The special exhibition is here!Why does "Chinese Painting Department" holding Jiaxing?

Zhejiang News Client reporter Li Jiaojiao Li Duo

"The Dragon of Chinese Painting" Jiaxing Special Exhibition. Reporter Wang Zhijie Photo

On June 24, a special and grand exhibition opened here. This is a special exhibition of "Shengshi Ceremony -Chinese Painting Department".

As we all know, the "Chinese Painting Department of China" with a 17 -year "cultural long -distance running" has gathered in ancient Chinese painting that has gathered through the vicissitudes of thousands of years and scattered around the world. Previously, in Hangzhou, based on thousands of publishing proofing file archives, the exhibition of the "big department" surprised the swarming visitors and became a major cultural event. Soon after, they will also go to the National Museum of China to continue exhibiting.

However, why did you choose Jiaxing to host this special exhibition at this moment? To answer this question, I have to mention a city and one person.

Citizens appreciate the art exhibition at Jiaxing Art Museum. Reporter Wang Zhijie Photo

The city is Jiaxing, and people are Xiang Yuanzhang. Jiaxing is a place where it is prosperous since ancient times. For many readers, Xiang Yuanzhang is a strange name. But if this may not be the largest private colleague in the history of Chinese calligraphy and painting, we are likely to not see a large number of precious paintings in "Chinese Painting Department".

A great collector, a grand exhibition, and an ancient city met again in the same time and space.

What the three aroused together were a long tradition and a context of an ancient city. While Jiaxing's implementation of the "big department" project, relying on cultural heritage and developing historical relics, we not only witnessed Sheng Shiqing, but also saw how to light up the future of an ancient city with thousands of years.

Tiansi Pavilion

Hui Eye hides a history of art

The "paintings of Chinese paintings" have a unique place in Jiaxing Special Exhibition, which is one of the "Tiantian Pavilion Old Tibetan" unit.

The Tiantian Pavilion is the pavilion of Xiang Yu, a big collector of Jiaxing in the Ming Dynasty. This is a big tent of the iron piano collected by him. This piano is the master of the Jin Dynasty master Sun Deng. There are two eight -point characters: Teana.

The authenticity of Qin is yet to be verified, but the essence of the rich collection of Xiang Yuanzhang is indeed worthy of the word "in this nature. This has the scrolls and seals that he covered in many valuables. Walking through the ancient paintings, "Xiang Zijing Collection", "Xiang Yuanyin Seal", "Tiantian Pavilion" or "Tiantian Pavilion" and other seals passing by from time to time.

Wang Xiaosong, the curator of the "Big Department" Jiaxing Special Exhibition, guided us to enjoy a picture of Ma Yuan's "Liu An Yuanshan Map". This masterpiece hidden in the Boston Art Museum, through the 1: 1 high -fidelity digital sample draft, is lifelong to the current audience.

"Chinese Painting Department of Chinese Dynasties" Jiaxing Special Exhibition was photographed by Wang Jinchao

Near, Cuiliu Lana, thin plums; in the distance, Lin Yanyu, light smoke. In particular, in the large blank spaces of the water and sky, three huge vermilion "Xiang Yuanyin", "Mo Lin Secret Play" and "Xiang Molin Appreciation Chapter" clearly informed that this was once this is the former that was once. Xiang Yuanzhang's collection.

Cui Quansen, deputy director of the Institute of Culture of the Jiaxing Academy of Social Sciences, told us that Xiang Yuanzhang was a native of Mo Lin Mountain. Xiang Yuanzhang has been a rich second generation. Since the age of 15, he has experienced collection experience, and has continued to expand since then, with painting and calligraphy.

A big hobby of this big collector is stamping, especially his favorite collections, sometimes covered with the original blank space. According to legend, the "Female History Phase" painted by Gu Kaizhi, or the earliest Chinese painting that has been reserved so far, is self -evident. He even left nearly 100 seals.

