This Qinqiang mythical drama, the "Tang monk and apprentice" in his early twenties pick the beam

On the evening of June 19, the Qinqiang mythical drama "The Tang Seng of the Westward Journey to the Monk" participated in the 9th China Qinqiang Art Festival show, and a group of children in the early twenties of the students in the tenth student training class of the Shaanxi Provincial Opera Research Institute picked up the beams.

The next morning, these young starring actors were still immersed in the excitement performed last night and accepted an exclusive interview with a reporter from the Culture and Art.

Zhang Yu (as Sun Wukong)

"How to show that Sun Wukong's personality is difficult"

"For the first time to participate in such a large -scale performance of the China Qinqiang Art Festival, my mood was particularly excited and nervous before the performance. The martial arts tested and coordinated. I was afraid that there would be an impact on the performance. Fortunately, the performance was very successful and I was very happy and relieved."

Zhang Yu, the tenth student training class of the Shaanxi Provincial Opera Research Institute, is martial arts, and must be born. This time, he played "Sun Wukong" in "The Tang Seng of the West". Under the stage, he was young, calm and peaceful, and he couldn't imagine what he would have the same as "monkey".

Entering the Qinqiang industry originated from the family origin. His father is also a opera actor. At a young age, he grew up under the influence of this line. He followed his father to the countryside and watched the performance in the theater. At the age of 12, he proposed to learn this line with his family, so he was admitted to the tenth student training class of Shaanxi Opera Research Institute.

"Sun Wukong is a particularly familiar role of everyone. To make everyone satisfied, it is difficult to be satisfied with everyone. It is difficult to grasp the personality, naughty, and not afraid. As a result, how to show Sun Wukong's personality is difficult. "In order to quickly find the role, he made a lot of effort. The director's inspiration demonstration, read the novels of" Journey to the West "by himself, and read the way of many predecessors artists to play monkey shows. In the same state, it took three months to gradually find the character's feeling in the mirror training expression and effect.

Sun Wukong's role drama "eats heavy". When the play was just ran out, it was played by two people. Today, he can already perform the full play in one person. "Basically, every end of the game is packed and rushed to the stage after catching up. Usually training and drama have formed habits, and they will be reasonably distributed."

Zhang Yu said that he would do his best to pass on his greatest efforts to Qin Qiang. "Let all audiences and fans know our tenth student training class."

Luo Yuanzhang plays Tang Sanzang

"I hope to fight the team first, not just the five northwest provinces"

"It is a great honor for our work to appear at the Ninth China Qinqiang Art Festival. This play is the third big show of the training class."

Every time I play "Journey to the West", although I did not participate in martial arts, when I watched the background, I sweated for the actors who played martial arts. Essence

Luo Yuanzhang's parents are also engaged in the Qin cavity industry. His father is a performer and composition, and his mother is an actor. He was influenced by his childhood. When he was 12 years old, he studied the training class of the students of the Opera Research Institute from his parents. His parents advised him to work in the band, but he liked to work in front of the scene since he was a child, and resolutely chose the actor industry.

When it comes to shaping the role, Luo Yuanzhang talked that the role of Tang Seng and his own imagination was relatively large. "This role is difficult to play. His deepest impression is sincere and pedantic. The apprentices sometimes do not distinguish between blue and red soaps. The advantage is that they have a firm belief, persistent pursuit, and tenacious perseverance. It is more complicated. To be honest, until now, I have not grasped the inside feelings of the characters, and the acting is very accurate. "

Regarding the future prospects, Luo Yuanzhang said, "I hope to play the team first, not just five northwest provinces. I hope that all the dramas in the country know that the Shaanxi Provincial Opera Research Institute has the tenth student training class. Younger generation. "

Guo Peng (Play as Tang Sanzang)

I hope that I can not only learn to sing, but also be able to contact more traditional culture

"My dad, my mother, my aunt, my uncle ... are all in this circle ..." Talking about the experience of the art, Guo Peng counted him around him. He said that almost everyone at home was in opera. There are actors, drums, and behind the scenes. They grew up listening to the show from a young age. In this atmosphere, he naturally embarked on the path of learning the drama.

