[Yan Gongda • Baoyuntang Art Review] Reading 48 Remember: Personality Express the Beauty of Calligraphy

"The New Words of the World" contains: "Xie Taifu Dao Anbei: 'Seeing it is not annoying, but the households go to the house to make people think about it. I am tired, but he will not miss it after leaving. Huang Tingjian's "Book of Self -discipline" has a saying, "You Meng talked about it, is Sun Shoao?" Does it mean that you can play Sun Shoao You Meng can it be Sun Shuao? If these two stories are used to learn more than calligraphy, it can make people understand: First, the calligraphy is pleasing to the eye, but if there is no personality, it is difficult to stand in the book world and leave the name in the history of calligraphy; The second is the ancient times of calligraphy. Therefore, Mr. Yan emphasized in the article "The World of Being Quiet":

The meaning of art lies in the personalization of its creation, and the profound artistic expression is based on the profound spirituality of the artist. ("Baoyuntang Art Review")

There is a creative personality. Artistic personality is the base point of artistic innovation. All artistic creations all show the author's personality to a certain extent. Zhu Xu, a famous acting artist of Beijing Renyi, requires his "bottom line" for his art "personality" or even "horizontal". The importance of artistic creation is also the direction of every artist for life.

Dong Qichang's Tang people should make two songs on the 9th

Liang Qichao said: "There is a element of art, that is, expressing personality. Personality performance, all kinds of art can, that is, as shown in pictures, carvings, and architecture, all of them are in the middle." So, the expression of personality is particularly prominent in calligraphy art. Essence In the history of Chinese calligraphy, since the Tang Dynasty, personalization began to be noticed by the scholars. For example, Li Yan recognized that "the person who likes me is vulgar, and the one who learns me." Materials and books are the same. "Shi Yaqi even believed that" if the law enforcement remains unchanged, he can enter the stone three points, and it is also the scholar. They all emphasize the personalization of calligraphy. By the Song Dynasty, the personalized book style had formed the consensus of the times. For example, Su Shi's "my book cannot be created", "I can make a new idea, and do not practice the ancients."自 "Both the old beginning and self -seeing the family, seeing it, do not know what ancestors are ancestors." These still -purpose book writers have a strong spirit of innovation and carry out personalized calligraphy practice on the basis of Bogu. Mr. Ruyan pointed out that "personality is innovation" and further explained: "Art is not in new and old, but in beauty and ugliness. The new 'new' must be from tradition, from the traditional, and the accumulation of hair can only be new. " The "Pavilion Body" has become a must -use calligraphy of scientific examinations. This "thousand people" and "neatly abacus" fonts undoubtedly bind the personalized development of calligraphy. By the late Ming Dynasty, due to the influence of the ideological trend of personality, the aesthetic thoughts during this period changed significantly. There are many strong personalities in the book world, such as Xu Wei, Wang Duo, Dong Qichang and others, the calligraphy has a strong personality, and has valuable exploration and achievements in the beauty of calligraphy, flashing the gloss of the times. But in this era of personality, everyone wants to have individuality, and can't help but go to the road of impetuous hypocrisy and eagerness to achieve. Pan Boying pointed out in "Chinese Calligraphy's A Brief Theory": "Almost everyone in writing of the Ming Dynasty must be self -contained, desperately to cause their own appearance in the glyph, and the results have countless unnatural quirks." It can be said that it can be said that it can be said The history of Chinese calligraphy has evolved in the continuous changes of calligraphy style. It is both a common history and a personality history.

Wang Duo's "Cursive Jade Six"