But inadvertently inserting willow, Xiang's seal has therefore become a proof of the value of collectibles and authenticity. The inspection and calligraphy of ancient paintings, especially the collection of ancient calligraphy and painting, especially Jin, Tang, Song, and Yuan Yuan, mostly used Xiang Yuanzhang's conclusions. This may also be an important reason why Xiang Yuanzhang's collections can still be retained after vicissitudes.

In the corner of many Tibetan paintings, Xiang Yuanzhang's carefulness can be found. For example, the edge of Han Yan's "Five Cows" has a small word "this".

Ma Yuan Songyin played with deer pictures was provided by the great painting group of Chinese painting.

The collection of Xiang Yuanzhang is endless. Wang Xianzhi's "Mid -Autumn Festival Post", Zhang Xu's "Cursive Ancient Poems of Ancient Poems", Li Bai's "On Balcony Posts", Du Mu's "Zhang Good Poems", Han Yan's "Five Nights Pictures", Su Shi "Qian Chibi Fu", Huang Tingjianjian "Self -Book of Songfeng Pavilion Poems", Mi Yan's "Poetry of Poems", Zhao Mengfu "Yanjiang Die 嶂 Poetry Volume", Wen Zhengming's "True Reward Fasting Volume", any of them are every collector dream And they used to enter the Tibetan Tiansan Pavilion.

Professor Feng Zhiguo, a professor at the Chinese Academy of Fine Arts: "Xiang Yuanzhang is the largest private colleague in the history of Chinese calligraphy and painting. He has become an indispensable key figure in the history of calligraphy and painting with the collection of Hongfu." The classical spectrum system of ancient calligraphy and painting collections, the "Jiaxing Xiang family" represented by him has also become the most important family phenomenon in the history of calligraphy and painting. Some of his collections were not important at the time, but it was later proven to be valuable to the city, which shows its excellence.

For example, the painting of painting in the Ming Dynasty was light and realistic. However, Xiang Yuanzhang's works of the painters of the Southern Song Academy such as Li Tang, Liu Songnian, Ma Yuan, Xia Gui and others, and even the works of no -money college paintings were collected. Han Qianzhao Ye Bai Tu Local

Li Tang's "Cai Weitu", Boyi's uncle Qi "does not eat Zhou Su" to starve to death, reflects the patriotic feelings of the Southern Song society after the change of Jingkang; The old man's routine to return to the village highlights the quiet and distant life of Linju's life in the Song Dynasty.

If it is said that hundreds of years ago, the owner of the Tianxing Pavilion, Xiang Yuanzhang and the Xiang family, consciously assumed the mission of guardianship, protecting the country, and inheriting blood. Then, in the new century, with the major national publishing projects, more than 1,2250 treasures that spread all over the world have returned to the sea in a special way, and they will always retain the bright light of traditional Chinese art for future generations.

The fate of a painting is often connected with the context, and it is the same as the national movement.

Cultural circle

Open and extend a section of inheritance

Xiang Yuanzhang is a big collector, but he is not the high cabinet of the collections, "secrets and not declare." Compared with the possessive desire that he has frequently stamped, he is actually very "generous".

"The biggest feature of Xiang Yuanzhang is different from other collectors of all generations. It is often to study and play with literati and collectors. He can also call painting and calligraphy, and thereby forming a Jiaxing school." Shen Hongmei, the curator of Jiaxing Library, express.

The fourth -floor exhibition hall of the special exhibition, under the lining of the red wall, hangs the Danqing painting rolls on it, shows the charming luster that has been moisturized by the years. The famous paintings influenced by Xiang Yuanzhang as the core of the cultural exchange here are selected, and 215 works are selected. Xiang Yuanzhang's "socialist" attribute was also exposed.

It is especially worth mentioning that Dong Qichang and Qiu Ying.

"Chinese Painting Department of Chinese Dynasties" Jiaxing Special Exhibition was photographed by Wang Jinchao

Dong Qichang traveled to Jiaxing at the age of 20. Xiang Yuanzhang's eyes knew the beads and did not care about the age difference. Although Dong Qichang was still a bachelor of poor bachelor at the time, he still provided his study and observation. This is an extremely important turning point in Dong Qichang's artistic career. In the decades, he often went to Xiangjia to observe and eventually became a generation of masters.

