Wuhan's Creation of East Asian Cultural Capital ｜ Go to the Tanghu Art Museum to spend "splendid time"

The Yangtze River Daily Da Wuhan Client June 29th (Yangtze Daily Reporter Fan Yaqin Intern Ouyang Qian Correspondent Liu Chong) On June 28, in order to help Wuhan's creation of East Asian cultural capital, "Splendid Time -Qing Dynasty to Contemporary Weaving Embroidery Art Arts The exhibition "Online opening ceremony was held in Tanghu Art Museum. The exhibition is in the exhibition hall of the No. 1 exhibition hall of Tanghu Art Museum. It is divided into two major sections: embroidery and brocade. A total of 46 court embroidery films and embroidery decorations and brocades are displayed in the Qing Dynasty. The collection or creation of Chen Rong and Wang Ying, the inheritor of the splendid art.

In the No. 1 exhibition hall of Tanghu Art Museum, Shu Jin's "Four Heavenly Kings Tour". Photo by the reporter He Xiaogang, a reporter from the Yangtze River Daily

In the No. 1 exhibition hall of Tanghu Art Museum, the hanging Shujin "Four Heavenly Kings Tour" is quite eye -catching. According to Liu Yan, deputy curator of Tanghu Art Museum, the brocade work "Four Heavenly Kings Hunting Equipment" is not only the representative of the Tang Dynasty brocade representative representative Tattoos are also a reflection of the combination of Persian culture and Han culture. Using heavy menstrual organizations, weaving with multi -color silk threads into gorgeous and colorful taled ticked silk fabrics, it has been based on color strips, and color strips are added. The patterns are prosperous, the weaving is fine, the color is elegant, and it is unique. "This exhibition includes the structure of the late Qing dynasty robe, including cloud shoulders, hooks, trim, and horse -faced skirts, which reflect the historical culture, daily life, aesthetic taste and spiritual pursuit of the Qing Dynasty." Liu Yan said.

"Qing Dynasty Clothing Embroidered People". Photo by the reporter He Xiaogang, a reporter from the Yangtze River Daily

"Mozhu" produced by Suzhou Embroidery Research Institute. Photo by the reporter He Xiaogang, a reporter from the Yangtze River Daily

It is worth mentioning that "Mozhu" produced by Suzhou Embroidery Research Institute. Liu Yan said that this work is the representative of Su Xiu, and the original work is the "Mozhu Map" of the "Master Bamboo Master" in the Northern Song Dynasty. "The art inheritance re -summarizes the mood of the ink and the pens and the pens. It is transformed in the embroidery work. Its attitude is chic and doubtful.

Chen Rong and Wang Ying's embroidery work "Splendid Time -Happy Totem". Photo by the reporter He Xiaogang, a reporter from the Yangtze River Daily

In addition to the collection, the embroidery works of the inheritance of the splendid art inheritance Chen Rong and Wang Ying are also displayed in the exhibition hall. The meaning of happiness. The work mainly uses red and green, green is wood, red for fire, and wood is fire, which means that the family is endless. "The overall strokes of the work are round and upward, and have a good blessing to the family's prosperity. The creative method of this picture not only has profound cultural connotation, but also easy to apply to all aspects of cultural and creative derivatives." Liu Yan said.

Tanghu Art Museum's "Splendid Time -Qing Dynasty to Contemporary Weaving Art Exhibition" exhibition site. Photo by the reporter He Xiaogang, a reporter from the Yangtze River Daily

Wang Xinyao, the dean of the School of Fine Arts of Jianghan University and the director of the Tanghu Art Museum, said at the opening ceremony that through the exhibition of traditional clothing patterns, viewers can witness the continuation and decline of Qing Dynasty clothing in actual life, so as to clarify ancient costumes The tradition of the changes in contemporary contemporary understands the evolution of weaving and embroidery culture for hundreds of years and its implicit ideological connotation. At the moment when the traditional Chinese culture is fully revived, the unique significance of ancient weaving and embroidery skills as an intangible cultural heritage has been highlighted. The Tanghu Art Museum is not only committed to the combing of regional art history, but also comprehensively use arts and craft resources to meet the diversified cultural needs of viewers. It is understood that the exhibition period will last until July 20, 2022 and open to the public for free.

【Edit: Zhang Jing】

【Manuscript Source: Changjiang Daily】

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