty, and Qi Baishi was still engraved in 1980. He was engraved on the last side of his last party. This year, 94, which made me particularly emotion. Strange, I am an old flower eye, and I will be tired for an hour when reading a book, but I do n’t feel it at all for a long time. "

"Poetic Soul" size: 254 cm high, 254 cm wide. Style: Poetry Soul. In the early summer. The owner Dai Wei.

Dai Wei's love for engraving has only paid, and I don't try to return. "I spend a lot of time and money on the seal, and the works that can be completed are never sold, and some people even say that I have gone into the magic. In fact, I understand that a painter wants What do you do for so much money? The painter mainly makes his art well, eats and eats, and is very happy to make big paintings. "Some people suggest that Dai Wei should enjoy his old age and rest. Spent in work, but he smiled and said, "Drawing, writing, and governance of printing every day is like me eating and drinking water. It has long been a must for life. As long as I don't do these things a day, I am upset. The labor is great. It is not important to respond to the artist's work. Only by working hard can people be physically and mentally happy. "

Give the seal of life

Reversing with a knife is full of life insights

Dai Wei's figure paintings, simple language, rich connotation, merging thinking and feelings in one furnace, so he is known as a philosophical painter in the Chinese painting world, and he also gives many life insights and artistic concepts of his life. The edge of the side is engraved on the seal, as if it is given to life, and each stone has something to say.

The edge of the "Ancient People in this World" carved by Dai Wei is: "This world is modern, ancient is tradition. Since ancient times, Chinese literati, ancient, ancient, ancient, so ancient, how old the ancients would have been given new poems. Thick, today's people are ingenious, foolish thought that life is good, thick is better, or be an ancient man in this world. " Strive for life and fight for this matter. "

"Late Night"

The side models of "Late Night" are: "Most Chinese painters are atmospheric (device) late, and Qi Baishi and Huang Binhong are all in the year of ancient times. In words, the success of reform depends on talent, diligence, and life education, so Chinese painting is not only a kung fu -type painting, but also a scholar -type art. "

(Left) Guanyin statue edge: Guanyin, South China Sea, solemnly holding a bottle. You (Suddenly) Saves the miserable life. On October 15th, Xin Yan published it to remember his mother. Dai Wei. (Right) Buddhist statue: This is quite the wind of the Northern Wei Dynasty. Xin Yan was in the middle of autumn. Dai Wei.

(Left) Songfeng edge: Songfeng. At the end of the year, he was in Fenghuang. Dai Wei. (Right) Jinli: Jinli. 1999 years. Dai Wei.

Industry concern

"Selection of Dai Wei Calligraphy Carvings" presents the big world of art

The publishing of "Dai Wei Calligraphy Seal Selection" is also a major event in the local calligraphy and painting industry, which has received great attention from many people in the industry. The famous calligrapher Deng Tao wrote for the book: "Mr. Dai Wei's seal came from the book, re -entered the border, and the art and seal carving art were mixed, and the Hongfu was rich and the sperm was slightly. Consciousness is rare after Zhao Zhiqian, a carved art giant, and those who have not seen others without seeing others! The art, in the sir, is more than just the side, but the big world of art ... "

Style: If you abandon me, you must not stay yesterday. Those who are chaotic, how much worry about today. Changfeng can send autumn geese thousands of miles, which can be high. The Penglai article was established, and the middle Xie was cleared again. There are all kinds of Hui Yi, happy, and wanting to fly in the sky. The knife breaks the water more, and the toast is even more worried. Life was unsatisfactory, and the Ming Dynasty exuded a flat boat.

Associate Professor Zhang Lingwei, deputy dean of the School of Art of Sichuan University, said in a commentary article that Mr. Dai Wei used painting accomplishments in painting. At the same time, he studied calligraphy and golden stone seal engraving. He is a rare person who can integrate poetry, calligraphy and painting. The gentleman is well versed in the magic of the chapter and the sperm of painting, and advocates "seal from the book" and "into the painting with books". There are golden stones in painting, there is calligraphy in the golden stone, painting in calligraphy, and the communication of Zen and the realm of poetry.