Qiu Ying, one of the "Four Ming Family", has lived in the Xiang family for more than ten years. Qiu Yingyuan is a painter, but he loves painting and is famous for his good painting and calligraphy. Of course, Xiang Yuanzhang, who was good at making friends, noticed Qiu Ying. As a result, Xiang Yuanzhang invited Qiu Ying to provide him with various preferential trees in life, so that Qiu Ying could calmly study these original works, and his paintings became increasingly refined, such as fish. The relationship between the two of them became a good story.

Those and elegant people who came to Jiaxing ascending the Tiansun Pavilion have formed a unique cultural communication circle around Xiang Yuanzhang's collection, allowing us to appreciate the open and inclusive cultural atmosphere of Jiangnan.

In fact, after Xiang Yuanzhang, Jiaxing's paintings and calligraphy masters came out. Li Rihua was compared with Dong Qichang's painter and collector in the late Ming Dynasty. The "Mustard Garden Painting Book" of Wang Jiu's Three Brothers was the most complete, most systematic and most distributed Chinese painting textbook in history. Pu Hua is the pioneer of the "Maritime Painting School", and it is also known as Ren Bonian, Wu Changshuo, and Xugu.

The Jiaxing Guo family represented by Guo Zhao and Guo Sixi has released 17 painters in a generation. The Jiaxing Dong family represented by Dong Yan and Dong Yao, two hundred years of calligraphy and painting. Such a family of calligraphy and painting is rare in the country and has obvious Jiaxing characteristics.

Students visit the exhibition outdoors (painting wall) part. Reporter Wang Zhijie Photo

The local Tibetan play of Jiaxing has endlessly, and antique transactions are still strong. The famous local Yuehe Ancient Play market can witness all this. Su Weigang, executive chairman of the Jiaxing Collection Industry Association, was born on the nearby Tangwan Street. Since following the predecessor of the Jiaxing collection industry, he went to the auction and bought the first collection in life. He said: "The Jiaxing collection is inherited. Now there are hundreds of official members of the Jiaxing Collection Industry Association,"

水 Hehe Art Museum, Zhongshui Art Museum, Dongzha Contemporary Art Center, Qihara Museum, Renren Museum ... According to incomplete statistics, Jiaxing has more than a dozen folk art museums. Most venues can be exhibited or traded, and have the function of art gallery. Some art galleries also signed contracts with artists from the Central Academy of Fine Arts, the Chinese Academy of Fine Arts, and also held various exhibitions and lectures on weekdays.

Jiaxing's private collection of private books has also appeared in the earliest public library in the country's first -level public library in Jiaxing Library and the earliest county -level library Haining Library.

Shen Hongmei said, "The reason why Chinese civilization can become the only persistent civilization in the world and has been uninterrupted for thousands of years without interruption is inseparable from the inheritance and care of traditional culture such as Xiang Yuanzhang. "

Digging and reproducing their style is an important way to inherit the context. Taking the "big department" results as an opportunity, Jiaxing launched the research project of "Jiaxing Calligraphy and Painter" that influenced Chinese culture, including "Jiaxing Painting and Calligraphy Literature Integration" and "Jiaxing Painting and Calligraphy Celebrity Records". The cultural brand effect of "Calligraphy and Calligraphy Art Watch Jiaxing".

Dan Qing is not old and echo for thousands of years. Hechengwei

Write a new page for a thick background

If you stand at a high -altitude bird's eye view, Tianxing Pavilion is located on the historical and cultural axis in the old town of Jiaxing.

This central axis connects the development of ancient and modern cities in Zicheng. From the Jiaxing City Government to the Tower Tower, passing through Zicheng and Pingshan, the child tower finally arrived at Wangwumen, becoming Jiaxing's urban cultural axis dedicated to showing the history of the city, protecting the ancient city pattern, and inheriting the historical context.

