Shanxi Jinzhiyuan mural art museum: Dan Qingsheng Yunyan on the wall

Above the wall, the powder painting and depicting, the wind is full of wind ...

When we are in history books and linger in costume dramas, do we remember those "painting" drawn on the wall? You must know that these murals are known as "museums on the wall", and it can truly feedback history and is an important part of the splendid oriental civilization.

Throughout the "family bottom" of the precious historical relics of Shanxi, the temple watching murals and the cemetery murals are the second to none. More than 90%of the national temple observation murals. Shanxi Temple Watching murals and grottoes in Dunhuang, and the tomb murals of Shaanxi show the "three -legged" trend, have an important position in the history of Chinese murals.

The reason why mural art is called Chinese art treasures is mainly because it reflects the authenticity of history and has a unique style and style. Today, the protagonist of the Jinci Treasure Shanxi Museum is the Museum of Macration Art Art Museum of Jinzhiyuan, Shanxi, and takes you into the mural kingdom to experience the infinite charm of Danqing on the wall.

The only mural art theme museum in the country

The Museum of Milk of the Jinzhiyuan Machining Arts is the largest private museum in the province approved by the Cultural Relics Bureau of Shanxi Province and registered in the Shanxi Provincial Department of Civil Affairs. The museum is located in the northwest corner of the new city of the urban area of ​​Jinzhong City and the northwest of the Jinshang Park. It covers an area of ​​15 acres and has a construction area of ​​more than 20,000 square meters. It is the only museum in the country in the country. In modern buildings, China's most traditional and ancient mural art is hidden. The Jinzhiyuan mural art museum has opened a journey from ancient times to the present.

The theme of the museum is the theme of "Danqing on the Wall · Ancient Chinese Macration Source Stream" display exhibition. It takes the existing ancient murals in Shanxi as the main body. For a variety of forms such as high simulation replicas, copy products, and physical demonstrations, it shows the source of ancient Chinese murals, explores the relationship between art and life, and is the most comprehensive, systematic, and most visual impact of mural theme exhibition in China Essence

● Seven major exhibition spaces, presenting the source of ancient Chinese murals

The first part of the exhibition is "Early Moisturizing Wall", which shows the art of mural art in early Chinese society. Based on the creative style, the works of different regions and styles of the North and South Series are assembled. Not only can the public understand that in ancient times, the ancients in the north used rock paintings such as grinding, knocking, and line carving. , Have the clearest understanding of the origin and development of early murals.

The second part is called "Heaven and Earth", which mainly shows the murals of the Qin and Han dynasties. Through physical replication and the form of the version of the description, there are 2 in the Qin Dynasty murals and 9 murals in the Han Dynasty. The murals of this period have two forms of drawing and stone carvings. The themes are mostly astronomical, geographical, personnel, gods, etc. The content is extremely wide. It can be called a Han Dynasty history written in images.

The third part is called "Diverse Fusion", which is concentrated in the murals of the Wei, Jin, Northern and Southern Dynasties. Among them, 12 sets of murals, 16 sets of murals, 6 sets and 6 sets of color sculptures and 6 pieces of color plastic. Focus on display, explain the overall production, development, artistic characteristics and historical and cultural values ​​of the tomb murals. The Wei, Jin and Northern and Southern Dynasties were the longest division of division since the Qin and Han Dynasties. The social atmosphere was very different, light spirit and dignity, smooth and difficult, philosophy and world changes, religion and life, and finally formed a variety of Chinese culture. The same is true of murals. Essence

The fourth part of the "Shengshi Feitian" shows the Sui and Tang Five Dynasties murals. The murals of this period can be said to be the peak of painting art. The three forms of the three forms of temple views, tombs, and grottoes are all available.

The fifth part of "each leading coquettish", Song, Liao, Jinxi Xixia murals, the most eye -catching exhibits are the murals of Gaopinghua Temple in Gaoping, Shanxi. This mural not only has a large area and complete preservation.

The sixth part of "Yong Rong Hongluo" mainly introduces the murals of the Yuan Dynasty. During this period, the types of murals are diverse. In addition to temples and Taoist murals, the royal palace and the official house halls of the dignitaries are also decorated with murals, although many palace mural murals With the desertation of the building, it no longer exists, but the murals circulating in the people have been preserved and perfect. The folk painters inherit and carry forward the excellent murals of Wu Daozi, Wu Zongyuan and others since the Tang and Song dynasties, and thereby occupying a place in the history of Chinese painting.

The seventh part of "all beings", concentratedly showing the Ming and Qing murals. At this time, the mainstream of creative creation gradually gradually turned to folk painting and folk tendencies. Most of the creators were folk craftsmen. The anxious people in front of them were no longer looking up at the starry sky on their heads.

At the March Museum, I have to say that this is a venue of Dacheng. This is not only unearthed from Shanxi, the existing mural copy products, but also many mural copy products outside the province, and the mural copy that is lost overseas. We see It is the surprise of the murals and "the endless look", but the forgetfulness may be the collector of the collector boat and car. I have to say that there is such a museum of a mural special museum. Through or bright, mottled, or damaged scrolls, seeing the brilliant history and art and culture of Chinese and artistic culture is enjoyed and more thoughtful. ● mural database, inherit the Sanjin culture

The museum has social mission functions and is also a carrier of cultural communication and inheritance. In the Museum of Machining Art of Jinzhiyuan, Shanxi, Chen has a special exhibition of mural exhibitions such as "Yongle Palace Sanqing Hall Real Etaters" and "Museum of Museum's Machining Real Estate Exhibition". In addition to observation and display functions, the museum also has cultural relics repair and protection functions, mural skills copying teaching functions, mural cultural research and training functions.