Former Soviet psychologist Peter Rovsky held in the book "General Psychology" that "one of the most prominent aspects of personality is his individuality. The so -called individuality is the unique combination of human psychological characteristics, including personality , The characteristics of temperament, psychological process, the sum of the motivation of emotion and the motivation of the activity, and the ability to form. "Everyone has their own" individuality ", and it has great difference. "Books such as others", "Writers, writing aspirations", "Books, Heart Painting", etc., all show that calligraphy is a highly personal art. Then, the individuality of the book affects the personalization of calligraphy works. As Liang Qichao said: "The slutty people, the words are sloppy, the writing is also sloppy, the restrained person, the words are restrained, and the writing is restrained. You can't make an contribution at all." Based on the temperament of the person. It is a rational person, and the first priority of the book. "Liu believes that the primary task of the book is" rationalism ", but in fact, it emphasizes the subject (scholar temperament) in calligraphy creation. (Pen ink) Decisive. The main body of calligraphy is a calligrapher with certain ideas, aesthetics, and skills. The object refers to the spatial environment, social environment, tool materials, and creative objects engaged in the creation. The two are treated with each other, interdependence, coexistence, and communicating with each other. Sun Guoting has a wonderful description of the relationship between the Lord and object in the "Book Book": "Writing" Le Yi "is more affectionate, and the book" Painting Praise "is involved in the riches. "Tai Shizhen" competes and competes. With "Lan Ting", he has a good collection, Si Ying super; private commandment, love is miserable. It is not only the individuality of the book writer, but also its spiritual independence and cultural quality. Xiao Zixian in the Southern Dynasties said: "If there is no new change, you can't replace the heroes." Such an exquisite theory emphasizes the life of art lies in personalization, and all personalization must be unique and unique. This personality comes from relieving classics, inheriting tradition, and using ancient times. In other words, everyone has a unique personality, but any personality is inseparable from the constraints and functions of commonality. Personality is innovation, and commonality is inheritance. For the scholars, it is necessary to "enter the group" and then "separate", that is, to make a change of change on the basis of learning, take his God as my god, from the commonality to the personality, and form the style of self -book. Such a transformation has both self -initiative and follow nature, so that the personality of the work is the active grasp and redefining of the personality of the book. The southern dynasty scholar Zhang Rong said: "Don't hate the two kings, but also hate the two kings without the law." It can be said that Zhang Rong is the two kings of good learning. In the form, the shadow of the two kings is left. He can be good at inheriting traditions, integrates, and turns ancient times into his own, more prominent personality and originality of people, and deepen the profound significance of the spirit of the Wei and Jin calligraphy. This is not meaningful to the scholars who are studying at the moment and the scholars who only seek shape. Book writer Qian Junxuan pays more attention to the development of personalized in calligraphy creation. He said: "I think calligraphy is an art of developing personality. It is based on skills and expressions. Calligraphy The manifestation of personality, the character is not high, and the book in the book is not as good as the book. , Standing.

Xu Wei's "Ten Women's Museum" (partial)

Throughout today, there are more and more exhibitions, but the overall lack of new ideas and a single style. Some experts admitted: "The number is increasing, but the recognition is getting lower." More and more, but more and more personality is increasing. Faced with this kind of casting and casting type, Mr. Yan appealed sixteen years ago: "The social psychology of the new century is yearning for novelty and publicity. The era of God. "(" Baoyuntang Art Review ") This coincides with the" Hong Yang original, respect for personality, respect for personality, and the art of arts, and the art of art coincides. The lack of personality in the book, but it is made new in the form, which is really wayward personality. Mr. Yan in "What do we contribute to this era? ——In the article "The current Calligraphy Creation Academic Criticism Exhibition", pointed out in the article:

The current problem is to confront the charm and form, pay attention to point drawing skills, and ignore the breath of breath. Either exaggerated forms, or too much fun to pursue pen and ink to reduce the artistic realm. In this exhibition, individual works are rearrassing, purifying, and blindly pursuing personality styles and ignoring the artwork of the work, so that the book is familiar and the weather is weak.

There are individual works a one -sided dazzling skills, learning ancient floating noodles, and shallow methods. "Innovation" is just a surface visual effect. From the word method to the white, only the personality style is prominent, the publicity of modern consciousness, exaggerated in shape and ignoring the internal texture; or on the basis of a certain ancient scholarship style, the small characters are put into a large paradigm, resulting in the lines of the lines, which makes the lines stiff Raise up, use ink to be dignified, there is no falsehood, the work charm is insufficient, and the lack of anger and vitality. ("Baoyuntang Art Review")

Calligraphy must have a personality, how can you seek personality? Mr. Yan then fired the good medicine of good recipes:

I think that the artistic creation of an era must organically integrate the traditional characteristics, the characteristics of the times, and the characteristics of the personality, and to reasonably seek the aesthetic characteristics of the art of evidence inward, heavy, and noble gods with traditional Chinese philosophical philosophy. ("Baoyuntang Art Review")

Zheng Sixiao's "Painting Chrysanthemum" poems: "The flowers are not blooming with all flowers, and the independent sparse fence is not poor. It is better to die in the branches.In the unyielding and unyielding poetry mood, we can also understand that the personalized aesthetic pursuit of calligraphy must be based on the basis of non -obedient, non -obedience, and repetitive.(Text/Peng Qingyang)

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