"Selection of Dai Wei Calligraphy Carvings" self -preface

Chinese calligraphy and Chinese painting are not only homologous but also the same. Chinese text evolved from pictographs. The so -called book is the symbolization of painting, and painting is the image of the book. From the perspective of the development of Chinese calligraphy and painting art, with the golden texts of Yin Shang, the Oracle Bone, Qin and Han Dynasty, and the grass of the father and son of the Eastern Jin Dynasty, the "Wu Bai Dangfeng" in the Tang Dynasty paintings "Cao Yi out of the water" "It is an excellent pen, which only creates Chinese paintings based on line shapes. Each development of calligraphy art will drive the development of Chinese painting. The Song Dynasty was the peak of the development of Chinese painting. Especially in Su Dongpo, the "literati painting" he advocated is still developing, which is even more closely dependent on the interdependence between books and paintings.

To say Jin Shi, it was earlier. The chisel marks on Oracle, the bronze inscriptions since Yin Shang, and the collective referred to as golden stones such as mud and antiques. Later, people studied their knowledge called Jin Shixue and made them a must -have aesthetic care for Chinese literati.

Chinese painting and Chinese calligraphy are the art of kung fu, and their core is the spirit of pen and ink. A pen waist, pen tip, and pen roots have different functions, and each has its rich expression. The clever use of water and ink is ever -changing. The "medium, side, hidden, dew", "dry, wet, thick, and light" summarized by the ancients are the common laws and rules of Chinese calligraphy and painting in the use of pens, but the highest realm must be reached through long -term cultivation.

I have always advocated "into the painting with books". From a historical perspective, the great painters who can be famous for painting are successful calligraphers, such as Su Dongpo, Mi Yan, Xu Wei, Ba Dashan, Shi Tao, Jinnong, Zheng Banqiao And modern Wu Changshuo, Qi Baishi, Zhang Daqian, Huang Yan, Chen Zizhuang, etc. Because of the practice of calligraphy in calligraphy, they found the strange changes left by the brush to lead the ink and ink on the cloth, and the sparks that best express their thoughts and emotions best. This kind of spark is the lifelong glory of the predecessors, and it is their unique style and trick.

Regardless of Chinese calligraphy and painting, I think that "both gods" are superior. God is the strength and charm of the pen. The shape is the ability and method of shape. The method of using these calligraphy is very different from those who do not practice calligraphy. The former is art, and the latter is analog and copy. With the ability of the artist to have the ability to "have both gods", it is possible to make a "good and different" Yi product -the pinnacle of Chinese painting. "Miao in the same and dislike" is a shining bright light that shines on the reality of Chinese calligraphy and painting and the future.

As mentioned earlier, the only one in Chinese calligraphy and painting art is the most refined pen and ink kung fu that can best express the unity of the universe and the aesthetic philosophical consciousness of the Chinese people, so the use of brushes has continued to this day. Strictly speaking, there is no calligraphy art in the West (except Arabic has similar arts), most of the paintings in the West are flattened with flat brushes. So some people say that Chinese painting is philosophy, and western painting is science. Because we have a long history and philosophy of 5,000 years, we have a great and firm cultural self -confidence that is different from the outer region. I have been scratching, but I have never written the words. I started studying the engraving at the age of 20. After the age of 50, I re -engraved and loved the money. After that, I started to do "Flower Acting", and after the age of sixty, I did "Seventy Replery". Looking back, I feel very ignorant. My students and I reached an agreement in the process of studying calligraphy and painting and engraving art. Carefully write inscriptions and describe the ancient seals. Seeking peace first, then dangerous, and returning to peace. I learn words and seals just to nourish my paintings, such as "Poetry Soul". It integrates poetry, calligraphy and painting. It is a kind of attempt. In addition, I compiled some sketching works in Mount Emei, Huangshan and other places. Here, I show my unbalanced works (but also my efforts) to friends and experts, hoping to get your evaluation. thanks!

In the spring of 2021, Yukang Daiwei

Introduction to the artist:

Dai Wei, born in 1943, was born in Chengdu, Sichuan. He is currently the honorary dean of the Sichuan Provincial Academy of Poetry and Calligraphy, the Academy of Painting and Council of the Chinese Academy of Painting, Researcher, Honorary President of the Sichuan Painting School Promotion Association, executive director of the Chinese Painting Society, Honorary President of Xishu Yin Society, academic leader of Sichuan Province, enjoying Experts of government allowances of the State Council.

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