Welcome to the 20th National Congress and Essence of the New Journey -How the Artist Wang works online

How Wang (Gu Sheng), born in 1944, was originally from Shanxi. Zhai Yunzhong North House. Full -time painter in Shanxi Painting Academy. Member of the Chinese Artists Association, a national first -class artist. He is currently the librarian of Shanxi Provincial Literature and History Research Museum, a researcher at the Calligraphy and Calligraphy Institute of the Central Literature and History Research Museum, a member of the Art Committee of the Chinese Painting and Calligraphy Art Committee, the Deputy Dean of the Shanxi Academy of the Central Academy of Civilian Central Academy of Civil Affairs, vice chairman of the Shanxi Academy Advisor of the Chinese Painting Society.

How Wang draws the road is quite wide, especially good at Chinese painting landscapes, figures, flowers, and work. Personal biography and works into the "Complete Works of Modern Chinese Art", "Chinese Contemporary Artist List", "1949--1989 Chinese Art Yearbook", "Chinese Literary and Artists", "Chinese Literature and Art Celebration Records", "World Dozens of classics and albums such as Chinese Artist New Year's Eve and Shanxi Literature and Art Creation Fifty -year Fine Arts Collection. Published "Modern Chinese Painting Master Painting Books-King How to Shanshui Painting", "60 Chinese paintings of the Republic-how to king", "How about Chinese Painting Everyone", "Calligraphy and Calligraphy Collection-如何 出", "Jiangshan pictures-how the king boutique boutique "Collection", "Chinese Modern Famous Master's Collection -中国 集".

The endlessness is the new way

——What art exploration of the artist Wang

Text/Yi Hong

Every Chinese painter is pursuing the perfection in his heart.

Chinese painting is a foundation of painting. It has accumulated for thousands of years. The more the aesthetics are elegant and profound, the more strict chapters clause. Therefore, in addition to the various quality that should be strictly required by general paintings. There are also the foundation of pen and ink, the picture of the picture, and so on. It can be referred to as sick everywhere. The difficulty of beauty and unique aesthetic realm is really a step -by -step camp, step by step traps, and the rules and tracks are almost difficult to do. For example If you are not cautious, it is inevitable that you have misunderstandings and it is difficult to reach the perfect situation.

The requirements of painting are so extensive. If you grasp it properly or in the process of grasping, you will feel that you have a stumbling block and feel that the painter may not be able to achieve his mind every moment every moment. The best state. The situation of freedom is just the difficulty of freehand Chinese paintings; one is a variety of strict aesthetic requirements, which limits the character of freehand Chinese painting; the other is that the spirit of freehand Chinese painting is the spirit of freedom. A Chinese painter, even for a considerable period of time, is difficult to think of in these two aspects at the same time. In the face of this contradiction, how can Wang's answer is this. He consciously grasped the main point of the freedom of spirit as the main line that runs through the situation in art, and used this state as the key to solve various art problems. For him, "perfection" is gradually achieved in freedom.

Chinese freehand paintings are the art of mood. The heart is like a container. It should not be filled. Once there is no gap, it is difficult to circulate. You can pass between the universe and the picture. At this time, the painter may be just the intermediary of the two, so the freehand drawing is important. How Wang inherited the traditional Chinese and man's view of the universe in the painting consciousness, and he had to use the anger and confidence of the life of life to make the king in a state of no one during the painting. , Do not survive, do not be cautious to success or failure, face huge long rolls hanging on the wall, Zhang Erzhong Church, or ulnoma, pour in ink, put the pen and take it straight. The rules and laws should only help but not hinder.

What the courage and spirit of Wang comes from beliefs, and it is this kind of belief in life. In the painting, the audience is impressed by the vitality, indulgence and charm, and the viewer enjoys the aesthetic pleasure of life. This is indeed true. The uniqueness of how to paint art.

How did Wang only be conceived before painting and did not design too rigorously in advance. Because this method of painting is always bold and deterred, although there is no careful thoughtfulness, it has a happy pain in one go. Personal characteristics, not created, not designed, came out from the Wang family. Especially the ladies, gentle and spring, wide -body; donkeys are long legs and thin ears; the mountains are growing up in Hun Garden, with unique features. It is not defective with a pen, but the pen is aggressive, and there is a unique meaning in the rough pens. In the process of painting, it is made of long -term and disappeared. It has a considerable difficulty coefficient, but it is also full of the joy of creating and new creation.