For the first time, Guo Peng performed on the stage as a protagonist. He followed Mr. Yang Rongrong to participate in the show "Rounding China" in 2018. He played the role of the Tang Dynasty poet Cui Hu in "Taoyuan Borrowing Water".

Guo Peng said that for the first time, he would provoke such an important role and cooperated with the artist of the art everyone. He started to sit and lie on the day before the performance, and was so excited that he couldn't sleep. Because of his age, he could not do much about Cui Hu who was in love when he was famous for Sun Shan, so the performance was not particularly outstanding, but he was also called successful performance. The "Taoyuan Borrowing Water" brought Guo Peng far more than a successful performance, but at the time, Mr. Yang, who was 71 years old at the time, took him 17 years old to the stage. Feel the meaning of the word "inheritance".

In addition to Qin Qiang, Guo Peng's hobbies are also surprisingly traditionally traditionally traditionally. He likes to draw, draw some players, and like to learn to do costumes, opera helmets, and armor. He hopes that he will not only learn to sing, but can contact and learn more traditional culture related to opera, and keep persisting. When rehearsing "The Tang Seng of the Journey to the West", Guo Peng was still learning the role of another martial arts, and he had a great contrast with the role of Tang Seng. Be sure to suppress Wu Sheng's strength. When the rehearsal gradually entered a good realm, because of the role of Xu Xian in other plays, his body had a tendency to have a tendency, which made Guo Peng himself a headache. Guo Peng said that during the rehearsal of the show, his biggest gain was under the guidance of Director Zhang Siquan, and learned to grasp the balance of the role. "Tang Seng is a very atmospheric character. You can't pass the text or be martial arts. You must strictly control it on the balancing point of civil and military in order to perform his essence."

Once because of the inverted period (the opera actor became lower or dumb during adolescence), Guo Peng thought about what to do if he couldn't do it well, and could not even do this. Father and many teachers comforted him not to give up. The effort will definitely gain. So Guo Peng said that he would not leave the circle of opera because his original intention was here; if he wanted to choose another profession outside the opera, he wanted to do the host of the opera show, so he could continue to learn what he learned. Handed down.

Ma Yan (Playing Zhu Bajie)

"I don’t want to come down on the stage, I always want to perform"

Ma Yan, the tenth student training class of the Shaanxi Provincial Opera Research Institute, must be born. This time, he played the "Zhu Bajie" in "The Tang Seng of the Journey to the West".

In an interview, he said that he couldn't speak, but he revealed humor and cuteness between the conversation. "Zhu Bajie is a character that everyone likes very much. The applause of the audience is very excited. I don't want to come down on the stage and always want to perform."

His parents are all Qinqiang actors of the grassroots college. He has been familiar with the stage since he was a child. At first, his parents didn't want to let Ma Yan learn Qin Qiang, and felt that this line was too bitter. Later, I learned that the Shaanxi Provincial Opera Research Institute enrolled students. This unit was the dream of grass -roots actors, and then agreed to the exam.

Playing the "Zhu Bajie", the most headache for Ma Yan is that his main worker must be born, and the request to be born as a stable image is stable, but the role of "Zhu Bajie" requires thick and naughty, especially the shape and performance. He used two or three. I found the feeling in a month.

"From a very positive" character state to a funny feeling. Director Zhang Siquan helped me very much. He talked about a lot of inner activities of Zhu Bajie, and slowly adjusted me and slowly performed. "

Asked how his parents had evaluated after watching his performance, Ma Yan smiled and said, "Okay."

Wei Auning (playing the sand monk)

Except for singing, I have no realization of other things

"11 -year -old elementary school did not take the test. My dad said that he would not send you to study the show. I said that line." So Wei Auning followed his father into the world of Qinqiang.