It is commendable that the Crystal Art Museum has a cultural relic restoration center with an area of ​​1,500 square meters, and has obtained the qualifications of mobile cultural relic restoration issued by the Cultural Relics Bureau of Shanxi Province. The museum is also constructed with the "Shanxi Cultural Heritage Resources Big Data Center" featuring Shanxi murals, colorful plastic and ancient building resource databases. Inheritance, etc., laid a strong foundation for resources.

On the wall, boutique appreciation

More than a hundred murals "coming from the face", when the heart was ecstatic, it was even more dazzling. Here, you ca n’t do it, you just need to be quiet, and you can appreciate it quietly. From art genres, creative techniques to the cultural connotation and historical scene presented by murals, there are too many knowledge points to wait for us to dig. Next, let's find the brightest murals under the leadership of Liu Huifei, deputy curator of the museum.

● The treasure of the town hall, the huge simulation mural of "Thousands of Hands and Thousands of Eyes"

"Thousands of Hands and Thousands of Eyes Guanyin" huge simulation murals, 10.3 meters high, 7.5 meters wide, installed in the lobby of mural art museums. The results of the digital protection of murals presented in HD are the treasures of the Museum of Macration Art Museum.

This mural was originally painted in the Miduo Hall of Chongfu Temple, Shuozhou, 5.7 meters high and 4.5 meters wide. Chen's simulation murals are presented according to the twice surface of the original murals. The color, details, and charm are perfect as early as the beginning, which has enhanced the magnificent momentum, visual impact and artistic appeal of the original mural.

Thousands of hands and thousands of eyes are 18 sides, 1 side in the middle, 1 sides on both sides, and 15 sides on both sides. The main faces are fair and clear, the cheeks are full, the ears are ears, the willow leaves are curved, the mouth is rounded, and the nose is right, with three eyes, and a pity. The faces on both sides and 15 small faces, the cheeks are rich, the mouth is red, and each side is also 3 eyes, or look down or overlook, giving people a sense of peace and quietness. Thousands of hands and thousands of eyes, Guanyin Zhou, painted thousands of arms and thousands of hands, 6 arms in the middle of the middle, arched your hands with your palms, gathered on your chest. Bottle, Bao Duo, Baodi, Bao Jing, Bao snail, ax, tin stick, diamond pestle, iron hook pestle, palace, hand -hand, willow branches and other magical weapons, stars, sunrise, dragon tower treasure plate, Dao Ge, Dao Ge There are everything for sword halberds and piano and calligraphy. There are 1 eye in their hands, and thousands of hands are fascinated into light wheels. They are beautiful and beautiful. The meaning of the Guanyin Bodhisattva thousands of eyes, the guardian protection, the eyes are coming, except for thousands of difficulties, Pudu all sentient beings, and peaceful family. From the perspective of painting art, the artisan's painting skills are very superb and delicate. They vividly reproduce the spectacular scenes of the Guanyin Bodhisattva.

● Cultural and creative products, decorate life with murals

The mural is the art on the wall, and it is also a wonderful record and vivid reproduction of Chinese history and culture. The development of mural art cultural and creative products aims to tap the essence of murals and spread mural culture. According to Liu Huifei, most of the existing cultural relics in the museum are daily necessities, that is, to capture the vivid artistic similarities in the murals, through processing creativity, forming mural art elements, and the artistic elements and knowledge, culture, and fashionability of mural art. In -depth integration, both life, practicality and popularity, creatively produce cultural and creative products of mural characteristics.

The mural art museum has successively developed the launch of the "Yongle" series and the "Buddhist Light" series and other mural art cultural and creative products. The "Yongle" series of mural art cultural and creative products, the design comes from the murals of Yongle Palace in Ruicheng, Shanxi.艺术撷取永乐宫壁画中仕女之古典艺术美、乐舞人之姿态灵动美以及“论道图”的高风禅意等，制作了时尚T恤、手机饰品、帆布包、马克杯、茶罐、 Cultural and creative products such as tea bags and tea bags; the "Fo Guang" series of mural art cultural and creative products, the design comes from the Ming Dynasty murals of Foguang Temple in Wutai Shan, Shanxi. Art capture the image of Luohan and "tiger" in the art of Fo Guang Temple, and echo Luo Han's simple and clean, unrestrained, wise Gaode and tea ceremony culture. The meaning of praying for evil spirits, bravery and fearless, made cultural and creative products such as coasters, bookmarks, tea bags, decorative paintings, pillows, carpets, New Year posters and other cultural and creative products.

Art has always been on earth, and murals are like this.Jiangnan Mobei, painted beams, painted by the painters across thousands of years, painted the walls, painted the walls, and painted the life, expectations, and beliefs of generations, and painted with the brushes in their hands.When the pen and ink are flying, the joy and sorrow are faint, and the family feelings and life suspense contained in it, why not let people stop and linger?This is the beauty of art, and the unique charm of murals.Shanxi Evening News reporter Lu Guojun Sun Yiqiong Nan Lijiang Correspondent Yang Jing

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