Oil Painting Department "One Class in the World" online series lectures 13 lectures ending

Author:Central Academy of Fine Arts Time:2022.06.25

On the evening of June 20, 2022, the last lecture of the "Online Series Lecture" of the Oil Painting Department was brought to a wonderful lecture entitled "Contemporary Art under the Global Vision". Fan Di'an, Dean of the Central Academy of Fine Arts, came to the online classroom on the occasion of the lecture to communicate with the classmates. Zhang Lujiang, director of the Department of Oil Painting, presided over the lecture.

The "Online Series Lecture" of the Oil Painting Department is based on the concept of "a lesson in the world". A total of thirteen lectures were set up in this semester, including "Historical Painting", "History of Modern Painting", "History of History of Modern Painting", "History of History of Modern Painting", "History of Contemporary Art" "Theme", "Russian Art of Russian Art" and "Basic Logic of Russian Avantogue Arts", "Russian Art's Tracing and Rhetoric", and "Nature and Miracle: Da Vinci Louvre Edition and the National Gallery Edition of London

Dean Fan Dian's connected lecture classroom greeting oil painting department teachers and students, and fully affirmed the careful organizational planning of this series of lectures. He said that the Central Academy of Fine Arts is in a new round of first -class construction. We must adhere to the fundamental direction of the people and let the young students of Yangmei truly have the consciousness of serving the country, the society, and the people of the people. The rich creativity has become a new generation of Chinese art development. The school should create more academic conditions, help students take the direction of their lives, solidly embarked on a higher artistic realm, and grow into artists with independent consciousness and creativity. Van Dian pointed out that this goal is specific to the oil painting department, which is to cultivate new talents in Chinese oil painting in the future. This series of lectures planned and hosted by Mr. Zhang Lujiang himself shows two points that need to be grasped during the first -class construction process of Yangmei Double: First, to increase the comprehensive cultivation of all students, especially cultural literacy. Oil painting is a major that emphasizes hands -on practice, but before "hands -on", you need to move your brain first. Especially in the context of today's image and information age, various fragmented art information not only occupies our horizons, but also gives birth to a fragmented thinking, which makes the information lose its original, cultural, academic academic , Professional, systematic coordinates. There are many lectures organized by the school. From the theme of the oil painting department this time, from the perspective of knowledge composition, a series of lectures are formed, which is very well done. This series of lectures in series of art development history, understand various art phenomena, and even specific genres, famous works, and the reasons for their generation, development, and ending. It is of great significance. The second is to improve and enhance the ability of students, that is, the ability to use oil painting language. The oil painting department has a deep century -old tradition. It is not only to promote the excellent experience in the tradition, but also to improve the students' innovation ability. To develop in tradition, we need to use deep humanistic literacy and solid modeling ability, the two main pillars, to solve the specific topics faced by practical curriculum and express oil painting.

Combined with the theme and content of this series of lectures in the oil painting series, Van Dian said that based on today's China, the focus of oil painting major needs to focus on solving the problem of China's current "oil painting". Oil painting is closely related to the times. Even if the language skills such as oil painting, such as the seemingly independent expression, it is closely related to the social, economic and cultural conditions of the times. Because of any tests on media, the expansion of materials and tools, and the discussion of the border of painting, it is closely related to the development of the entire society. Therefore, the students who learn oil painting must know more clearly in the era of their place, not only know the favorable conditions given in this era, but also overcome many challenges and even difficulties brought by this era. In addition, we need to solve two problems in the art of oil painting. One is how to express the theme of Chinese, and the other is to explore the Chinese language problems of oil painting. In terms of expressing the theme of Chinese, we must first broaden their horizons, look at global art phenomena, and think about what other people have done, what social conditions are based on what kind of social conditions, and what are the problems in pursuit; What problems are solved, only in this way, the creation in the brush will have spiritual value and the connotation of the times. In terms of exploring the Chinese language issues of oil painting, "the expression of oil painting" itself is a very interesting subject. Our old gentleman and the generation of oil painting have been exploring the Chinese language issues of oil painting. It is also because of the generation of generations. Efforts, after nearly a century of development, oil paintings have also become popular painting in China. Of course, the relay stick of the times is handed over to your hands. The era of oil painting language requires your generations to continue to work hard to find new topics.

In this lecture, Professor Shao Yiyang described contemporary art under the global perspective with the theme of "visible and invisible". At the beginning of the lecture, Professor Shao Yiyang used the work of German behavior artist Tino Sehgal in the 13th Casel Literature Exhibition of Germany in 2012. I was seen, I watched the contemporary art theory I was watched ", and I used Sui Jianguo, Outlook, Xu Bing, Dan Flavin, Gerhard Richter, Francis · Bacon, Damien Hirst, Anish Kapoor, Olafur Eliasson's works as an example as an example, proposed the works, which proposed "See" and "see", "visible" and "invisible" issues. She said that the darkness to defeat the society with the light of rationalism is the ideal of enlightenment. Watching is a way to recognize the world and fight for freedom. The visible nature of the subject comes from knowledge, from spirit, and art. It is the light of our own spirit, which makes us see more and has a wider field of vision. At the end of the lecture, she also discussed with you how China's contemporary art developed under the field of globalization. Zhang Lujiang, director of the Department of Oil Painting, reviewed and summarized the content of the series of lectures. He said that the Department of Oil Painting has completed a concise narrative of Western art development through thirteen academic lectures. From Professor Yi Ying's four lectures, two lectures from Professor Yu Runsheng, two lectures by Professor Li Jun, four lectures by Professor Yin Shuangxi, to the last lecture of Professor Shao Yiyang, the content has logically advancing. The five professors are from the content, functions, functions of oil painting to meaning, from the single to diversified form, from aesthetic needs to ideological expression, and interlocking narratives. Method -the history of social development determines the history of art development. He said that the goal of cultivating talents in the Department of Oil Painting of the Central Academy of Fine Arts is to grasp the direction of oil painting creation from the correct historical outlook, cultivate and reflect the creative talents of the current era. As a teaching base for cultivating oil painting creation "regular army", the students of the oil painting department must first master the correct historical outlook, so that they can enter the methodology of all classmates. I hope that all students of the oil painting department will improve their personal cultural cultivation and be in the country's social environment. Think in the cultural context and strive to become a new generation of Chinese contemporary oil paintings.

丨 "One Class in the World" series of lectures 13 Lectures

The series of lectures are chaired by Zhang Lujiang, director of the Department of Oil Painting, Yuan Yuan, the secretary of the party branch of the party branch, Liu Shangying and Shi Yu in turn