Since the beginning of learning, Wei Auning feels like getting through the meridians of the whole body and found the best thing for me. He said that his biggest advantage is "high understanding", and he can always quickly control the sense of drama of the character. This kind of enlightenment seems to only perform in learning drama. In addition, he doesn't feel anything. At the beginning of the interview, Wei Auning was a little worried that he could not answer the question, and when he was later asked if he felt that he had the talent of Qin Qiang, he did not hesitate to say, "That must be!"

Although Wei Aining feels that he has a high understanding, this does not mean that he can be unobstructed on the way to studying the drama with the so -called talent. Wei Auning was a special show in the training class of the Shaanxi Provincial Opera Research Institute's training class. Due to injuries one week before the performance of his classmates, he was ordered to pick up a role he had never learned- "Baishui Beach" Tiger". So he got up early, and after studying four days and two days of previews, he went to Taiwan. He also had what he was most worried about during the performance: drop the hat. However, the performance was successfully completed, and in this process, talent was obviously only a part, hard work and seriously penetrating his learning life life.

Affected by his father Wei Xiaobing, Wei Auning learned Qin Qiang's main attack. He said that his father was the person he admired the most on the art road. The goal of Wei Auning's current stage is to practice his throat and then lift a traditional flower face, and he especially wants to play the "Later Three Positives" in "The Beauty Case", because the father of this play has played countless times, he watched it. He watched it. His father was very enjoyable, so he also thought about this addiction. This reason seems simple, but inexplicably feels a real purity.

In the ninth China Qinqiang Art Festival, Wei Aining plays the two roles of the thief and the sand monk in "The Tang Seng of the West". In order to better perform the differences between the two characters, he watched the performance of many old Peking opera artists, turned out the 80 version of "Journey to the West" repeatedly, and asked many brothers with the ugly horn to get the scriptures. The "thief" changed to the feeling of leading the king of the shrimp soldiers. The performance was very successful, but he said that there was no satisfaction for him, and every game was not good, and every game was more complete than the previous game.

Wei Aining has experienced a difficult period of warehouse as most of her classmates, and even has a longer position than others. He also had the idea of ​​whether to give up, but he felt that giving up not only wasted his "understanding", but also disappointed his love for the stage. He hoped that he could always stand on the stage and stand under the spotlight. Lu Jiangtao plays Xiaobai Dragon

"The character does not distinguish the size, as long as you can grasp the heart of the audience, it proves the success of my shaping."

"I heard the audience's applause, applause, and shouting. I couldn't be calm for a long time, and I was always excited.

Lu Jiangtao, the tenth student training class of the Shaanxi Provincial Opera Research Institute, is a young student of the main worker. Play "Little White Dragon" in "The Tang Seng of Journey to the West" this time. He is also a child of Liyuan. He was influenced by his parents since he was a child. He liked opera very much, and naturally entered this line. "My mother was born in Wan Dan. She started to learn the band at the beginning. My dad said it was still an actor."

"Little Bailong characters are the same as what I have learned. The inherent impression of the audience is that there are three apprentices in" Journey to the West ". Director Zhang Shengquan specializes in this drama for our tenth student. The fourth apprentice is the fourth apprentice. 'Little White Dragon', the role of Xiaobai Dragon in the previous courtyard is not so many plays, and the plot is closed in the Tang Seng's collection of the little white dragon. "

Although there are not many plays, Lu Jiangtao is impressive, because he is more fit with the role, and he has entered the role fast. Most of the time, Zhang Yu, who plays "Sun Wukong", is practicing the field to practice "handle" and skills. He mainly practiced tacit cooperation to ensure that everything is lost. Every time he rehearses, he must use his best to ensure the performance on the stage. He said: "The character does not distinguish the size, as long as you can grasp the hearts of the audience, it proves the success of my shaping."

He sincerely said, "I hope everyone can see the youthfulness, beauty of our tenth phase and the cooperation of the entire team, and hope that this play will live up to the expectations of the fans. I will always be in this industry. It is my career in my life."

Culture and Art Network-Cultural and Art News all-media reporter Zhao Zixi intern Zhao Yimo

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