Because of a 20 -megapixel photo, I missed a single business

Author:Benevole Time:2022.06.23

Because of a 20 -megapixel photo, I missed a single business

2022-04-12 23: 23 · Photography World

I remember when I met a customer who wanted to buy my photos at the time, he needed a large output as a propaganda material. When everything is negotiated, the customer asked, "How many pixels are there? How much is the side length?" I replied, "20 million pixels."

I just missed this business! I went to buy a 40 -megapixel camera the next morning. Until the summer of 2020, I started the amplitude camera of Fuji, and it almost met all my shooting needs. Whether it was the details of the ultra -high pixels, or the later space brought by high tolerance.

F/11, 1/10 seconds, ISO 100. Photo by Jiang Jihang

Jiang Jihang

Fuji China Cooperation Photographers, Visual China Signing Photographers, 8KRAW Contract Photographers, 2021 IPA International Photography Award Professional Construction Categories, and 2021 IPA International Photography Awards judges choose TOP5, 20120, and 2021 Sina Chongqing Top 10 photographers.

In my words, photography is life, and life is photography.

I am a post -90s photographer who currently work and live in Chongqing. In 2019, I came into contact with and fell in love with photography. After leaving, I wanted to give myself a chance to take a small holiday and started the first camera in my life. For empty, exploration, and retention, I gradually discovered that the photography had been integrated into my life. Driven by this love, I embarked on the path of professional photographer.

f/5.6, 30 seconds, ISO 50. Photo by Jiang Jihang

If you want to be good, you must first benefit your instrument. A handy camera will make you less effective. I have changed two cameras in a year and a half, and upgraded from the 20 -megapixel of the first camera to 40 million pixels. Why do I change the camera so frequently?

When playing photography, pixels don't care for me, and at that time, I didn't understand the advantages and disadvantages of pixels. After being a professional photographer, pixels are becoming more and more important for me. I remember when I met a customer who wanted to buy my photos at the time, he needed a large output as a propaganda material. When everything is negotiated, the customer asked, "How many pixels are there? How much is the side length?" I replied, "20 million pixels."

F/8, 1/125 seconds, ISO 400. Photo by Jiang Jihang

Among the many shooting subjects, I did not hesitate to choose the theme of the city. Want to let more people know Chongqing through their own lenses and like Chongqing. When recording the city, the Fuji mid -frame cameras I often used include GFX100, GFX 100S and GFX 50S Ⅱ. In recent years, through continuous innovation, Fuji has become more and more complete. The size and weight of the fuselage have been well controlled, with comfortable grip, and shooting like fish.

Each of Fuji middle -frame cameras has a thousand autumn. I think the cost -effective "header" is the GFX 50S Ⅱ. The money of spent the full -frame body can buy a Chinese format. The design and appearance of the GFX 50S Ⅱ are basically the same as the GFX 100S. Its volume is 150 × 104.2 × 87.2 mm, and the body weight is about 900 grams. It is very convenient and flexible to bring it to the high or outdoor photography.

F/8, 20 seconds, ISO 50. Photo by Jiang Jihang

The Fuji GFX 50S II, while reducing the weight of the fuselage, also guarantees the picture quality. 43.8 × 32.9 mm 51.4 million pixel CMOS sensors are the core of Fuji GFX 50S II. The area is about 1.7 times the full -frame sensor, which can achieve better low sensing performance and wider dynamic range. Essence

51.4 million pixels make me more confident when shooting. In the later period, there is no need to worry about losing pixels in the later composition and no customer requirements, and you can output large -sized photos. The performance in dark light made me amazing. When a 15 -minute ultra -long exposure was shot, when the exposure was completed, the details of the dark part were extremely delicate. Under the same situation of the same situation in the same situation in the past, the color noise was quite obvious and could not be avoided.

F/8, 60 seconds, ISO 100. Photo by Jiang Jihang

In urban scenery photography, good light and shadow are often fleeting. Imagine that if you are still a tripod at this time, you may miss it perfectly with you at this moment. Fuji GFX 50S II has a built -in image stabilization system with up to 6.5 gears. Even if the light is weak, it can be used to get a clear image.

In addition, in the scene of shooting sunrise and sunset, the use of full -frame cameras in the past requires 3 or more. It can be used to make HDR synthesis through software to ensure the quality. However The synthetic function can be solved, which greatly improves the shooting efficiency and saves time. F/11, 1.5 seconds, ISO 100. Photo by Jiang Jihang

F/8, 100 seconds, ISO 100. Photo by Jiang Jihang

It is worth mentioning that the color of Fuji digital cameras has always been talked about by users. Even photography Xiaobai can take the film simulation function of Fuji digital cameras to take photos with style. The film simulation style of GFX 50S II reaches 19 types. During daily shooting, you only need to flexibly choose different film simulation styles according to different scenes. The photos taken by the photos are great, and you can quickly social networks.

Two photos are synthesized later. Photo by Jiang Jihang

Good horses with good saddle, for the replaceable lens camera system, the lens is undoubtedly the same as the body. After several years of development, Fuji G California's middle format system already has 14 shots, covering a focal length of 23-350 mm. I often use GF100-200mm F5.6 R LM OIS WR, GF45-100mm F4 R LM OIS WR, GF250mm F4 R LM OIS WR and GF23mm F4 R LM WR. The reasonable use will definitely bring you the feeling of Liu Dianhua.

We can focus on the local area through the long focus, highlight the structure and lines of the building, and at the same time, we can also use the telephoto panorama in a distance, which not only avoids the crowd, but also makes the picture more concise and tension. In addition, I usually use other brands of 15 mm shift lenses to transfer GFX 50S II to make the focusing of 12 mm under the full -frame format, which has a wider perspective.

F/11, 1/40 seconds, ISO 100. Photo by Jiang Jihang

In the past three years, I have almost seen what Chongqing looks like at any time. I walked in the urban streets, looked up at the towering buildings, overlooking the tens of thousands of lights under the twilight nights and early morning, pressing the camera shutter to record the hustle and bustle of the city with light and shadow, and felt the pulse and breathing of the city.

A good photo, each person's definition is different, the angle of the photos is different, and the views of the sight are also different. For me, the shutter is a good photo when the shutter is pressed. Maybe there is no beauty. Perhaps the composition is not the best, but it records the beauty of that moment. Many years later, when you open your photo album, each photo is full of memories.