Tiantan Pavilion was destroyed more than 300 years ago. According to experts, it was speculated that its old site was about the west side of Pingshan in Jiaxing City. Between the Tangjia Nong and Pingshan, the reporter saw that the recurred Tianye Pavilion Floor has just been beaten.

The construction of the core area of ​​the ancient city of Jiaxing, which is centered on the Tianxing Pavilion, is one of the main contents of the three -year action plan of Jiaxing's Cultural Renaissance.

The immersive experience exhibition hall of the "Chinese Painting Department" in Jiaxing Special Exhibition. Reporter Wang Zhijie Photo

This plan will show the "Hecheng Weisi" of the old city. In the process of writing the city's history of more than 1700 years into the quality improvement process of the central city, the most memorable "Jiahe Eight Scenery", "Seven Tower and Eight Temple" and other representative relics Come back, dig out the most flavorful "old name", create a key block that best reflects the city's style, and integrate historical culture and modern life.

"After various departments have studied many times, especially after the achievements of the" big department ", we planned the sub -city plot, the original first hospital plot, and the Tianya Pavilion plot to create the characteristics of Jiaxing history and the characteristics of the new era. The consensus of new landmarks with domestic recognition and international influence is further deepened. "Chen Jianjiang, deputy director of Jiaxing Culture, Radio, Television Tourism Bureau, said.

The Zicheng Site Park was opened in 2021, becoming a new landmark for citizens and tourists to punch in. It can be imagined that such a picture, along this central axis, citizens and tourists feel Jiaxing's context all the way.

Can the Tianya Pavilion after the reconstruction become the center of culture and art? In the past, can the grand occasion of the art of enjoying the art reproduce? The local people in Jiaxing are also full of expectations for this upcoming pavilion.

Fu Qihong, who has worked in the Literary Federation, has become the biggest hobby in her life. "I hope that in addition to restoring the functions of old books and display in the old days, I also have cultural spaces such as famous studios, small exhibition halls, and art galleries in the surrounding area to provide enthusiasts with the center of communication." Fu Qihong said.

As a member of the Jiaxing Artists Association, Wu Guoxiang outlines countless wonderful pictures in life with a brush. Wu Guoxiang said: "I hope that the Tianxu Pavilion can introduce leisure services, city books, etc., so that it can fill the taste of life."

Citizens appreciate the art exhibition at Jiaxing Art Museum.

In the plan, Tianxun Pavilion refers to the "Vatican Map" made by Xiang Yuanzhang, with the style of the Ming Dynasty as the style, the library as the architectural shape, and the gardening as the overall characteristics. In view of the scattered all over the world in the old collection of the Tiantian Pavilion, Jiaxing will try its best to collect and organize the status quo of the Tiantan Pavilion collections scattered at home and abroad, copy calligraphy and painting works, and establish a complete information database.

The meeting of the Standing Committee of the Jiaxing Municipal Party Committee conducted a special research, listed the "big department" to the Jiaxing as the "No. 1 project" of the Municipal Party Committee's cultural work, and wrote it to the ninth party congress report and the "14th Five -Year Plan" development plan.

At present, Zhejiang University and the People's Government of Jiaxing have signed a cultural cooperation agreement to promote school -land cooperation to start a new situation. According to the agreement, the two parties will combine the research results of Zhejiang University's "Chinese Painting Department" with the rich resources of Jiaxing history and the rich resources of the revolutionary culture. Strategic cooperation in orientation.

Jiaxing took the initiative to undertake the "big department", and the "big department" chose to land in Jiaxing. It was not only because of the historical and humanistic temperament of the same source and the expectations of the same direction of cultural development. Comprehensively implement the determination and courage of the Central and Provincial Party Committee's decision -making and deployment.

In the second half of the year, the "Chinese Painting Department" exhibition will enter the National Museum, and the Xiang Yuanxuan unit of Jiaxing Special Exhibition will also enter Beijing together, allowing more audiences to experience the profoundness of Chinese history and culture.

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