Oge E writing: Belief of Reconstruction of Literature

Core reading

Different from those in the 1980s, the technical handling and rough imitation of Western modern literature in the 1980s. In generations of generations, the established classic consciousness and writing skills have become a conscious behavior.

But this also made me a question or imagination: they were relatively lacking the courage to create the spirit and test. Therefore, the above -mentioned advantages are also a disadvantage at the same time: young and old -fashioned, with both classic styles, but in the thin experience of experience and writing practice. The text of consciousness is rare.

The business community likes to collectively refer to the current young people as the E, that is, birth, growth, life, study, and even marriage and employment. Almost all of them are accompanied by the birth, development, and crazy growth of the Internet. Residents -with the further iteration of scientific and technological and network applications such as blockchain, simulation reality, conscious control, newcomers of the younger generation may not be called "Internet aborigines".

For these "indigenous peoples", the Internet has become a prerequisite and a memory, not a newly opened "play" place. Therefore, Chen Zhiwei asked such a question: a lot of questions about writing need to be re -discussed, such as network terms, dialogue methods during online chatting, etc. Is it a new spoken language?

The answer can be almost yes. In the daily daily life of the younger generation, the "new spoken language" spawned by the Internet has blossomed everywhere, but because our written language has considerable maturity, stability, and standardized requirements. Need a process. But thinking about the vernacular movement and the pursuit of "letting the birth of language" a century ago, this change is almost inevitable. Perhaps it is just a silent stealth or quietness, but the continuous improvement and creation of Chinese are irreversible. At the same time, as a place for the context of a new generation of young people, their "new spoken language" of the Internet really requires enough understanding and tolerance. Compared with the pioneer literature and test writing of the 1980s and 1990s, will the "pioneer" and "test" of them "generate" new literature based on the creation of these "new speaking"?

Back to the reading of their texts, the literary taste, value orientation and technical application of these "aboriginal people" are indeed richer and diverse. The great improvement of material conditions, the overall improvement of the quality of education, and the basic requirements of extra -curricular reading, the great enrichment of information and knowledge acquisition channels, the reference of the predecessor's exploration and the increasingly perfect Chinese writing system, etc., all make their personal personalities The quality has been improved as a whole, the value judgment of writing is more mature, and the choice of technology is more rational.

The first is the classic consciousness of the text, which is more prominent in the "E generation", especially young writers under the age of 25 (most of them are currently students, masters or doctoral students). Aside from the premise of the quality of the work, it is not difficult to find that compared with the state of most of the predecessors from scratch and barbaric growth, they have experienced a series of Chinese and foreign classic literature in the shaping stage of literary literacy. This difference is reflected in the text, and the young author of the young writer of the modern literature of Western modern literature in the 1980s of the 1980s. Conscious behavior. For example, realistic narrative, Japanese literature, such as absurdity, consciousness, expressionism. On this issue, young writers seem to have a more sober understanding: "Classical, traditional aesthetics and writing methods return. I think this is a good phenomenon. Things have congenital advantages, which is a trend, and the classic tradition does not mean soil. " At the same time, the same -age writer's pursuit of "pioneer" and "different" is not so prominent. The pure experimental writing, or completely subverting the reading experience has become less. Li Lu saw that their generation's work "showed a relatively prominent type of types, there were no particularly clear characters, no strong background of the times, and more of a kind of heart flow."

Of course, this "good phenomenon" also gives me a question or imagination as a literary editor: they are relatively lacking the courage to create the spirit and test. Therefore, I think the above advantages are also a disadvantage at the same time: young and old -fashioned, with both classic style, but in the thinness of experience and writing practice. It is rare to see the text of the awareness. British historian Peter Watson said, "Whether it is news or academics, the core is to explore and discover." Literature is even more like this, and even goes further, that is, creation. Fortunately, I found that most of them had a sober understanding of this.

