Non -heritage | The first exhibition of the first Guangzhou Non -Heritage Art Fashion Week, "Non -Heritage+Fashion" encountered a new spark

On June 25, the "Jianxian Cailai -Qu Tingnan Collection of Guangzhou Thirteen Elements Times, hosted by Guangzhou The Life Products Exhibition "The Exhibition of Real Estate" and "Guangzhou Non -Heritage Activation Works Exhibition" was carried out in the Guangzhou Library to take new steps to explore the experience of "non -heritage+fashion".

Seeing the past, appreciate the oriental aesthetics that the world yearn for hundreds of years ago

At the event site, Qu Tingnan, the inheritor of Guangxiu and the curator of this exhibition, shared the collections and clothing behind the collections and the non -heritage skills and stories behind the handed down crafts. Eastern aesthetics.

The works on the exhibition of "Jianxi Zhilai -Qu Tingnan Favorites in the Thirteenth Elements of Guangzhou Thirteen Elements and Destiny of Life Products", mainly crafts exported from Guangzhou during the "Thirteenth Ring" period, including clothing and paintings , Daily necessities, etc., a total of 70 sets. More than 100 years ago, they scattered across the world and became the "heir live treasures" of collectors. After going through the migration, the batch of works returned to their birthplace -Guangzhou. At that time, the ingenuity and wisdom of the craftsmen became well -known intangible cultural heritage after generation inheritance.

Exhibits of exhibits are all sighing the exquisite traditional craftsmanship. Among them, the clothing collections represented by the sauce color of the sauce of sauce in the Qing Dynasty of the Qing Dynasty, the dragon robe represented by the Jiofu robe, with the sauce as the ground, the collar, the sleeve side decorated with the golden edge, the stone greenin satin with the sleeves, the dragon is the core element, and a large number of clouds, and a large number of clouds, and a large number of clouds, and a lot of clouds. Bat, flowers, and dark eight immortals are decorated; the fine gold in the middle of the Qing Dynasty is a bit of tribute to the Guangdong Customs, and the workmanship is extremely exquisite. Bird hair, there are fairy cranes, peony, bees, and puppets, which mean husband and wife harmony, hundreds of sons and thousands of grandchildren, longevity auspiciousness; as well as Xiangyun gauze, coral red border, embroidery embroidery, red silk to three blue plate gold Embroidered pleated horse noodle skirt, ivory stranded rampa, narrow -sleeved men's gown, wool down embroidery three blue tables ... the crafts have their own clothes and daily necessities with different shapes and colors. Wardrobe "," Grand View Garden "in the Bay Area Clothing Cultural System. These exquisite collections reflect the spirit of the Guangfu people dare to be the first, courageous, and the ingenuity of the inheritance skills.

Due to the relationship between China ’s foreign maritime trade since the 18th and 19th centuries, the world -famous Chinese -foreign trade period in the Guangdong -Hong Kong -Macao Greater Bay Area has appeared in the Guangdong -foreign trade point -Guangzhou’ s “Thirteen Elements” Maritime period. At that time, the fertile land in the Greater Bay Area was densely set, nourishing and promoting the development of mulberry manufacturing. People are leading, wearing fashionable, wearing a satin, wearing pearls of green. Most of the daily clothing is mainly silk, the fabric is particular, the workmanship is exquisite, and the collar and the sleeve are complicated. The most important dress uses a large area of ​​embroidery, with gorgeous colors and harmonious colors. The themes include flowers, birds, gardens, landscapes, etc. with local characteristics. It is more particular about with clothing, dotted beads, ivory painting fans, embroidered folding fans, etc. This kind of self -recognition from the people from the Greater Bay Area has expressed the joy and pride of the Chinese inner heart, which has always affected the world's longing and pursuit of Oriental Aesthetic.

Look at the future, the activated non -heritage leads new fashion

The aesthetics of the eighteenth and 19th centuries that swept the world, which is popular in the world, is the return of the contemporary fashion.

On the other side of the exhibition hall, the "Guangzhou Anti -Heritage Activation Works Exhibition" is immersed in the charm of "non -heritage+fashion". A series of activated works that show the traditional non -heritage essence in a series of fashionable languages ​​such as Guangxiu, Cantonese furniture, and Guangcai, which fully demonstrates the "Millennium Capital" Guangfu people learned to know and activate non -heritage. A younger innovation concept.

At the exhibition site, a series of reciprocating works based on traditional Guangxiu patterns are quite eye -catching. Among them, compound embroidery prototype comes from the "Clear yellow satin peacock flower and bird map hanging screen" collected by the 13th Elements Museum of Guangzhou. The clear texture of the front line seems to be able to see the lifelike state of traditional embroidery.

Guangxiu Cultural and Creative Clothing Leather is also surprising. The iPad dustpin clip combines the characteristics of the Internet "Young people love more" characteristics, integrate into the traditional handmade Angola lambskin element, and perform hand -embroidered iPad dust clips. While inheriting the non -heritage, do not forget to express the attitude of conservation and innovation with the times.

The widening and new materials crystal resin, the clever combination of the crystal resin, the visible tenon -and -mortise, one -leaf fragrant boat, etc., show a diverse, trendy youthful attitude and green environmental protection concept of contemporary development concept. Through the comparison of the texture, color, and sense of the times, it has injected new vitality into Cantonese -style hardwood furniture production skills.

In addition, a group of gorgeous Guangcai tea sets and tableware also interpret the possibility of non -heritage to fashion life. For example, the Guangcai tableware "Fairy Tale" with the theme of "Hundred Days Banquet", the core of the painting is mainly red and green, and uses a large number of bamboo trees and hundreds of flowers, which means that new babies grow up and grow up, full of hope and vitality.

(The picture is provided by the organizer)

Responsible editor: Gou Xiaoqing

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