Reading "Poetry" Note Twelve "Wind" girl · Shanyao has a certain

□ Bai Junjun

Drive my four horses,

Remove the saddle in the suburbs.

Change my four horses,

Rush to Xia's breakfast.

This is the latter four sentences in "Chen Feng Zhulin". The predecessors said that this Chen Guo nationality satirized Chen Linggong and Xia Ji.

Xia Ji is a real woman in history. In the "Zuo Zhuan", the white paper is written in black. In the court. What kind of body is this?

I don't care about it. What I asked me to worry is that the court is like this, what is the social atmosphere. It's good to say that the old saying is good. With a temple, the folk has Valentine's Day. Zheng Guoding's love is open in Zhongchun, which is a season when even grass and trees are crazy. And Chen Guo is Valentine's Day every day. In order to gather popularity, Chen Guo's Valentine's Day often engaged in singing and dancing party.

Kanqi drumming,

Under Wanqiu.

No winter and no summer,

It is worthwhn.

Probably the meaning:

Knock the drums,

Dance on the ground of Wanqiu Ping.

Regardless of the winter and the hot summer,

Holding heron feathers dancing beautifully.

The girls in the "Book of Songs" are crazy for love, and they are all lively, bright, vivid, and innocent. The girl in the "Zhao Nan · Formula" was sad when she saw Mei Luo, lest you died of youth, and he had no fixed marriage.

There are plums in the formula, in fact, seven. Actually Sanxi. Basket formula.

After putting down and holding down and reserved, the personality glory and human light that shows the true and incomplete personality is the nature of as a real person.

"Slowly laughing, looking at each other."

"Fengfeng · Jing Girl" wrote that men and women met, but the girls secretly hid, so anxious that the man scratched his ears and scratched his cheeks. The girl looked at her eyes and laughed secretly. After meeting, the girl was given by "Tong Tu" and showed her mind. The girl's naughty and lively mentality description is vividly described, and her cute image is vivid and vivid.

"If you miss me, you will raise your placket and cross the River to meet each other." This is what Zheng Guo's girl said with a lover in the "Sanosu". It was a bit of blame, but in fact, it showed sincerity, persistence and enthusiasm, and was full of lively, kind and hearty in cunning.

Love is not only pleasant and sweet, but also discomfort and pain. Idioms are fearful from "Book of Songs · Ji Zhongzi". Acknowledged, the painful girl told the boy, "Don't come to me again."

"The formula is different, and the death is the same.

Live each other rooms and bury a hole after death. Don't say that I didn't say anything, and the sun was witnessed.

The girl in "Wangfeng · Big Car" emits the most Chinese characteristic vows with Chinese characteristics, a decisive attitude, irrefutable momentum, and expressing the emotional demands of life and death in love. She uses her life to maintain her soul freedom and love dignity.

The girl in the "wind" is like the native ecological plants in the wild mountain. They are bright, refreshing, without any secular pollution, and blooming bright and eye -catching. Their love will always nourish the aesthetic heart of the Huaxia nation.

In the final analysis, the Book of Songs is poetry, and it follows the aesthetics of poetry art. We measure the high of poetry works, and we can only be poetic aesthetics. "The Book of Songs" is the ancestor of Chinese literature. It has established a great aesthetic tradition, nourishing the cultivation of Tang poetry, nourishing the magnificent and deepness of the author of "Dream of Red Mansions", and nourishing the greatness of the author of "Li Sao" Qu Yuan. Li Qingzhao's girl is girl. "Li Sao", "Dream of Red Mansions", and those women in Tang poetry are descendants of girls in the "Wind" of the Book of Songs.

Generally speaking, it is difficult to portray characters in poetry. Because, poetry. Poetry is good at lyric. So, how does the Book of Songs portray so many lifelike girls?

There are only two words in the answer, metaphor. This is technique. The philosophical concept is spontaneously followed "taking the body nearby and taking all things away."

What can the ancients use as a metaphor? Of course, the mountains of nature and water. Mountains and water constitute the most important and inconspicuous environment in their daily life. Because of this, a common famous sentence pattern is produced in the Book of Songs to metaphorize gender conditions.

Mountains ..., 隰 山 ...,

Mountains and 对 山 appear.

There are Fu Su in the mountains, and there are lotus flowers.

There are Qiao Song in the mountains, and there is a dragon.

There are hazels in the mountains, and there are Ling.

There are buds in the mountains, and there are six formulas.

There are buds in the mountains, and there are trees formula.

Native

There is a mountain, and there is a certain set of metaphors about men and women. In this sentence pattern, Shan represents men, and 隰 indicates women. Therefore, the poems that have been involved in the "Mountains with Mountains, and Qiangyou" in the Book of Songs are basically written by men and women. "My daughter is the flesh made by water," Jia Baoyu's surprise theory came from here.

With landscapes metaphorical, the cultural source is very far -reaching. When it comes to Fuxi gossip, when it comes to "Zhou Yi", it will be too far away, regardless of.

Girls seem to be like flowers.

Those innocent "wind" girls with a strong youthful atmosphere are the most perfect women's ancestors in my development! It is also the healthiest girl in Chinese literature!

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