Secondly, the attention of reality has become a conscious behavior here. For the signing support project and the "Youth Literature Award" hosted by the "Youth" magazine, the "Youth Literature Talent Program" and the "Youth Literature Award", the current players who are concerned about the current players can always be easily selected. After a few years, we have accumulated more than a hundred "seed players". It should be said that their works can represent the overall style of the new generation. Here, the best people who are 30 years old include Pang Yu, Yu Younian, Big Head, Zhao Lingzen, Song Xudong, Chunma, Ayan, Gao Sang, Liang Si, etc. The representatives in their early 20s include focus, Ding Zongye , Li Jiayin, Wang Yan, Huizi, Jiazuo Buha, Shui Xiaoying, etc. Among them, the big horse is a master of storytelling. Pang Yu pays more attention to individual experience and value inquiries. Ding Zongye focuses on the youthful loneliness of international students. Zhao Lingzen and Wang Yan's texts have considerable trial temperament and offensive consciousness. The focus of the pen is strong, and the slightly digging of the individual's heart is quite accurate to grasp the hidden emotions between people. Without exception, their works wins from massive manuscripts, and they have nothing to do with their conscious attention of reality. Even fables and science fiction themes, they can also see their attention and attention to "people" and "people" Express enthusiasm. In addition, there are many generations of generations of generations, such as Wang Suxin, Li Lu, Wang Zhanhe, San San, Sol, Sol, Quan, Chen Le, Hu ... too much name, it will not be listed one by one. In the face of the writing of these young people, some critics pointed out, "I seem to see the devotion and solemnity of the writer of the original ecological literature. Sticky youth. "(" Youth because of literature ", Ding Fan). "The completion of some works is not enough ... the work is not close to the real society, and the author's thinking about social life is still immature." Collection Preface, Wang Zheng). While the two teachers fully affirmed and encouraged the younger generation of youth writing, they also gave mild criticism from language to text, from reality to technical refinement. Indeed, the "green" and the thin life of the narrative have become the two strap ropes of the young writers, but this is understandable. It is a stage for each writer to pass. What they need is the precipitation of time and pen power. As Wang Zheng said: "If everything has been set, everything is mature, and the writers are practiced and the world is clear, then it is not them. Everything has been completed, what else do you expect and hope?"

There are two phenomena worthy of attention. Many of the writers of the E generations are actually talented in writing, but more are the state of "Qianlong in Yuan". "There are no attempts to labeling coats such as writers, artists, and masters. Writing in me is just an interesting thing." Ding Zongye, a young writer of the "post -95" young writer who has published two novels. Coincidentally, I have also encountered a number of such young people. Their works are really amazing. It is a shot. Its maturity and stability are eye -catching. Unfortunately, the amount of writing is too small. Through exchanges, I learned that they have their own dilemma: or they are in the other side and do not regard writing as "aspirations"; or they want to write things, but they have to study things, but they have a heavy learning task and a lot of life pressure. One hoe; or because the "spam" is too huge, the Internet brings a sense of suffocation, and sometimes it makes them unknown how to choose. The conflict between ideals and reality, the individual growth of the entire human history, is no exception, but the real difficulties they face are different.

On the other hand, the so -called dispute between pure literature and online literature is an unable to escape for young writers in them. Since the rise of online literature, many young people have devoted themselves to online writing from a pure literature enthusiast. At the same time, many online writers have switched to "pure literature" because they could not keep up with the rhythm of "iteration". The two seem to be clear, and they have even become a "circle" phenomenon -I don't think this is not necessary, just like there are poetry and legend in the Tang Dynasty. It is not contradictory in parallel. There is no contradiction at all. It is just the difference between the readers' ways and production methods, and the differences between text differences, so no matter which way you go, there is no right or wrong.

The last thing I want to say is that I am not a critic, nor the holographic observers of young writers among the "Aboriginal people". Therefore Essence There is such a saying that in the face of parents and children, parents always can't understand their children, but children can see through their parents at a glance. This can't help but make people happy -if they can be seen through at a glance, it is really their misfortune and sadness. On the contrary, it is because of this invisible that it will make them more full of expectations and longing for their writing.

Content source: Literature and Art News, June 29, 2022

WeChat editor: Lu Yimeng

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