The method of painting is naturally formed by a painter in practice, so the method determines the consciousness. Conversely, the method is more strengthen and clarified that the original consciousness in the natural state, so that the method becomes more systematic and the characteristics of the screen characteristics. The more personalized. Therefore, the method of painting is of great significance for the formation of personal style.

How Wang's courage is also manifested in adhering to and improving the existing self and not self -limiting. He constantly accepts new artistic information from various aspects, constantly corrects and updates his own self, and continuously develops with sufficient courage. With a new field, dare to win a highlight in the fields that have little involved. For example, the large mural "The Legend of the Jinyang Lake" designed for Taiyuan Airport, and the flower and bird painting "Song of Spring", often admires. Perhaps it is precisely because Wang has a wide range of involved scope and does not limit the rigidity of thought to a small technology circle. Therefore, the appearance of his works is constantly seeking new forms according to the content. Because there are many types of paintings, like characters, landscapes, customs, ladies, freehand brushes, murals, comic paintings, oil painting, design ... all involved, this painting habit makes him find the characteristics of the appearance of various paintings. In this kind of general law, in this kind of law, adding specific special laws can be good at cope with various new topics, and through the specific application of various fresh methods, the grasp of the law of the law is also grasped. The more firm and freedom, it has strengthened the freedom of their painting. It is because of the first thing that the word is that there is no way for the king to try, so it will be done, so there will be Successful, this does make people get a good revelation.

But in addition to the innate temperament and appropriateness, the basis of dare is because of how Wang can rely on the strong mountains of Chinese painting. Traditional traditional experiences of traditional pens gives each Chinese painter with infinite courage and strength. Wang Ji once studied at the Department of Chinese Painting at the Zhejiang Academy of Fine Arts. Under the guidance of famous teachers, the hard work of the tradition of ink painting of literati ink painting, from quantitative to qualitative change, accumulated to a certain degree, suddenly communicated, tradition and freedom, it was such a pair of such pairs. Not only contradict each other, but also complement each other. The complexity of this conflict and unity is the original appearance of things.

The richness of the artistic creation is not only reflected in the wide range of paintings and creative themes, but also in the span of the times and regions. He has been born in Shanxi, which has been born in the Loess Plateau since he was a child. It has a flesh and blood in this thick soil. He also has a certain degree of understanding of all levels of social life and has rich experience. Pure forms of decorative taste. His township paintings have a heavy thickness and soil atmosphere. Regardless of the topic, from the creation of the atmosphere, from the characters of the characters, they are simple, authentic, rough, bitter, and full of rural flavor, such as "Map of Welcome", "Mountains", "Mountains", "Mountains", "Mountains" "The Wind", "Duan Duan June and Autumn", "The beginning of April of the Mountain Village", are full of richness of life. This coming cold and recklessness not only originated from the bitter cold life experience in the north, but also benefited from the rich nutrition of the ancient temple view of Shanxi and the richness of the tomb murals. A large number of copies of the ancient murals came from the reference.

How Wang was born in Shanxi, but the turning point of his artistic road was at the Zhejiang Academy of Fine Arts in Jiangnan Jiangnan. Often, there is a soft spot. How does Wang Zeng's style with strong characteristics of the North and South factions combine the interesting combination in his picture, reflecting the comprehensive transcendence of his aesthetic consciousness across the north and south.

Since the early 1970s, how Wang, who graduated from the Department of Art of Shanxi University, has worked in the theme art creation of the art creation group of Shanxi Province for many years. Under the care and guidance of the older generation of revolutionary artists, it is gradually mastered for theme art creation. Although this creative method is a specific method of a specific era, as long as it is mastered, it is also a valuable accumulation in art experience. , It is not invalid because the wind of the times turned. How Wang knows how to use the advantages of all factors, and use a positive attitude and artistic attitude and artistic attitude towards the art development of several different periods. The experience of theme creation enables how Wang can seize the opportunity of creation from life, and always pay attention to the organic combination of content and form in the creation with the aesthetic needs of the general public. Positive and healthy beneficial effects. All this adds the thickness and strength of the king's art.

The artist cannot choose the times, and the development of art cannot be cut off. "Zhonghe" makes the king coordinate with the essence of the essence of the artistic fashion in each specific period. The technique has never been solidified, which has made him continue to improve in the past 30 years, with many achievements and broad capacity. The span problem of the times is faced by middle -aged artists, and how Wang just gave his own unique answer to this question with his unique "neutralization".

(Yi Hong -full -time painter of Shanxi Painting Academy, national first -class artist) "Art Watch" 1997.6

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