Classic appreciation: eight monsters are not ugly

"Eight Monsters in Yangzhou" is the most prestigious calligraphy and painting genre in the Qing Dynasty, with a profound influence.

As the name suggests, there are three keywords of "Yangzhou Eight Monsters": Yangzhou, Eight, Monster. Why appear in Yangzhou? In the Yangzhou of that year, the benefits of transportation with salt business became the place of rich Jiangnan. The essence of "Yangzhou Eight Monsters" is "Yang Diao". "Eight Monsters" was originally a local saying in Yangzhou. Today, most of them are based on the "eight monsters" in Li Yuzheng's "Painting and Calligraphy of Luo Rooster", namely Luo Shin, Li Fangyi, Li Yan, Jin Nong, Huang Shen, Zheng Banqiao, Gao Xiang and Wang Shixin. In addition, Chen Chuan, Gao Fenghan, Huayan, Min Zhen, Bian Shoumin, Yang Fa, and Li Yan were seven. "Strange" is an alien in the understanding of ordinary people, and it is only the surface. In short, "strange" is the pursuit of personality, not in the world, cynical, and maverick; on the other hand, it is also catering to the taste of salt merchants, and it is inevitable to be weird.

In the eight monsters, Jinnong had the most influence in the history of art, and sat at the head. Three changes in Lishu in the lifetime: the first is "Yuanli", the style is naturally fresh; the second is "Fang Li", similar to today's art characters; the third is the "paint book", the style is fierce and chic, and the heart is hearty.

Zheng Banqiao has the highest popularity in the folk, and creates "six and a half books". It is mainly hovering between the two "Su Huang". Weird, there are two kings of the two kings of the two kings, and the style is higher. It can be seen that the eight monsters are in the heart and on the other hand.

Luo was a student of Jinnong and became famous for his life. The book works are rare.

Li Fangzhen's specialized books are rare. This painting multi -word title, Kai Xingcao is mixed, has the same masterpiece with Zheng Banqiao, but it is natural and unintentional.

Li Yan was influenced by Huang Tingjian. The author's non -word Luo Yin said in the Tang Dynasty.

Gao Xiang is the only local native of Yangzhou among the eight monsters, the earliest death, Shi Tao's disciple. The early days of Lishu were close to Zheng Gukou, and the imitation was obvious, and it was close to Wang Shichen in the later period. Nevertheless, personal mind is very obvious. There are more alien characters in this work.

Wang Shichen is famous for painting Meilan, tea -addiction, and eventually blindness. It is said that drinking tea is clear. I wonder if it is a special case? Wang's book was rounded with a pen and a pen.

Huang Shen learns Huang Tingjian and can change the method, making paintings bent like iron. This is also the common feature of the "eight monsters". Interesting to weaken the density of dotted paintings, so I don't feel dull. When it comes to essence, this is a reference.

Although the "eight family" is named after "weird", each has its own writing.

Li Yan

Interpretation: There are less vulgar things in front of you; On the fourth day of the first month of Qianlong, Mr. Yaoxi was painted. Fu Tang, brother Li Yan.

Wang Shichen's "Yong Lei", 98.5 cm, 37 cm in horizontal, is now hidden in the Shanghai Museum. Interpretation: Bamboo trees are integrated, and vines climb light. Half -wheel remnants of the moon fall, and a little Hua Ming. The show cigarette cage came out, and the spiritual tires grew up. Luliang is no guest, loneliness leans on eaves. Yong Lei Niu Hua is the same, Chao Lin Wang Shi Shen.

Luo hired an interpretation: Curling Autumn Moon.

Huang Shen's "Send Wang Zhanhou Hou Gui Gu Su" interpretation: The sickness of the sickness is already sparse, and Wen Jun reorganizes the old Mao Lu. Want to plant a ring of thousands of oranges, and answer the Central Plains a paper book. The tide is difficult to calm down, and Ximao Hao Hate recommended Sanyu. No need to find a living, and return to the lake for old fishing. Send Wang Zhanhou to Gu Su, Ning Hua Huang Shen.

Li Fangyu's poem "Cangsong Strange Stone Map" Demonstrate: Jun is not seen, the cold of the year, where to ask for the grass. No see, Song Zhijiao, Qing Qing resumed correction. Heaven and earth are unintentional, everything is expensive. Dry Zhuangchuan Yue, unparalleled. Full of ice and frost, thousands of years have been. Support the height of heaven and strong, and the spring breeze and blue clouds. In March of Qianlong, it was written in Wuliu Xuan, Hefei. Qingjiang Li Fangyi.

Gao Xiang's "Xie Xuancheng and Wang Zhongzhang heard the piano" interpretation: The cool breeze blows the moon dew, and the round scenery moves clear yin. The wind entered the arms, Wen Jun's night piano. Xiao Se was full of forests, and the sound was soft. Ingenuity, Lijiang Haixin. Xie Xuancheng and Wang Zhongzhang heard the piano.

Jin Nong Lu's interpretation of "Xuanhe Painting Book": ambitious to virtue, according to the Tao, depending on the path, and the person who swim in the arts. Painting is also art, and when you enter the wonderful, you do n’t know the art as the Tao, and the Tao is art. This Zi Qing is cut, and the wheels of the wheel flat. In the past, people also took some. So the style of the painting of the painting and the husband and the Confucian crown makes people look admirable. Ji Li Shanmin Jinnong.

Zheng Banqiao's book Su Shi "Six (Six of Jiang Tang Siucai (3)": Today, the color is still gratifying, and the food has been eaten. Non -Gong Mo and Mo together, but early came to the city without meat, when phase and vegetable ears. Not suspicion, but only now. In the past, the Hai Dai as a paper, and there was nothing today. Today, people use cocoon as paper, and there is nothing in ancient times. Banqiao Taoist Zheng Yan.

(Original title: Classic appreciation eight monsters are not ugly)

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