Who is the blush of "actor" to become "actors"?Saying good lines should be the basic skills of actors

Zhejiang News Client commentator Liu Xiaoqing

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The actors who do not pass the line and depend on the "opening" by the voice actors are now nicknamed "Shiibei". Recently, more and more "Show Beibei" began to use the original sound, but caused by the bad lines of the lines. Many viewers said that "their mouths destroyed the whole drama", and some people questioned Is it a qualified actor?

The actor is "Show". The discussion about "Show Beibei" reflects the audience's voice. People don't want to see the "face replacement" of sound painting split on the screen, nor do they want to open a show. Those familiar voices. Some netizens joked that "I love your face and the voice of another person", "The sugar that the audience is dubbing is all dubbing teachers in love", which is ridiculous.

Is the original soundtrack the "super outline" of the actor? of course not. The sound table is the four basic skills of the actor. The "sound" ranks first, and the sound and lines account for two of them. They correspond to the grasp of the actors' tone and the accuracy and adaptation of the lines. It stands to reason that actors should go through professional training and long -term practice before acting, but the reality is that the basic skills of many actors are "unable to take out". They vomit words and unknown sentences; they are full of Mandarin with rich dialects; some people don't even carry the lines, and they read the "12345" directly, making people wonder: Is the current TV series "looking at the face"?

It's even harder to say that it's not good. The lines often help the actors enter the drama. The sound is emotional, and it is difficult to divide into two, otherwise it is easy to have a sense of splitting a dislocation. The process of actors to sort out platform words, understand lines, and interpretation of desktop is actually a process of empathy with the role. Good actors can often integrate sounds and performances, so that the audience believes that he is the role of the play. The so -called "drama throw actor" is what these actors are acting, which can be described as "a thousand faces." On the other hand, most of the actors who have been criticized by the lines are also questioned: when they should be frustrated, they are straightforward. When the grief is distressed, they are weak, and they do not blame the audience to say that they are "AI actors". Essence

Many people are sought after "original flavor". In fact, sounds and lines can also help actors to create personal characteristics and unique charm. There are no two exactly the same leaves, and there are no two exactly the same sound. It and the actor's body and performance together constitute the three -dimensional image in the hearts of the audience. Zhu Yawen's low depression is like a murmur in her ears; Yongmei's tenderness makes people like a spring breeze; Haiqing's spicy is like rain; Yang Zi's playfulness makes people feel pity; Jia Ling's heart is like a warm winter sun ... sounds and lines It is both the foundation of the actors and their unique reliance. If you ca n’t even open your mouth, you ca n’t make a sound, how can you count on “sound into the heart”?

Fortunately, there is not much time left for "playing Beibei" to continue "closed mouth". Earlier, the State Administration of Radio and Television issued the "Demonstration of the actor employment contract (trial)", which mentioned that if the actor cannot complete the dubbing work, you need to ask the professional dubbing actor, and you need to pay all the costs. Although there is no "sound replacement", the signals and tendencies passed by are self -explanatory. At the same time, the Chinese Film Golden Rooster Award also takes the "actor's own dubbing" as a necessary requirement for the performance of the performance category. The "security zone" to the show is shrinking, and more and more places must learn "speak" in the future.

I hope that those who rely on the dubbing actors can understand that if you want to come to the way wider, you must practice his skills and make up for shortcomings. A bit of confidence. After all, on the surface of the character, don't want the character to enter the audience's hearts; if you don't enter the play, you will only let the audience play repeatedly.

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